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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • proudfoot
    Joined:
    2 15 69

    :)))

  • Vguy72
    Joined:
    Then....

    ....I guess I'm good to go!
    November Dead though. Whatcha all talking about? By the time the Fall Tour came around, they were already honed in and focused from Spring/Summer. Time to blow some minds.
    I miss them. Fun times.
    Type away mister. You got this. 831 is extremely specific. Love it.

  • Dennis
    Joined:
    Birthday not until May!

    I'm trying to put 831 songs on a usb drive (about 6 gig).

    Must be a USB 0 drive,,, I could type the songs on it faster.

    This will probably take till May to copy over!!!

  • billy the kiddd
    Joined:
    February Dead Rocks!

    Yes it does!

  • wissinomingdeadhead
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    Joined:
    February

    Dead
    2/14/69
    2/18/71
    2/23/73
    2/24/74
    2/1/78

  • Oroborous
    Joined:
    Thank You local PO

    Not only did they “deliver” it asap Friday, they put it in our box directly. No slip/standing in line with 30 folks in a 10’ by 20’ lobby!! Proper! Works out as the other one is working this WE! So thrusters to max! Woof!

    So got a good big boy chair AM listen to 10/1 today. Bout what I expected, both pro/con.
    As per usual, after a few songs they get things dialed in quite nicely as the tech/restoration magicians have done a fine job yet again.
    It seems they keep getting better as they go, which is nice! Especially feel like the 77s have improved with the sometimes pile driving drums/bass droning. Much smoother these daze imho.
    The show/release…will comment generally after second show mañana, but specifically:

    Like most 77s consistency is king. Although I’ve never heard a “perfect” show (which I think is a good thing), many 77s are damn near, as least as far as quality and consistency, though one might argue about content depending how your pleasure tends. But even if perhaps your pleasure does lie elsewhere, you have to agree the content is pretty dern good even if not top shelf?
    The difference being perhaps the difference between driving the speed limit at 75, when your used to 55, and driving 90 in the flow of western “rush” hour traffic, compared to 55.
    That’s how often 77 feels to me. A nice luxurious comfortable enjoyable ride with some definite excitement, but perhaps lacking the element of danger and the rush that goes with it…like their too pro lol.
    The former is how 10/1/77 felt to me. Nice, smooth, very enjoyable, but not too many YEAH! moments.
    But that’s just based on what scratches my itch and not a negative.
    Fairly consistent first set, perhaps taking a bit to move through the gears which is not unusual for first sets.
    Dug Mexicali, and Dire Wolf though not a ripper? Nice Cassidy, tame Deal, sweet Passenger that does rip, oh, really dug the vocals on this release, great harmonies for the most part, and kudos to DG throughout. This had a nice but different sound field, with the vocals floating nicely above and a bit behind the stereo plane but a bit behind or under the instruments instead the often out front or above/louder then the instruments. Given the two, I prefer this method even if occasionally they were perhaps lacking briefly at times? Unfortunate factor in SBs (not to be confused with Beatty board utilizing her own mix) being sometimes in your face vocals…but I digress.
    Overall another solid job by our guru Beatty!! and Mr Norman, et el…
    It is sometimes hard to believe how good these old shows can sound, even with, or in the face of worts, splices, and patches. Amazing!
    Status quo Jed and decent if not ripping Wood, relaxed little Peggy O, just for Jim who sounds like he could use it!
    But the highlight has to be the ripping TMNS! That did get a hell yeah outta me.
    Status quo openers, though presented in a solid one two punch. Sweet Roses, fully dug Estimated, followed by nice Eyes. I prefer early or sorta later Eyes, but this one built up nice and of course the big hell yeah moment for moi came during a great Dancing. JG getting some cool growling noises especially right before he goes full on envelope disco dirty, boo ya.
    Didn’t hear the chatter before drums as I wasn’t fully there for a couple moments lol, and made a quick bong/bathroom loop during NFA (which seemed usual status quo version) in the background. Rode the end of that nicely into a smooth Black Pete including the fun RF radio interference, probably from production or security radio transmission in the venue, but back then always a possible Trucker rolling by? Don’t think Bob had gone wireless yet, which in early days was common path for RF goofiness, but here would guess instrument/electronics interference over mic bleed, but with E lick Tricia tee anything’s possible! Laughing thinking about Spinal Tap scene ; )
    Big Rocking R&R which I love mid seventies ones best, don’t recall if this was has my favorite DG scream, (stoner ahem)(the A&A ones) to bring it all home.
    Sometimes a nice luxury ride on the couch can be better than shroomin on the Wild Mouse Minnie coaster ; )
    Looks like nice balanced set list between shows with only one repeat.
    Look forward to part deux mañana!

