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    heatherlew
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    The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

    As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Oroborous
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    RE: Oxford 88
    I think the connection Jerry had with Brent really had a lot to do with his perhaps giving up a bit....Just watch the 89/90 videos and it’s like they have a bromance going on. The looks and smiles back and forth, which coincidentally are during some of the bands best work EVER! (Go ahead and hate 70s only crew!) He did it sometimes with Bruce, but not so much with Vince. Eventually it seemed like Jerry mostly turned his back completely on Vince, body language doesn’t lie.... I think they should of taken time off after Brent died, like they did in 74-76. I realize about the corporation etc, but when he died most everyone lost their job anyway, so that didn’t work out so well did it? Yeah Brent and Jer had this great bond and not only did he lose his Keyboardist, he lost yet another Brother, and perhaps how he died etc being such a waste, maybe that really bummed JG out too.... Many here bash on Brentski, but more and more the band etc say what a great singer and player he was. Yes, just like ALL THE OTHERS he too had some quirks and when he was bad, well....but you name any show, from any era, and I can find stuff that is ruff, or poorly sang/played!
  • Cousins Of The…
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    A shame? Really?
    "It’s a shame so many of you seem imho, closed minded" It's really annoying when people call other people close minded when they disagree with their tastes.
  • Mytime
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    Is it a big box or a little box?
    How much should I start putting aside?
  • Oroborous
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    Dark Stars
    Indeed, Mr Stoltzfus, Tao, tap, tap, is thing turned on.....”WE NEED MORE DARK STARS”TOO is great and all, but it’s not Dark Star! The one, the only, the omnipotent GD at its best!
  • Oroborous
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    Catching up
    Wow, you all been busy here the last few days. Unfortunately I’ve only had time to peak in from time to time.....Schlepping books & furniture; Packing/moving/emptying house so as to be able to show/sell.....also was partying hard at our little town 4th annual Bonfire Brewing block party... (sorry, you tube offline? So no link....) zxtttxz; Shoreline; love it but I think I liked the layout and vibe at Cal Expo better? How bout a 6/8-10 and 15-18/90 box, sans 16th as that was released.... Jim et el; like many, I was starting to move on by the time it ended. Hell I always tried to catch as many shows “as reasonably possible” but that meant having to balance regular life/work/money etc so my numbers were never huge.... As the music started to suffer, and the scene was often too big and too lame, and I was returning to collage in my thirties, I had began a natural progression that was basically I didn’t go unless it was easy/close and/or it was at a place I really dug. So really stopped traveling etc by 93....only saw 6 shows between 93 and the end.... When JG died it was hard, but it was almost a relief, like “ok, that’s over, now I can move on....” Which it sounds like you did also? I Actually worked merch on 96 Furthur Fest and would check in at easy/local other ones, dead, P&F etc.....but generally I switched gears big time, especially with my listening habits....so really was only interested in getting/hearing shows I was at....was kinda burnt on the dead for a while.... But due to my merch connections, I’ve been fortunate to see many great P&F, Futhur, the dead etc shows over the years at these awesome CO venues that I unfortunately did not see the GD at. ....will see D&C again in Boulder because it’s only a couple hours away, I have free lodging, and don’t have to drive etc. it’s also been (so far) a super chill vibe....though it is tough having to purchase tix after so many years of VIP etc, don’t think the actual tix are too outrageous compared to mainstream acts (same as they always were), but th3 service charges are a f#&*4$ joke! So although “it’s not the same”, I’ve actually seen some music on occasion that was as good as or better than some of the dead’s lackluster outings. Some of the late 90s P&F shows at the Philmore were amazing; Viola Lee, St Stephen, Dark Star etc, stuff we didn’t get to see live much, or at all! and I always thought Warren did a great job with the old blused based stuff, pigpen and even some Brent tunes. So why go? Jim said it all nicely; of course it’s not the same, was it ever? So what, it’s still fun and great to hang with all y’all and the music still kicks ass, PERIOD! It always has been worth the effort, and usually what ever they give us is still way better then most of the other crap out there, that costs even more, in shitty venues, with obnoxious, clueless crowds! I don’t see how people can dig phish so much but diss D&C? It’s a shame so many of you seem imho, closed minded about bands/eras etc,....it’s all been great some way or another! Even the FTW cash grab.... Same thing logistically with that; was not going to by tix, planes, hotels etc to go to Chicago (no offense) and stand in the back of a stadium etc. and Trey.....nothing against the dude, and he did a great job of trying to do an impossible job with no practice