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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • Jason Wilder
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    Best American Bands
    Are we limiting it to rock? I mean, Jazz/R&B/Funk & Soul should get a shout, yes? James Brown, Miles Davis, B.B. King, George Clinton, Sly & the Family Stone, Stevie Wonder, Marvin Gaye, The Meters. Not to mention the rest of Motown (Supremes, Jacksons, Temps, Tops, Smokey Robinson, Commodores) and more Jazz & Blues luminaries. If we are sticking to rock, I applaud the Velvet Uderground mention. Crosby, Stills, & Nash also probably deserve a shout (is there a Canadian there?). Also Jimi Hendrix. But Bob Dylan has to top them all, yes? And if folk/pop is included, Paul Simon deserves a mention.
  • Jason Wilder
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    Great post on Brent!
    I agree in every aspect. First off, it's all picking nits. If something 'ruins' it for you (Donna screams, Bobby screams, missed lyrics, Pigpen raps, Brent's plinky keys, etc) then you ARE doing it wrong. Yes, no doubt, Brent could be a tad too bitter sometimes (Never Trust a Woman, Don't Need Love, Tons of Steel). But he did come up with a couple of pretty good non-bitter songs: We Can Run, Easy to Love You, I Will Take You Home, even Far From Me and Just A Little Light weren't bad. And all the bitter ones weren't bad (Blow Away). On the '79 Trip. I, too don't really like the plinky keys, but the show it still hot.
  • Mr. Jack Straw
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    if anything "ruins" any GD for you, then you're doing it wrong.
    if anything "ruins" any GD for you, then you're doing it wrong. Agree that Brent's choice of keys was less-than-ideal, but 10/27/79 is a HOT show. My issues with Brent have more to do with his song-writing, and less than his skills as a keyboardist/vocalist. The plinky keys are gone by 1984 or so, so I can deal with it.
  • SPACEBROTHER
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    '70's exposure
    With well over 30 years of listening to the Dead, and having collected literally thousands upon thousands of hours from every era of them, including virtually every long time favorite shows, I find myself preferring the '80's more than ever. I rather enjoy the sound of the chime of the modified Fender Roades Brent played predominantly between '79 and '81. I would agree that he grew more into the band with each passing year where Keith pretty much fell into steady decline post retirement. During the first couple of years of the bands existence, Pigpens keyboard sound of choice was pretty cheesy to my ears where he sounded like he was playing a roller skating rink keyboard. I used to pan Bruce's accordion but grew to like it more as time has went on. Vince's keyboard sounds were often over-processed to my ears though by '92 he was using more piano and organ patches. Lack of exposure to the '70's? Nope. Been there....done that. Will certainly go there again when I feel the urge to as I like all era's. I just like the '80's more.
  • JimInMD
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    On a related buzz crushing note..
    Secret Earth: Yellowstone Super Volcano is on the History channel as I write this. Thought I would add since we were talking about Rainier and Yellowstone blowing their tops recently. Fire on the Mountain...
  • JimInMD
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    Cape Cod
    I was rather enjoying that trip, its my current listen. Lots of new energy and new ideas floating around. ..whats.. hey somebody just crushed my buzz. Like seeds in weed I say..
  • stoltzfus
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    speaking of GD79
    i had my virgin listen to 9/4/79 yesterday. the compendium reviewer is Brian Dyke, who as usual is blah. do _not_ pay attention to that guy. Have you ever heard the jam out of He's Gone, which then goes into an insane Drums? Aye, bruddah, magnificent.
  • Cactus_Jack
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    tee it high and
    whole heartedly agree. George Clinton has done more for American music than almost anyone I can think of. Still going strong too. As a band, Pfunk has always been in the business of blowing minds on stage. Don't miss them if they come around
  • MinasMorgul
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    Plinko
    Yeah, this ruins what would be some otherwise enjoyable shows for me. I agree about the 90s stuff in the box too - better than 80s because it's without Plinko. I wish it didn't bother me, and I revisit this material every 6 months or so. His keys were cool to my ears when he was doing Feel Like A Stranger on DaP 8, and several songs on Nassau and Dead Set. I'm not a keyboard effionado, but I believe from what I've read on this board, it's the moog or polymoog as well as the Hammond B3 organ that make the sounds my ears prefer, and I'm not sure what keyboard makes the skin crawling tinky-tonk, perhaps the Fisher Price 420. I like the notes he plays, he's a talented musician. I blame Jerry, perhaps unfairly, for allowing this into their soundscape. Maybe Phil and Bobby deserve some of the constructive criticism, I just always got the impression that Jerry was the unsung leader and decision maker. Also can't deal with Brent's vocals as time went on. His voice was less abrasive to my ears early on, but as Jerry began to falter in the 80s, Brent moved into a more involved role, and soon all old songs were marred (to my ears). Everyone talks about Jerry's voice declining, and Bobby screaming the vocals, not singing them in the 80s, but I hear a degradation in Brent's singing voice too by '87, which I don't hear in the early 80s. Put all that together, and there's no question in my ears, which period was "better". I do enjoy some of the stuff that was written and performed during the Brent years, but even a great tune like Feel Like A Stranger was hurt by the Plinko keyboards. I will keep trying though. There are a couple of very loud 80s fans who swear by it often. I'm just hoping the reason isn't a lack of 70s exposure.
  • simonrob
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    Plink-O-Rama
    Working my way through the box in sequence, I was horrified when I got to 1979. All the energy seemed to have drained out of the band and yep, there was the Toys-R-Us piano to contend with. Things gradually got better through the '80s but they never got back to pre-'79 levels. I preferred the '90s shows to the '80s shows, with '79 being the low point of the whole box. But then again, I don't think any line-up was as good as the "Magnificent Seven" from the late '60s.
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July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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....taking a late lunch at work to meet the mailman....talk to y'all later!!...
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According to the tracking link, this set is waiting for me at my doorstep! Can't wait to get home from work... Does anyone know if GD are selling prints of any of these covers? Really into the 7/1 art work and would love to have a full print framed!
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...How grating Bobby's slide can sometimes be in '78. The first Werewolves encore (7/3), there is a point of near-wincing wherein all I am hearing is what sounds like a dentist's drill in my teeth. Thanks Ace! So far, my only small harrumph. Carry On. Sixtus
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17 years 6 months
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....my mailbox, again, had that eerie greenish glow. Awesome shipping box, awesome interior box. It's....it's....beautiful. Kudos dead.net team. Blown away once again. #11167 will be cherished forever. All discs in place, no obvious blemishes. Paul Pope artwork is stellar. The comic book influence is sweet. I keep expecting Batman to be in here somewhere. Tim Truman from DaP 5-8 is also a comic artist. Loved his covers too. Does anyone know Jim Lee's #? He could pull it off too....tap into those superhero artists....Spinning KC as I chow on leftover lasagna. Sounds as good as it looks. Thanks many times over....
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7/5/78, Bobby's slide solo in Sugaree is atrocious! Still, I'm digging this set regardless.
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7/5/78, Bobby's slide solo in Sugaree is atrocious! Still, I'm digging this set regardless.
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9 years 4 months
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I am really digging the Music Never Stopped from the 7/7/78 show. I hope all those boxes still in the ether arrive soon. Let the masses have their music!! Cheers
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I just got my July '78 Box (#6994) in the mail today, and can't wait to sink my ears into it! I don't ever come around these parts really, so I'm not sure if these ideas have been thrown out there yet. In keeping with the 5 show Box Set theme like May '77 and July '78 (and Fillmore '69 for that matter), how about a May/June 1973 Box with 5/13, 5/20, 5/26, 6/9, and 6/10. What a monster of a set that would be! As far as Dave's Picks go, we all love the '72-'78 stuff, and now we've gotten plenty of that. For some of the future Dave's Picks releases, I'd love to see the '80-'83 period delved into much more deeply...would like to see a good few releases from this period. Really looking forward to a Summer full of fun with my daughter and Dave's Picks 18+ Bonus disc and this July '78 Box. Thanks for taking to time to check out folks' recommendations!
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This is my first box set I've ordered from dead.net. I am really digging the Terrapin Station from Arrowhead. Fantastic quality! Cannot wait to hear them all!
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17 years 6 months
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Thanks for the upload of the artwork. Usually I check this site like every hour, but I am a bit behind due to uploading all of this music to iTunes and burning my copies. I am on the St. Paul show, and if this is the weak sister here, all I can say is WOW because the second set is currently blowing me away. Great job by DL2 once again. If this is the beginning of returning Betty Boards, then OMG, we may be starting THE Golden Age of Dead shows if these 5 are any indication. Betty For President! You go girl! Rock on
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Really? I live in Wyoming and can tell ya NOTHING...EVER...goes through Wamsutter. Even us residents.Wow,your box is on the tour-de-force. Good luck. Me...still no joy. Oh well.
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Just announced: Dead & Co at the Fillmore Monday 5/23. Kicker: it's a free show, tickets on sale online only, no tickets at the door...
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8 years 9 months
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jrf68 - Ha ha. Truer words may never have been spoken. That is a long lonely stretch of interstate and Wamsutter is no oasis in the (red) desert. Bummer no box yet. My license plate begins with 5 and I got mine on Monday... Hopefully the Pony Express delivers yours soon.
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That is most definetly "Me & My Uncle" country. Cambell Co.? Me,22. Paradise Lost....
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I have a question for one of you old school audiophiles about the mix. I don't have output levels on any of my current equipment.. but I couldn't help myself by comparing this to some of the '77 Betty Boards I have. This sounds like the output is higher, more saturated.. and yes ultimately.. louder. I usually prefer the softer mixes, I have the gunpowder to add more volume than my ears can take if need be.. But the mixes here are explosive, and I guess in a good way. Its not a criticism. Is anyone else noticing this? One Man, wjonjd?
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....I Googled that place 'cause I was bored. Pop 481?....I bet that box was lonely.... ....was-a-mutter you!....lol
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481, that's 40 more people than the town I live in :D.
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9 years 2 months
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Corner of shipping box slightly smashed but contents intact.First in: 7/7 since I've listened to that show over 100 times but never in stereo. What an epiphany compared to the cassette from years ago and the CD-R I have now. Wamsutter to Fernley, better hope it doesn't take a detour up to the Black Rock Desert. JIM - I'm not an audio engineer but this is louder on my arbitrary scale of Dave's Picks all being at '40' on my stereo volume dial.
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9 years 9 months
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Bob Weir's slide "playing" kind of abrasive on an otherwise stellar FOTM. Anone know the months during '78 when he played slide? Seems like from May forward. I don't hear it on the 12/31/78 FOTM, but I do hear it on the Stagger Lee (where it actually sounds real good). Not sure if it was an on/off thing from night to night?
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first class all the way aroundman we are fortunate that someone cares enough to produce something like this, and for betty for recording it so long ago amazing box of awesome
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The goods were patiently waiting (undamaged save for a dent in the outer box) in my mailbox when I got home today. I was solo, so I cranked up Disc 1 on the JBLs in the living room. First thing I noticed was the vocals were loud to the point of some distortion. The mix seems to settle down some after the first few songs, but there is still a share of odd sounds, like the kick drum tone. I'm about to head down to the studio where I'll try Disc 2 on the nice monitors. I'm going to be surprised if anything here is sonically as good as the best Bettys from 1977. Performance-wise, it strikes me that the GD knew damn well this was not their audience. They bring a mighty effort to the first half of the show, practically masquerading as rock stars. I'm very interested to hear how the second half of this show sounds. Coming soon to speakers near me!
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May sounds about right. Someone on one of these threads pinpointed it a year or so ago and I think its in May.. