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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • icecrmcnkd
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    30 Trips destruction
    So dreading denied 10 people a 30Trips Box so he could break them up to make a buck? That’s why there needs to be order limits. There is also someone selling 10 GSTL Boxes on Amazon for $300 each. ORDER LIMITS!!!!
  • David Duryea
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    Gary
    You'll have a long wait. They're remastering the Pigpen and Janis 710 Ashbury sex tapes first.
  • dreading
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    Sales Tell The Story
    Dave Reading here, nice to meet you all. Long time Dead fan, long time forum reader, first time poster, long time physical record store / CD store owner. I like all eras, but I have to respectfully disagree with the idea that the 80s and 90s are as popular as the 60s and 70s. If they were, the sales would reflect it, but they don't. The 80s and 90s kept up at first, but lost pace ever since the market became saturated, which was roughly half-way through the Dick's Picks series. Until then, releases were infrequent, and the Deadheads came out every time something new came out, regardless of era. But once the release rate really picked up steam and consistency, all sales decreased, but more so the 80s (there weren't ever really too many '90s shows). I attribute this to the rationing of funds by consumers for the cream of of the crop, and the availability of more 80s product for lower prices online (which is not an opinion, it is a fact based on objective research I did, with no other motive than to identify which releases were most likely to help pay the mortgage). The sales figures tell the story. Just one example is the 30 Trips Around The Sun box set. I broke up 10 sets and sold them. It took 2 months to sell 1967 - 1978 and two years to sell 1979 - 1989. I still have a lot of '90s left. The 1966 release was in a slight class of its own, taking six months to sellout. What skews the tables even further is that I barely marked up the 80s and 90s, so not only did they take an immensely longer time to sell, but this occurred at a significantly lower price. It's no surprise to me whatsoever that Rhino appears to be pushing the 60s and 70s releases, because they're running a business and these are the money makers. I am sharing this to hopefully shed some light on the situation, and possibly help alleviate some of the typewriter churn that this topic has ushered in on the forum. Have a nice day and enjoy Dave's Picks 25!
  • icecrmcnkd
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    ABCD Enterprises
    Anyone got a Justia account so you can log in and see who the owner is? https://trademarks.justia.com/860/76/betty-86076910.html BETTY BOARDS BETTY BOARDS Digital music downloadable from the Internet; Downloadable MP3 files, MP3 recordings, on-line discussion board posts, webcasts… Owned by: ABCD Enterprises, LLC Serial Number: 86076910 https://www.trademarkia.com/betty-boards-86076910.html
  • raguz13
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    great pick
    I have to agree with you on this subject. The playing and sound is far superior to anything in the 80's and 90's.Like I said in an earlier post, 1974 is my favorite year and wish for a box set.
  • hendrixfreak
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    FWIW...
    I dispute the posts stating flatly that the GD have "purchased" any tapes from anyone who ended up with the Betty Boards from her locker. I doubt anyone on this board has inside information on how that deal works. I don't believe the remaining band members have changed their stance: "we don't pay for tapes that [ultimately] belong to us." But the liner notes on shows released from returned tapes all say: "Tapes provided through the assistance of ABCD Enterprises, LLC." I believe, but cannot confirm, that that means the folks with the tapes provided them for the release and probably earn a modest percentage of the earnings off the release. As for "paying for tapes" and then "blah blah profit" off them; the first is BS, the second is how the freakin' release program works. No profit, no release. Further, I'd guess (only a guess) that there may have been some arrangement to get a fair number of returned tapes released relatively quickly, which has already happened with two boxes and multiple DaPs. That way, the folks holding the tapes received some recompense for their willingness to provide the tapes. With the recent frequency of those returned tapes from Betty's locker, I'd suggest that Lemieux has options this year. He has not released a bunch of tapes from the Mtn Grrrl stash, which was received years ago. So while Dave has moved swiftly on some returned tapes, he has clearly withheld others. Over and out.
  • Gary Farseer
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    Hey David
    Is that an untapped era or an untaped era? I know there are some tape fragments but man o man, what I would not give for what you have proposed...