etc, but they could of done so much better.... I think they should of had a cast of guitar players; Warren for a bit, perhaps Trey for a couple, Campbell, Jimmy, helll they should of let Kimock up there too. I really think if you look at all the guys that have played the Guitar over the ensuing years, Trey was perhaps the least choice. Again, nothing against him! I really think they should of had junior Jerry. Imho, I think the Furthur lineup was one of the best, and that’s saying something because all the various groups were good.... I think Bill dissing John K.was so lame and rude...what, Trey wasn’t a “fake Jerry” in a cover band, how ironic! Let’s face it, they were worried they weren’t going to fill that giant stadium 3 nights, so they thought bringing in Trey, and Hornsby would help fill seats.....of course who knew there’d be such demand. But as I think icecrmcnkd said, just the tip etc. unfortunately they were not prepared enough, and a “tour” or perhaps a location or 2 of more blocks of shows would of perhaps been better all the way around? But again, it was still great, and lots of fun gathering with the crew and watching, I remember really enjoying the whole process and vide leading up too etc., THAT part was just as fun as the old days. I personally really like the SC “60s” show even if it was more sloppy than Chi town... One of these days there will be little or nothing to go see/hear and then all y’all will really have something to bitch about. ICECRMCNKD et el; I liked your comment about it did not matter as much about the rest of the band, but if one of the three guys with guitars in hand left there would be no GD. I think that’s really the crux of the thing....and as far as the band without Jerry....I think Phil said they were all like spokes on a wheel, but Jerry was the center frame that held it all together.... DAVEROCK; agree with...artists, hell many creative people, even just shrubs like some of us, no matter how well we do our jobs or whatever, there can be the feeling that we could of done better...... I build/design/install custom AV systems and Racks for the rich and sometimes famous, and no matter how well I do, I can always point out ways it could have been better! You often hear musicians, even the dead, say that it just kills them when they know they sucked, but people go nuts anyway......when I played people would do that after shows, and it was sometimes hard to be nice etc, like “what, are you kidding me? Did you actually hear any of that dog shit?” But of course as a musician you should never lose sight of the fact that if these nice people did not support your band, you’d have no gig! SETH BOX; “unlike anything we’ve done before....” that is very interesting isn’t it? How about making whole tours available, but letting us say pick seven shows of our choice? Could market it like different levels of product at different price points, depending on how much someone is into it etc..... Ok, back to work.
  • bolo24
    Joined:
    Box set announcement!!
    Yes, a box set will be released this year. Thank you.
  • JimInMD
    Joined:
    Box 2018
    I would bet they do it soon too. Perhaps around the 4th of July, if not before. They have already made the selection.. It's either being Normanized or slated to be Normanized.. they are deciding on the packaging and layout. Why wait?
  • dissident1980
    Joined:
    Box 2018
    They'll announce the box much sooner than MUATM ... MUATM will have one of those 2-minute promos showing some guy opening the box and showcasing what's inside.
  • stoltzfus
    Joined:
    my redundant gripe:
    why are the women (in my family) SO SLOW to get out the door in the morning? movie quote: "inconceivable!"
  • stoltzfus
    Joined:
    6/5 6 7/70
    nice box set there although I don't think there is a Dark Star more Dark Stars, please
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The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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80s fan that is indeed a great Peggy-o. If you haven't heard the one on 6-19-80 try that, it's like no other version. Best in the AUD version. Which reminds me... Alaska, closer to Korea than other places the Dead played... let's have it this June, "Grateful Dead in the Land of the Midnight Sun" Alaska 1980, June 19, 20, 21. Including the swingingest Peggy-o ever, the sweetest Brokedown, an intense Sugaree... all matrix like DaP 8.
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Were you actually driving when you wrote that long-ass post about 5/10/72? Because if you were, I don't know whether to be impressed or horrified.
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He's a doctor.. I'm sure he was talking to his phone (not that we shouldn't be afraid). I have never met a Peggy-O I wouldn't Marry-O. From 73 through 95, Jerry found ways to make that song his own.. Incorporating traditional songs into the mix is one of the more rewarding aspects to their music. Wikipedia traces the roots of the song back possibly as far is 1644 in Scotland. https://en.wikipedia.org/wiki/The_Bonnie_Lass_o%27_Fyvie It's been covered by countless people both before and after the GD. Songs like Peggy-O, I Know You Rider, Viola Lee Blues, and countless other borrowed gems really makes for a rich tapestry of songs they had to pull from. What a great little tune.
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Great little folklore ditty-Os. Been more into the nice looping groove of Jack-a-Roe lately, but they both bring it home.