    EDIT: Ooopps, almost forgot.
    No such thing as bad weather, only bad gear ; )

    Alvarhanso: enjoyed the HST 72 bowl stick. You go boy!

    1stshow: been meaning to follow up. Hope it helps your situation.
    Agree about being young then versus now…

    Midnight calls: BITD that was a good thing, “ hey, whutz up, where we going tonight”…nowadays, never a good thing.
    Dbl Edit, Doah, sorry, good to hear from my bizarro Jerry good twin, and never tire of the stories!
    Good ones need reliving!

  • nitecat
    Joined:
    Mickey

    Someone commented that Mickey was dominant in the mix, and I agree. This is not Betty's best mix. The jams are where the blend works best with Mickey so loud. There are some real exciting highlights in both nights. The two audience songs on disc one don't bother me at all, that's how they were able to give us the whole show. I like hearing a little aud recording just to get a sense of the room ambience.

  • nitecat
    Joined:
    Sleep

    Regarding a good night's sleep, someone mentioned indica. There's also two cannabis strains called CBD and CBN. Both are available in many cannabis friendly states as gummies, drops and mints, and are excellent for getting to sleep naturally.

  • Vguy72
    Joined:
    But Dennis....

    ....my birthdays not until May!

  • billy the kiddd
    Joined:
    February, Hall of Fame Dead Shows

    2/14/68, 2/13 & 14/70, 2/27 & 28/69, 2/17/79, and so many other killer February shows I didn't mention. February, the greatest Grateful Dead month of all time, it certainly would get consideration as that.

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3 years 7 months

What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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10 years 5 months
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Chill with lambasting the sound quality of Dave's 45. If you only listen to the first two tracks (Promised Land & They Love Each Other), as Dave himself explains on the Seaside Chat, you're listening to Bob Menke's audience recording. There's no soundboard of those two tracks and Bob kindly provided his tape. Some have said that the Smith/Miller/Clugston aud (140589) on the Archive is a little better than the Menke. In any case, once you get past those two, you're hearing "recently" recovered Betty Boards from the stash of soundboards returned by ABCD Enterprises. The changeover to soundboard actually happens before the end of They Love Each Other. Check out Dave's Seaside Chat for more.

The two shows on Dave's 45's 4 CDs are great sounding once they reach cruising altitude.

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10 years 2 months
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I get where you're coming from. My main complaint on sound on many DiPs and DaPs is the drums are too loud. I used to blame Mickey for being involved in the remastering, lol. But to have two shows for the price of one totally outweighs the defects, and frankly that's what the tone controls are for on our stereos. And I also applaud Dave for being brave enough to get us the two shows with an aud. patch at the beginning. Patches are something they don't do very often and only when it's worth it. Especially, these two shows are so worth it. Don't give up on it.
Cheers

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I remember getting this on cassette in the late 80s and loved both shows even if there was "some" missing. I have listened to this release several times and I love it. My question is: how is this still available? I've noticed the last few Dave's releases have been selling at a slower pace than just a few years ago. Just wondering, maybe the uptick to 25,000 units was a bit much? Anyway, have a safe happy holiday.

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