  • KeithFan2112
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    Re: 2/18/71 ESP Show
    I love that show too Jason (was there ever a better first Wharf Rat, sandwiched between Dark Star and Dark Star, part II, which was so exquisite as to garner its own title, Beautiful Jam?) In my humble opinion, I don't believe it would be a Dave's Picks, but I do believe it will be released eventually. The reason I don't think it would be a Dave's Picks release is that it is 1) a multi-track recording and 2) part of a 6 show run (Feb 18, 19, 20, 21, 23, & 24). Typically, Dave's Picks have been compiled from the two-track recordings in the vault. I would think that they would consider this Port Chester run to be one of the top-shelf commodities in the Vault and release it as part of a box set, or as a wider release, like the follow-up night that was released as Three From The Vault. I do think it will see the light of day (it almost "has to" given the sales momentum that most of the Vault releases have today). If you want to help expedite its release, write to your Congressman: Dave Lemeieux / vault@dead.net
  • alvarhanso
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    Re: dilbert and release order
    I think you're slightly misquoting Dave's criteria for release, I believe he's said they look for great performance first, and then make sure the tape of that performance has great sound. They don't seek out a fantastic sounding tape that has a mediocre performance. Almost all of the Dave's Picks have met both criteria, I think a few have been mediocre releases. I also agree with icecrmcnkd that the recently returned stuff will come out first. They have paid whatever it cost them to get them back in the Vault, and they need to generate revenue to make up for that outlay as you said. But they also seem to be finding the very best of that return for releases. As soon as they got Cornell, Buffalo, and Boston, they put it out. The July '78 box, which is still onsale, was the trial balloon. Those are really good shows (most especially 7/1, which was a non-circulating tape), and DaP 21 4/2/73 is a great show with a masterful recording job by Rex Jackson, DaP 22 12/6-7/71, another great sounding Rex tape that may fit the category of mediocre performance (debatable as there's an advocate for this Pick a few posts below), DaP 23 1/22/78 has been sought after for years and was put out to everyone's delight, and then DaP 24 8/25/72 was a Bear tape somehow in the Betty collection. Dave's 25th and 26th are both returned tapes, and the 6th of Dave's choices was also a returned tape, two actually. I hope there's more in the Houseboat collection worth putting out, but with all the Bettys (including her husband Rex's tapes, and the random(?) Bear tapes she had) back in the Vault, I would think the propensity will be finding the best of those and putting those out first. I think performance is the first box that has to be checked off, otherwise 30 Trips would not have included 5/16/81 or 7/31/82, which sound dreadful to my ears, but are good shows, just tough to listen to.
  • Jason K
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    2/18/71 ESP Show
    Any chance of 2/18/71 for an upcoming Dave's Pick?This has always been one of my favorites.
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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deserves another. back to back chicken shack. https://themidnightcafe.org/2015/07/02/lossless-bootleg-bonanza-gratefu… Grateful Dead 6/28/69 Veterans Auditorium Santa Rosa, CA. Download: FLAC, MP3 Lineage: Soundboard->Master Reel->Cassette->DAT->DAT Transfer: DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano 11/10/2003 –songlist– 101-d1t01 – Slewfoot 102-d1t02 – Silver Threads & Golden Needles 103-d1t03 – Mama Tried 104-d1t04 – Me & My Uncle 105-d1t05 – Doin’ That Rag 106-d1t06 – High Time 107-d1t07 – King Bee 108-d1t08 – Sittin’ on Top of the World 109-d1t09 – Turn on Your //Lovelight Notes: 1. Known low generation lineage and transfer info. 2. Splice in Lovelight about 20 minutes in. 3. Garcia on Pedal Steel for Slewfoot and Silver Threads. 4. Peter Grant on Banjo and Marmaduke on backup vocals for MAMU.
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One of my best friends has an Ecuadoran father and a Spanish mother. His wife is from Mexico. They are one of the warmest, friendliest families I know. Though he was raised in the US, their extended family get-togethers are Latin style. That means about 45 minutes to an hour to say goodbyes when the 20 or so of them gather for family events. Though we joke and groan about it, it's actually a nice touch when it comes down to it.
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In truth.. I had the pleasure of meeting Mrs. Sixtus, Sixtus Jr. and the rest of the Sixtus' in Boston last summer to catch some shows. Let me be clear.. Mrs. Sixtus is an absolute saint and even Sixtus Jr. was on his dad, cracking the whip to make sure we made the show on time. Thank goodness for the rest of the Sixtus clan, we did make it the shows in time and the fun level was pegged at 11, considering I got Mrs. Sixtus' ticket, that's pretty cool. A little praise goes out to Sixtus Jr. or we would have surely missed most of the first set. Just adding a little whimsical perspective. I hope that's ok.