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6/14/916/22/91 9/26/91 5/27/93 (includes Wave to the Wind) 8/21/93 8/22/93 6/17/94 6/19/94 5/26/95
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add to stoltzfus’ great list....especially would like to hear that 9-26.....only recently purchased 6-14-91 love that show! 6-9-91 6-20-91 3-21/22-92 6-22/23-92 6-25-92 7-1-92 7-31+8/1-94 6-30-95 These are the ones that stand out in my minds eye, have not heard tapes of most... I’m not a “taper” so I’m not up on all that, but I recall these shows being enjoyable and some with interesting sets...3 Rivers with the rain set was pretty wild....the 94 shows, especially his Bday, Jerry was in good form, 7-1-92 was fun, got to work production, load unload/be on stage etc, ate in the crew tent with Steve M.,
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Nice, think I like em better acoustic like that...
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Give 10/19/94 a listen, Oro. I posted about this show before. My last Jerry show, and the Dead's last show at the Garden. Charlie Miller has a stellar soundboard remaster on Archive. The energy that night was electric and consistently high (no pun intended) throughout the show. One of the best before the end, imho.
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Shut up Beavis - that's two L's, no E! I've actually been tripping out on making tapes again - that's right, cassettes! I have a real nostalgic spot for filling out j-cards! Anyhow, I just taped 10-27-79 on two TDK-SAX 100s and have this to submit to the group: What filler for Side B of the first set tape (which has Sailor>Saint>Deal on it and a little over 30 minutes of space left): 1) Half Step > Franklin's from the next night, 10-28-79 Or 2) Scarlet > Fire from a couple of nights later, 11-1-79 *All write in candidates will be considered, but the electoral college is leaning to one of these two selections.
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Started working through Before the Dead last night and some this morning, pretty cool set. You can hear his bluegrass skills (including the rest of the band) progress through the various iterations, and some great song selections. So far, I particularly like the set with just him and Hunter (solo acoustic Trouble in Mind), as well as the one with him and his wife, Sara. He does several songs acapella as well..Wagoner's Lad which is one of my favorite from the Anthology of American Folk Music, and Dylan's late 80s acoustic versions. He also does an acapella Man of Constant Sorrow. He had a legit bluegrass yarn to his voice, moreso than I realized. Weird that the dude who was doing acapella Wagoner's Lad was jamming on Dark Star maybe ~6-7 years later. Catching up on some comments, saw those on 5/2/70 awhile back. I haven't been able to get into this one like many it seems..obviously it's very good, but something about the sound doesn't hook me in like others. I do like the acoustic set, that was my primary introduction to their few appearances of acoustic sets. Watched most of the second night of Mexico that re-aired last night, looking forward to D&C to get back on the road. I caught some of 4/16/89 Milwaukee on XM today, sounded like a good show! As much as the Full Norman releases are award worthy, it's kind of nice to listen to less polished sources occasionally. Highlights different things and kind of has some of that bootleg excitement to it. Started a mini Who kick here recently, just started a biography on them and been listening to the new Fillmore East '68 release. I know very little of the Doors so as such, definitely take the Who there. Might be an interesting topic to discuss.. Finally listened to the bonus disc of Rockin' the Cradle for the first time (Dennis is the man). That Eyes from 9/15 has the weirdest vibe.. My harmonica's got a busted reed My lips are chapped and about to bleed She says, that's nothing, when she was a kid She danced with the Dead at the pyramids
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Sitting in Rethymno, Kreta drinking homemade raki. Don't get much better than this. Normal service will be resumed shortly.
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Good to hear you are enjoying your time in Greece, Simon. Life is grand..
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What a great place to watch from! Soak it up. . . . . . Do we get t-shirts?
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....i had to google raki. Sounds delish. i also street viewed Rethymno, Kreta. Was surprised that a lot of the signs are in English.
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Vguy I'm pullin' fo' ya'!!! I'm a St; Louis Blues diehard. In each of their first three seasons they made the finals, but were swept first by the Habs and then Boston - you know, the only thing the Blues are famous for; the foto of Noel Picard sending Bobby Orr flying after he's scored the game-winning goal. It's been all over but the cryin' ever since - go Knights!!!
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Yeah I was driving but like Jim said, I was talking into my phone. You know on the cellphones how you have the the Google voice translator thingy. That's actually gotten much better and more accurate, so I can go totally hands-free. But you should be horrified because I didn't always have this Google voice translator and that didn't stop me.
