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    WHAT'S INSIDE:
    Five complete, previously unreleased performances on 17CDs
    Des Moines, IA 5/13/73
    Santa Barbara, CA 5/20/73
    San Francisco, CA 5/26/73
    Washington, D.C. 6/9/73
    Washington, D.C. 6/10/73
    Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
    Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
    Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
     
    Limited Edition Individually Numbered To 10,000 
    Exclusively At Dead.net

     
    "There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
     
    8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
     
    HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
     
    During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
     
    The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
     
    Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
     
    Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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  • daverock
    Joined:
    Long wait for 2 and 3

    Dennis - I can remember about 3-4 years ago both Two and Three were listed on Amazon UK as upcoming releases. I paid in advance for number Two and sat here waiting. Every few months I would get an email from them telling me the release date had been delayed and did I still want a copy. Of course I did....but this process continued until one day, a year or so after I ordered it, they emailed me to say they had cancelled my order as they wouldn't now be getting any copies.

    I only saw it for sale yesterday by chance, scrolling down whatever Dead releases they have in stock at the moment. It's supposed to be delivered tomorrow. Didn't want to go out anyway.

  • Dennis
    Joined:
    Dave & the from the vault

    What a long saga on those LP's.

    Experience vinyl seems to have them in stock. Quick check on #2,,, they have and they're 100 bucks.

    I ordered these (all three) over a year ago. 1 came in about a month ago, they've been "shipping" 2 & 3 for a while.

    Finally, 2&3 are in the mail,,, should be by Tuesday I think.

    Extra funny note - I mistakenly order two copies of 1 over a year ago. I never cancelled one of them because I didn't want thing to get fucked up. They finally send 1, but not the second copy?!?! Once I get 2 & 3 in hand I will see if the extra 1 can be cancelled. I really not sure if they charged me when I ordered or they charged when shipped?

    In any event Dave might be worth a look.

  • daverock
    Joined:
    Talking of 1968

    I noticed a vinyl Two From The Vaults for sale on Amazon yesterday. Only three available, and not that expensive. This morning there was only one available. Gulp. Thought I'd better jump on it. Squinting at the cover on the screen, it looks as though it is the same pressing as the one that came out in 2014. I got my original cd when it first came out, the one without the bonus tracks - so this new one might sound a bit better.

    Not to keep harping on about it - but this might be another reason cds from deadnet don't sell out as quickly as they used to. There are more options available. The fact that I have just bought this, makes it less likely that I will buy Daves 47-unless it's from a year I really like a lot.

  • billy the kiddd
    Joined:
    Winter land 74

    I bet they put a vinyl box set of the shows out next year, hopefully they also put it out on cds. I still think there is hope for a 1980 Warfield box set by using cassette masters.

  • JimInMD
    Joined:
    Re: Winterland '74 / Random Musings

    Who knows for sure on this one, do good tapes exist or did Jerry and Phil accidentally smoke them backstage at the '76 Tower Theatre shows?.... I do recall an interview with someone (Jerry?), it might have been on the documentary Athem to Beauty where they learned a valuable lesson recording Anthem.. not to wear out the masters making the mix.. "by the time we were done it sounded terrible and muddy??" It might have been part of that quote where Jerry says, laughing hysterically, "we mixed it for the hallucinations"

    There's a lot out there in the ether about the Winterland '74 source recordings. Google "Steal Your Face Album" and in the Wikipedia article they go into detail on Bear and Phil's take of the recordings and the mix they used for the album. Also.. the usual suspects were not used to record these shows.. (Bill Wolf???) Owsley was especially pissed.. claiming (again from source I cannot remember) that the shows were mic'd incorrectly and there was terrible bleeding, that the tapes were almost unusable (or was it unlistenable?).

    It sounds pretty good to me..

    ..but it does sound drastically different from other GD recordings of the era. There is a reverb quality and some bleeding that comes through. This after someone spent a tremendous amount of effort cleaning them up before release.

    It could be there were problems on the source masters, that cleaning them up created fatigue or the like or that much of it did not sound great. It simply might not be as easy as waving a wand and poof.. we have Winterland '74 the Complete Recordings. Then again, I could be wrong.

    As for Deadheads dying off and there are less of them now. I don't know.. I remember hearing That exact quote in 1982. In the Dark anyone? Could be. Could be we are undercounting the newer folks that never even got to see Jerry play yet somehow were able to see the light. Some are every bit as passionate as the next rabid teleporting, time and space travelling, seasoned dead freak.

    I agree with the saturation comment.. especially the '77/'74 pole position shows to lead off the series and some less desirable shows filling the three and four positions of the series. That might have worked better when 12k were made, just saying.

    HOW ABOUT SOME 1968! Or More like December 26th 1969? Yes.. they will not eclipse Cornell in hype but fluck it.