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Love the Olympics.. they did a real nice write-up of the 1968 Mexico City Olympics tonight, I think Serena Williams narrated the piece.. medals won vs. leaders lost (Kennedy, King, etc.). 1968 was an epic year. I am biased... my grandpap won a gold medal in 1932 in Los Angeles in Lacrosse of all sports so I love Olympic hyperbole. 1968 is perhaps my favorite GD year too. Volcanic and explosive. As most of you know.. I am an advocate for all years, not era centric.. but I have a soft spot for the jazzy and psychedelic pre-hiatus years. Still, I listen to and love it all. In GD terms.. the Olympics are to GD music what the keyboard player years are to total crap and not even winning the bronze. (if that makes any sense). Performance is primary and ego/pre-expectations = nothing. Happy Olympics and happy listening my friends. It matters not preconceptions, it matters more effort, timing, luck, group mind and lastly yet importantly individual performance.
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....the year I was born. I may be biased but....the big five-O is coming up. Planning on jumping out of a perfectly safe airplane with a parachute on my back for the occasion.
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weird place to probly ask. but I'm looking for the full SBD of phish's 1/27/90. phishows.com only has set II with Carolina chopped off as well. PM me if you know where I can find it.
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The Capitol run would be great. The Ark shows even better, my personal favorite.
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This looks like its what you wanted http://phish.in/1990-01-27 The site will let anyone stream, but in order to download it makes you create an account, and it only downloads one track at a time. But you can do it. Found a couple Phish shows on here that me and Mrs Deadguy attended back in the day --- oh some good times. To be young and foolish like that again. Tonight I'm going to see Lettuce and Galactic in Detroit. Smells funky up in here. Jammed out to 2-22-69 from 30 trips last night. Hat tip to the folks on the board who planted that bug in my brain. Dare I say, I think its one (maybe the only?) instance where the Dark Star gets overshadowed by the full Other One Suite right after it. St Stephen > The Eleven was great too. Death Don't Have no Mercy gave me the sadz. I shouldn't listen to that song anymore for awhile.
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Have been watching the Olympics off and on from our current perch up in (finally getting some snow) Tahoe the past few weeks. I got mesmerized by the womens' figure skating, just watching the grace and power from such young 'uns. So this year's finals was the much vaunted showdown between the 18 year old and 15 year old Russians. As you probably saw, it was razor close to the finish. The announcers and experts were comparing the styles of these two. They said the 18 year old maybe had better overall skills, and skated more emotionally (whatever that means), fully wrapping herself up in the story of the music and performance. While the 15 year old had better jumps and power, and structured her program to get the bonus points from jumping later in the freestyle performance. But I found the movement and grace of the 15 year old to be more moving to watch, just thoroughly capturing my attention, while the 18 year old's routine seemed less graceful and more herky/jerky somehow to me. I could tell that the 18 year old was doing some perhaps more complex movements and combinations as a whole, but it didn't fire my imagination or move me the same way. My vote was for the 15 year old all the way. That reminded me somewhat of the 68-71 primal vs. 72-74 cleaner, jazzier, and sometimes longer jammy interludes comparisons. I normally come down on the side of the primal. For whatever reason, a St. Stephen/Eleven/LL sequence and jams will light me up more that a post-72 PITB jam every time. Also, the primal Dark Stars take me to places that the 72 Dark Stars and after don't, even if there's more on the spot improvisation and jazzy permutations after 72. I know that a lot of deadheads feel differently, but no matter how many times I try to hear the other side of it (and I do), I always seem to come back to the primal. For me anyway, that's still the primary heart and soul of the band. Didn't hurt to have the Pig in his prime either. So it's just part of the natural progression of things I guess that every variation will have its fan favorites. But like you, I'll take all the variations, and play and enjoy the different eras based on my mood at the time.
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Check your PM. I think the link I sent you is the equivalent of archive.
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Freak Out!Absolutely Free We're Only in it for the Money Uncle Meat Weasels Ripped My Flesh Burnt Weeny Sandwich Ahead of Their Time when you are in that FZ/Mothers of Invention mood all are HIGHLY recommended. Genius compositions. Zappa is Zappa, just as the GD are the GD. Unique. in other news: I found my DaP 10 Bonus Disc!!! and listen to Big RR Blues from 10/21/83.
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These are the shows which were used for the live parts of Anthem of the Sun: Municipal Auditorium, Eureka - 20 Jan 1968 Eagles Auditorium, Seattle - 26-27 Jan 1968 Crystal Ballroom, Portland - 2-3 Feb 1968 Carousel Ballroom, SF - 14 Feb 1968 Kings Beach, Lake Tahoe - 22-24 Feb 1968 Carousel Ballroom, SF - 15-17 Mar 1968 Carousel Ballroom, SF - 29-31 Mar 1968 Some of these or parts thereof have been released on Road Trips #2.2, Dick's Picks #22 and Download Series #6. Your mission, if you decide to accept it, is to pick one bonus disc's worth of music for the Anthem 50th Anniversary Deluxe Edition. This post will self-destruct in five minutes.
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I agree with your comments on the 1971 shows released-and the oddness of choice for both Daves Picks, 22 and 24 both of which seem to be weaker than other shows played at the same time. It surprises me a bit that the Capitol run of February 1971 is held in such high regard, too. They seem very pedestrian compared to the shows from the previous two years and the following three. It seems incongruous that they should have focussed on shorter, country/blues based songs considering the shows were being linked up with the ESP experiments. Maybe the experiments just happened to be conducted at an inappropriate time in the bands development. If they had been done in February 1969 there might have been a seismic shift.
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....1.20.68. Eureka Municipal Auditorium, Eureka, CAJam -> Clementine -> New Potato Caboose -> Born Cross-Eyed -> Spanish Jam -> Caution Jam -> Dark Star. Jam / Jelly, Potato / Potato. Release this show and get ready for the fallout....hard to imagine that the Anthem shows aren't back in the dark corner of the Vault, collecting dust bunnies, just waiting to be woken up and finding out they are the eyes of the world....
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....Phil poses the question, "Does a bear drop in the woods?" Made me smile. Nice steel guitar by Garcia in ensuing Slewfoot btw.
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To break topic, I ran three miles, showered and got into my Led Zeppelin T-shirt.Just poured a whisky... an excellent afternoon. We're seeing Robert Plant, tonight after dinner. At a very fine theatre downtown. Saw Page and Plant twice, once at Red Rocks... I emerged from ingesting illicit substances in one of the stage-side bathrooms, and miraculously security didn't bat an eye as I edged over and stood about 20' from Jimmy Page, cigarette dangling as he was bathed in smoke and blue light playing, "No Quarter." I remained there right in front of the stage, right in front of Jimmy Page, unmolested for the entire song. No shit. That was my penultimate Led Zeppelin moment right there. I went back to my seat after the song knowing I could die now, I've seen Valhalla. Other than the O2 reunion, Plant has effectively halted any further excursions by the band. He alone declined the $14 million offer to play Desert Trip; Page, Jones and Jason Bonham were in. A bummer but it is what it is. Every Robert Plant solo record is worthy. He has crafted an admirable career post-Zep. In his own words, he's playing more "age appropriate" music, but it's still rooted in the blues and his band is always fantastic live. https://www.youtube.com/watch?v=U-sFRVlVA5Y \m/
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....nugs.net Dead & Co HD streams are thirty bucks? I'm good.
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Mr. Duryea, you may have come up with the reson for the delayed announcement of the 50th Anthem. What if they are readying a box of all the shows used to make the album?
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Well not really. I bought the RT 2.2 several years back. Paid a little more than I should but have enjoyed it. I had it on for the 50th but did not make it all the way through. Today I woke up and was reading back through the liner notes when I decided to put disk one back on. I noticed an extra disk never seen before and knew I had misplaced a disk somehow. I went to pull it out and it was the bonus disk. I have listened to that release several times, how that disk got past me I will never know. Hidden in plain sight. So much for my prankster powers...
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....in the end, you found it. So no fail imo. Last five....Ozzy Osbourne-Blizzard Of Ozz (Randy Rhodes. So much promise). Judas Priest-Hell Bent For Leather GD-Boxilla Detroit 1976 Ween-Chocolate & Cheese Dead & Co-The last Mexican night
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"See, there's only two theaters, man that are set up pretty groovy all around for music and for smooth stage changes, good lighting and all that - the Fillmore and The Capitol Theatre. And those are the only two in the whole country."- Jerry Garcia 24-track Betty Boards 2/18 Dark Star - Ned Lagin on clavichord! 2/18 First-ever performances of “Loser,” “Playing in the Band,” “Bertha,” “Greatest Story Ever Told,” and “Wharf Rat.” 2/19 First-ever performances of “Deal” and “Bird Song.” And for those of you calling Port Chester 'pedestrian', tread carefully or you'll bring about the wrath of the dead in the form of our well-loved and respected in-house forensic pathologist.