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I have 3 framed , but I can unframe them if you wish. :)—Three 11″ x 17″ previously unpublished archival giclee prints were produced in San Francisco under Stanley’s supervision directly from his original oil paintings and incorporated into an edition of 0nly 225. Hand signed and numbered by Stanley Mouse himself! A very rare number for a Stanley mouse artwork, usually 500 units are printered at least. Very limited!!! Hoping to find them a good home, I need to take care of some medical bills. They are very beautiful in every way. I have photos for All to see. Any more questions please feel free to contact me /message me... :) ...everyone have a grateful day, and to all the Deadhead mothers out there/here “Happy Mothers Day”!
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Make up for all your suckiness when you were in ATL
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4/4/71 another post-Brent gem: 6/17/91
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It's a party cause. Everybody's dancin' in a ring around the sun Nobody's finished, we ain't even begun. So take off your shoes, child, and take off your hat. Try on your wings and find our where it's at. Hey hey, hey, come right away Come and join the party every day.
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I'm on the post Brent binge boat blaring Branford beautifully from MSG 9-10-91. Smoking show.
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1
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HOT show, indeed! An all time favorite. The band isn't fucking around and neither is Branford. Everytime they play with him, magic happens. I got to see Furthur play with him at Red Rocks and it is one of my favorite concert experiences EVER.
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1st time listening to this: fuck-ing awesome! damn why do people hate '80's Dead? must be released and I'm not even done. up to Spoonful.
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Jerry3-17-1978 Cream Magazine interview Bad recording...however... Put some decent headphones on and turn it up.You can totally hear people snorting(Jerry too) & coughing.All sorts of topics.Great stuff. Fly on the wall stuff...nice to hear his voice. oh yeah...MidnightCafe 11..."Mickey & Kruetzman language"???? 17..."not if I see ya comin',butthole"
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9/26 is a personal favorite from that year. 4/1/91 is up there too. I would be remiss not to mention 10/31/91. I attended a few in '91: 6/19 & 20/91 Pine Knob - Very good shows. There was a lot of nice music from this run not included on the Download Series Volume 11 release. A really nice first set from the first night. 6/22/91 Soldier Field - An epic show. Would love to see this one released as a CD/DVD set, or at least a CD/Meet Up At The Movies type program, like RFK '89 from last year (theatrical showing and CD box set release). 9/4-6/91 Richfield - Three almost perfectly performed and executed shows with many big moments to kick off what may have been the last truly great and consistant tour. At this point, Bruce and Vince were complimentary of each other and the Dead's music. They each found their space together. Some highlights include a Jack Straw where Phils drops a bomb that could blow out some speakers. Scarlet > Fire from the 1st show is a must hear. The Birdsong from the 3rd show just builds and builds into a raging beast. The 2nd set from the 3rd show picks up where Birdsong left off and just blows the roof off. A nice precurser to what was to come at MSG and Boston. 11/22/91 Rosemont Horizon JGB - First of two times catching JGB. 11/23/91 Bradley Center JGB - Second of two times seeing JGB. It was a real treat to experience this with what at the time felt like Grateful Dead church for the faithful. If a Grateful Dead show was Rivendell, a JGB show was Lothlorian (sorry for the Lord of the Rings analogy and reference). It really blew my mind that this was chosen for release, and every bit worthy. Rosemont was just as good. 12/31/91 Oakland - Wasn't there in person but listened to the nationally broadcast simulcast with a bunch of taper friends at a party, with many decks recording. The Bela Fleck and the Flecktones opening set was my first exposure to that band and have been a huge fan ever since. The Dead performed a nice show, even if not quite as epic as the previous NYE with Branford. Very worthwhile show though. Also saw the "In Concert" broadcast of the highlights from 6/16-17/91 Giants Stadium, including "Eye's of the World", "St. of Circumstance" and "Miracle". ...so yeah, that's how I spent part of my '91... '91 is a treasure trove with a surface that has been barely scratched as far as official releases go. While RFK 6/14/91 VFTV 2 is itself epic, and 9/25/91 Boston DP 17 and Download Series Volume 11 - 6/20/91 are great, there are plenty of other equally as great shows from this year. Would still love to see that 4/28/91 show released. That Birdsong with Santana sitting in needs to be released. I'm sure Carlos would approve. Lot of great shows from Europe and December '90 that are up there as well. Compton Terrace and Denver are a nice couple of runs. I could go on and on about the merits of post-Brent '90 and later. 7/31 & 8/1/94 were mentioned. I was there. I thought they were pretty good shows and haven't listened to them in a while.