    With few exceptions, this series is excellent. The Summer 73 Box should fill whatever perceived void might exist. So that brings us to exactly now, which reminds me.. we need another release and soon.

  • Vguy72
    Joined:
    The Dead will never die....

    ....a bunch of young bands get IT.

  • daverock
    Joined:
    Good news all round

    Seems like The Dead won't die off anytime soon, which is good news. They don't have such a high profile in England, of course, but archival albums are often reviewed in music mags, and they are nearly always positive.

    DocMarty - yes, how could I forget that? Walking football sounds alright to me. I do that too - minus the football. I had a casey when I was about 8. Brown leather, it collected the water if it rained, and if you headed the sucker after that you ran the risk of knocking yourself out.
    I always keep a lookout for Wolves on Match of the Day. Watch the highlights. Though they are so brief for all games that they seem more like an interruption in between the incessant analysis. Start to watch a game - go in the kitchen for a cup of tea - come back - the games already over and it's back to the studio.

  • wadeocu
    Default Avatar
    Joined:
    Fire box

    30 trips seems like the likely candidate for both size and variety. After that Id probably go with the second spring 90 box and Europe 72.

  • jaydoublu
    Default Avatar
    Joined:
    In Case of Fire/Box set

    Thinking I'd spend to much time trying to decide, which boxes to take...so I gonna put out the Fire,

    Like Dennis, have things on external hard drives in different locations/properties

    Don't forget your pets

  • proudfoot
    Joined:
    fewer Deadheads alive?

    that is true. I mentioned my friend Craig the other day. He left us on April 30.

    In addition, after I get this box, I will be preeeetty close to saturation with shows. Time for listening is ticking away for me, as well. Unless the NEXT box includes 11/19/72, I might well pass on it.

    Subscribe next year? maybe.

    anyway...

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3 years 6 months

WHAT'S INSIDE:
Five complete, previously unreleased performances on 17CDs
Des Moines, IA 5/13/73
Santa Barbara, CA 5/20/73
San Francisco, CA 5/26/73
Washington, D.C. 6/9/73
Washington, D.C. 6/10/73
Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
 
Limited Edition Individually Numbered To 10,000 
Exclusively At Dead.net

 
"There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
 
8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
 
HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
 
During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
 
The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
 
Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
 
Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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live in shame die in vain feed the poor stop the war(s)!
did 6/10/73 yesterday, and now my first round of fun listening to the entire box has been completed; planned on stretching it out over several months when the order confirmation was received, and it worked out well as DaP fourty seven got mixed into the rotation several times. For round 2, I'll re-listen more critically with the Bose QC-35 headphones to hear the subtle differences each of these recordings. I'm sure I'll be hearing some surprises.
shine your shoes sing the blues

Peace All!
uncle_tripel

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17 years 4 months
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Mary, belatedly can I contact you about an issue with the discs on this one, and can you remind me how I do such...

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send me a PM!
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7 years 10 months
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Has anyone else received a similar email about trying to get replacement discs.

Your email has come to my attention, and I apologize for the tardiness of this response.

Unfortunately, I have been advised that we no longer have stock for the disc you need replaced.

I am very sorry that we cannot fulfill your replacement request. We will refund you 50% for this item. (Please allow up to 5 days for funds to post to your account.)

May I also offer you a digital download of the Here Comes Sunshine box set? (If you would like to pursue this offer, please let me know whether you would prefer your download files in the FLAC or ALAC format.)

I apologize again for this frustrating experience.

Sincerely,

Tashanna
WMG Specialty Customer Service

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They cannot get you replacement discs but they can put the set on sale for $140.23 in their holiday sale? Hey now on that.
Cheers

No one has offered me a refund,they just sent me more faulty discs that don't play.It will cost me even more to send this back,I can't see them refunding all the postage & import fees that I had to shell out.

Wow, given the recent comments, who would have thought that the HCS box would be available for $140, listed in the Black Friday sale. That means they should/must have shipped any replacement discs for faulty or damaged at no cost BEFORE they sell another set... Had to jump through three Hey Now hoops to post this... talk about Lost Sailor...

Sydney - why should you be expected to send faulty discs back? You have said they are faulty - that should be enough for them. Don't they believe us if we say discs are faulty? A little respect would be nice - do they think you might be trying to pull a fast one? Ridiculous.

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It's on sale, but it's not available? What's up with that?

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4 years 3 months
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Purchased the ALAC digital download since the discs were unavailable. Many of the dowloaded tracks have dead air.

I have purchased many of the box sets over the years and never have I run into so many issues. Disapointed to see so many other devotees with similar issues. Hope this gets resolved soon. The set lists are awsome and I can not wait to kick back and listen.

product sku
081227847036
Product Magento URL
https://store.dead.net/en/grateful-dead/special-collections/here-comes-sunshine/here-comes-sunshine-1973-dead.net-exclusive-[17-cd]/081227847036.html