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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • icecrmcnkd
    Joined:
    Hearing voices

    They’re at the start of Drums too.
    Maybe a microphone by the drums?

  • 1stshow70878
    Joined:
    Kids just want to have fun

    We had it so much easier Charlie3. House parties that spilled out into the suburban street and even if the cops came all they did was tell the host to turn it down and keep them in the backyard, not the front yard. And we seldom if ever got pulled over. Yesterday saw a scary report on fake Oxy saying 99% of what's on the street is fake and likely have deadly amounts of Fentinol (sp?). Literally one pill can kill. These kids have no chance against that. The profit motive as those cheap Chinese chemicals make it to Mexico and have taken over the fake pharmaceuticals. All we had to worry about was taking too much or mixing the wrong ones in stupid quantities. I'd like to think we were smarter but it's more likely we had safer choices and were simply more experienced. They just want to have fun.
    Cheers

    Edit: Back from the mail and 7798/25000 is here. Sounds like it's time for a safe and sane house party.

  • daverock
    Joined:
    teenager daughter

    I don't think I would sleep until she was about 25 if I had a daughter.

  • Dennis
    Joined:
    Vguy

    >>>>> I mean, how many perfect sounding versions of Promised Land does one need anyway?

    2317 :-)

  • daverock
    Joined:
    Mr Ones

    Yes, I agree with what you say as well. I am not really influenced by others opinions on things, although I find others views interesting. It's always fun to read the views of someone who goes against the grain in any field.

    While all shows are different, there is a similar tone in certain years, surely. It's not just 1977, either. I have been listening to the February 1973 shows I have this year. Then I pulled out 2 Daves Picks, 32 and 16. 16 is 3/24 and 32 is 3/28. After listening to 3/24, I decided to leave the next one for a while....try something different and go back to it later. The jams in this year may be unique, but there is a similarity in the way they played many of the shorter songs.

    I'm not fussed about this audience patch that has been mentioned.

  • Charlie3
    Joined:
    Life Is a Carnival

    Got a midnight phone call this evening from my 17 year old daughter who was ostensibly sleeping over at a friend's house. "Hi dad...I didn't do anything wrong...but... my friend had a party and the sheriff wants me to take a breath test...should I?" I told her no, you should politely decline and say that you don't consent. And then I went and picked her up from her friend's house, along with what looked like a dozen other parents doing the same thing with their own teenagers, while a few sheriff deputies sat on scene helpfully directing parents to the right house. Honestly, I'm more amused than annoyed, but that's ok, because it seems like my wife is way more annoyed than amused. With the stuff I did at 17 I'd feel like a pretty big hypocrite getting too worked up about the situation.

  • Willysin4wd
    Joined:
    Carried away by the song

    Spot on Mr. Ones. I was just thinking after my previous reads of comments and then listening to 10/1 Estimated /Eyes, this is a moment in time that we get to revisit-what a gift. The sound quality is Super. Like really Super! And what a fun juxtaposition to have the two opening songs to give us an experience of what came before soundboards. It’s like a test to extract the energy from those songs…and then we’re in sonic bliss before the second song ends. So good.
    Hats off to Bob Menke the taper!

  • carlo13
    Joined:
    D-45

    This is a great pair of shows. I'd rank it above average for sure. Samson rocks. Thanks to Betty+Dave. Those crash cymbals towards the end of Samson.

  • SPACEBROTHER
    Joined:
    DaP 45

    I agree that each show regardless of your and year are unique events and a big part of the enjoyment of collecting these. Overall I think both shows are cool. Within the context of the '77 Fall tour it's interesting to see how they evolve and experiment over the course of weeks. There has been a lot of '77 shows released and there's plenty of nuance to be found given the time to absorb after a couple of spins through.

  • tumbleweed
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    Top Notch

    There's a case to be made that 45 is the best Dave's Picks release in several years. Let that sink in. And while you're at it, contribute to the cause. This pick needs to sell out yesterday. Or the day before that. Make that the week before last. If you don't already own these shows, you're either spending too much time on the archive, you're cashless and have no credit, or you just don't give enough of a damn to turn your attention away from a silly internet forum to give yourself the gift of great music. There are no other options; full stop.

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3 years 6 months

What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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10 years 5 months
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Chill with lambasting the sound quality of Dave's 45. If you only listen to the first two tracks (Promised Land & They Love Each Other), as Dave himself explains on the Seaside Chat, you're listening to Bob Menke's audience recording. There's no soundboard of those two tracks and Bob kindly provided his tape. Some have said that the Smith/Miller/Clugston aud (140589) on the Archive is a little better than the Menke. In any case, once you get past those two, you're hearing "recently" recovered Betty Boards from the stash of soundboards returned by ABCD Enterprises. The changeover to soundboard actually happens before the end of They Love Each Other. Check out Dave's Seaside Chat for more.

The two shows on Dave's 45's 4 CDs are great sounding once they reach cruising altitude.

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10 years 2 months
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I get where you're coming from. My main complaint on sound on many DiPs and DaPs is the drums are too loud. I used to blame Mickey for being involved in the remastering, lol. But to have two shows for the price of one totally outweighs the defects, and frankly that's what the tone controls are for on our stereos. And I also applaud Dave for being brave enough to get us the two shows with an aud. patch at the beginning. Patches are something they don't do very often and only when it's worth it. Especially, these two shows are so worth it. Don't give up on it.
Cheers

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I remember getting this on cassette in the late 80s and loved both shows even if there was "some" missing. I have listened to this release several times and I love it. My question is: how is this still available? I've noticed the last few Dave's releases have been selling at a slower pace than just a few years ago. Just wondering, maybe the uptick to 25,000 units was a bit much? Anyway, have a safe happy holiday.

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