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Cal ExpoChina->Rider...just silly. :o)
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“9/4-6/91 Richfield - Three almost perfectly performed and executed shows with many big moments to kick off what may have been the last truly great and consistant tour. At this point, Bruce and Vince were complimentary of each other and the Dead's music. They each found their space together. Some highlights include a Jack Straw where Phils drops a bomb that could blow out some speakers. Scarlet > Fire from the 1st show is a must hear. The Birdsong from the 3rd show just builds and builds into a raging beast. The 2nd set from the 3rd show picks up where Birdsong left off and just blows the roof off. A nice precurser to what was to come at MSG and Boston.” ...great post, and I would gratefuly welcome/love an official release of the Deads ‘Richfield 91’ all 3 complete shows in a mini boxset... ;)
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Good to read the reviews of shows from 1991, which I haven't listened to much over the last year or so. Maybe time to re-investigate. As Cosmicdavid, said, one of the great things about listening to The Dead is that you can dip in and out of different eras and listen to very different types of music. I have been heading backwards, myself. I listened to my old albums, Vintage and Historic Dead recently, which are from September 1966, I believe. There are some great cover versions on these albums-notably Same Thing and Midnight Hour. I then got the vinyl July 29th and 30th 1966, which sounds great-although the stereo separation is a bit basic. Cream Puff War is the standout track for me here. But the most interesting of these early artefacts may be a dvd I got a few years ago called The Acid Test. It looks a bit like a bootleg, although it was produced by Key-Z Productions. It seems to be a film of the Fillmore Acid Test from 8th January 1966. It features The Dead extensively, playing King Bee, Caution, Death Don't Have No Mercy-with lots of clips of the Pranksters dancing about to the music. The sound and picture are both really good. The actual music is primitive, with the bass and drums being very rudimentary. Jerrys guitar is bright and clear, with no sustain at all, and Pigpen is right on the money. It doesn't compare to the music they would go on to make when Mickey joined, but Its fascinating to watch them right at the beginning of their career, at one of the legendary acid tests. I would like to see more releases like this one, myself.
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Good to read the reviews of shows from 1991, which I haven't listened to much over the last year or so. Maybe time to re-investigate. As Cosmicdavid, said, one of the great things about listening to The Dead is that you can dip in and out of different eras and listen to very different types of music. I have been heading backwards, myself. I listened to my old albums, Vintage and Historic Dead recently, which are from September 1966, I believe. Their are some great cover versions on these albums-notably Same Thing and Midnight Hour. I then got the vinyl July 29th and 30th 1966, which sounds great-although the stereo separation is a bit basic. Cream Puff War is the standout track for me. But the most interesting of these early artefacts may be a dvd I got a few years ago called The Acid Test. It looks a bit like a bootleg, although it was produced by Key-Z Productions. It seems to be a film of the Fillmore Acid Test from 8th January 1966. It features The Dead extensively, playing King Bee, Caution, Death Don't Have No Mercy-with lots of clips of the Pranksters dancing about to the music. The sound and picture are both really good. The actual music is primitive, with the bass and drums being very rudimentary. Jerrys guitar is bright and clear, with no sustain at all, and Pigpen is right on the money. It doesn't compare to the music they would go on to make when Mickey joined, but Its fascinating to watch them right at the beginning of their career, at one of the legendary acid tests. It ends with then dismantling the gear, and Jerry can be seen sweeping up with a broom. I would like to see more releases like this one, myself.
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(they did 7/7/89 a few years ago...) a repeat? ok, I'm in.
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I thought I was the only one who street view shit! The area did look very nice and I too was surprised by the English signs.
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I believe this one has recordings from December 1966. Historic Dead is from September.
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14 years 10 months
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a dream: remastered and re-released. :)))
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14 years 10 months
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can I get an amen, brothers (and occasional sister)? the mighty mighty Grateful Dead. Acid Month (April 71). THAT would be a great release.
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....Atom Heart Mother. Back to Albuquerque. That Other One is one for the ages. Sheer power. My jaw drops every time I play it. My jaw drops a lot....the 2:10 mark of TOO part two, they seem to tease Caution and Sitting On Top Of The World at the same time. It least, that's what I hear. Every listen bring more to the table. Incredible....
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Haha. That first May '77 is the first Dead set I bought, randomly, having only heard the popular stuff to that point (Skeletons, Europe '72, etc). '77 was a strange place to start...took me awhile and still not my favorite set, but there are some strong shows in there. I had 5/12 on in the car a few weeks back..love that one, might be my favorite from that set. I went with 5/13/83 for today's show, from a run at the Greek. Near the end now..I've enjoyed it. First Hell in a Bucket I understand?
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