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Includes Judas Priest (with Whitesnake and Iron Maiden on the Killers tour) at the Fox in Atlanta in August 1981. Of course Kiss in the 70's. And Randy Rhodes' second to last concert in Birmingham AL, Boutwell Aud. UFO opened and we were all into The Wild the Willing and the Innocent. Weird to then see UFO in April of 1983 at the Hammersmith Odeon which then was released in limited issue.
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King's Beach BowlLake Tahoe, California Sadly, this show is not available on Archive. However, the band released portions of this night together with material from the 23rd as Dick's Picks Volume 22. That release is just kick ass from top to bottom.
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Capitol TheaterPort Chester, New York http://gratefuldeadoftheday.com/02-24-1971 This is the last of the epic six-show run at the Capitol Theater. You can argue which show is best, but there is no doubt that the Dead storm out of the joint with this one.
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The Fieldhouse at the University of IowaIowa City, Iowa http://gratefuldeadoftheday.com/02-24-1973 Sadly, the full recording of this night is not on Archive and probably does not exist at all outside of, perhaps, the Vault. We are fortunate to have some really tasty nugs from the night though. I especially recommend the ferocious Playin'.
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Winterland ArenaSan Francisco, California http://gratefuldeadoftheday.com/02-24-1974 Our Dead of the Day, February 24, 1974, from Winterland, is one of those truly special shows where the band is perfectly on and totally in sync; transcendence awaits the listener. From the US Blues opener to the end of the encore, the show is pure ecstasy. If it is even possible for some tunes to rise above the rest, in the first set it has to be the China Cat > Rider and Loser. All three songs are just bliss with the drums majestically keeping time, Phil throwing in some occasional bombs, the vocals perfectly evoking the deep meaning and passion of the lyrics, and Jerry’s guitar haunting it all. In the second set, the magnificent Weather Report Suite and absolutely face-melting Dark Star > Morning Dew somehow manage to surmount the remainder of the incredible set. To try to put words to the ethereal awesomeness of these tunes is just impossible. Just go listen for yourself.
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Congrats! Quite the fruitful bough.
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Many (perhaps all) of you already know this, but I just wanted to give a public shout-out on these boards to Forensic Doc Eleven, who is a great guy who spent much of his evening uploading shows and sending them my way. This was after he graciously reached out to me after my initial post a few days ago, and made the offer -- no begging from me, he offered to hook me up within minutes of my signing up here. I had to think about it for about, oh, twenty seconds before I decided to take him up on it. Tonight he has gifted me an abundance of sweet shows stretching from the late 1968 to 1977, with an emphasis (naturally) on his beloved stomping grounds of 1971. Thanks, Doc! You are a gem, and the world should know it.
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that famous Bugs Bunny line, "Eh, what's uploaded, Doc?"
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I'll second that statement / post about forensicdoceleven, Maine Dave. He truly is.
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Been off the grid for a few weeks while away. A few thoughts: The Capitol Theater is sacred. Any release would be more than welcome. Vguy - skydiving is way cool. One of the best things I have even done. In fact, my wife and I went skydiving on the the day I proposed. If she was willing to jump out of a airplane with me, she was worth keeping. Way down with the Olympics. Winter much more than the summer. Unfortunately, we missed most of them this year. Love the competitiveness and pride the athletes show for their countries. However, I also never miss an oppotunity to use Lindsey Jacobellis as a teaching point for the kids as how not to behave in life.
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I can't remember if the term heavy metal was used at the time, but Hawkwind and Black Sabbath were my favourite bands back in the day-the early 1970s. Neither made much impact on me until I saw them live-after I which I was no longer a boy. Two of the best live albums by British bands in the early 70s are Hawkwinds Space ritual and Deep Purples Made in Japan. I never knew that was Ned Lagin on keyboards on the 18th Feb 1971 show. That Dark Star IS great - no doubts there at all.
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....old habits die hard, but metal never dies. What?! One can't listen to the Grateful Dead 24/7. And I'm sure I'm not the only one who thought the Dead were a heavy metal band when you first heard their name.
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I'm pretty sure that the term "Heavy metal" came somewhat later than the early '70s. I cannot recall the music of Hawkwind or Black Sabbath being described as heavy metal when I saw them in the early '70s. Black Sabbath played at the students union building in my hometown in the early '70s. It was the loudest thing I had ever heard. People who lived 5 miles away complained about the noise and it was an indoor venue! Albums that made people sit up and take notice in those times were (amongst others) Led Zeppelin 2, Deep Purple in Rock, Dark side of the moon, Ziggy Stardust and Transformer (?). Interesting times, the best of times. Everyone in those days was into music and every evening was spent at someones pad listening to the latest releases. I miss those days. Oh the innocence of the early '70s. Really the best time to be young in England. Nostalgia magnifies seminal events and times, but really the early '70s was heaven on earth.
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....but the early 80's cultivated it. Reap the harvest. Metallica, Slayer, Scorpions, Priest, Maiden, Motorhead, AC/DC, Anthrax, Megadeth, Kreator, Destruction, Ozzy, Bathory, Savatage, Motley Crue, Manowar, Venom, Cirith Ungol. I could go on and on, but I don't want to bore you. A heavy riff gets me in to the mood for working the soil of my garden....I once planted a flower called Tipper Gore. It died. Granted. I didn't feed it....
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....forgot early Def Leppard, Accept, Possessed, Sepultura, Death Angel, Mercyful Fate, Suicidal Tendencies (reaching), Cinderella, ecetera. Thanks for indulging with me. Deep in the muck with stolzfus
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....that was a musical eye opener for me. And no one does it better than you know who....
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Metal started its downward spiral with me in the summer of 1982 when the fellas found me. I still listen to some music outside of the family. Some harder stuff, some country stuff (hey it is where I live), but have also always had a funky side from seeing the Jackson 5 in 1975, Parliament Funkedelic in 1976, to Prince with Larry Graham (of Sly and the Family) on bass in 1998. That is why for me I love the funky side of the fellas, Shakedown, Stranger, a funky Dancin, or even a funky Althea. Oh yeah but Van Halen on the 80 Invasion Tour, and 81 Fair Warning Tour was a phenomenal think to witness. The power of rock and the energy of youth. I believe it is safe to say most folks around have their own individualized musical stew that is their life. Alas, Born to be Wild!
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I may be a day late, but I’m not a Dark Star or Dew short
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9 years 2 months
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Aluminum works pretty good for wrapping up freshly grilled meat.Which is what I’m about to do.
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I ran across the Woodsworth (???)jerk spice hot sauce at a Firehouse Subs a few days back. I have always seen y'all post about it but had never seen it in my neck of the woods. It is quite tasty on a smoked turkey sub fully involved.
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9 years 2 months
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That stuff keeps FL Bobaloo ticking
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Member for

17 years 5 months
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....hot, hot, hotter than hell. A burning tongue is better than a loose one. Ghaaa!
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Member for

10 years 3 months
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If I remember rightly, most of the bands who specialised in albums, as opposed to singles in the early 1970s were regarded as "progressive" in England. A section in my local record shop had this title, and it was where you could find albums by the likes of Sabbath, Hawkwind, Pink Floyd, King Crimson, Free.. all sorts of bands playing all sorts of music. Even the Deads albums could be found in this section, although I didn't get round to buying one, unheard, until 1975. David Bowie seemed a bit different to me-I saw him in 1972, round the time Ziggy Stardust came out, and he really did seem to be coming from somewhere else. Ditto Lou Reed. But I agree, the early 1970s were a great time for music in England. So many fantastic gigs in Manchester at that time.
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13 years 5 months
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Said the straight man, to the late man.... I know I am late, but I am taking the plunge.. Just loaded the Port Chester 71 run on my devices and that takes front and center of my next week or so. I have listened to all these shows before, but never back to back. Thanks for encouraging me all.. Sometimes, it's the enthusiasm on these threads that thumps me on the head and I usually learn something along the way. Just got back from a rather enjoyable day boating some of the local, very flooded creeks where I live. Had the pleasure of a few guest paddlers and enjoyed the company of some of the greatest whitewater athletes alive.. a very enjoyable day with old friends and no real carnage to report (which is always good). Wake of the flood, laughing water, forty nine...
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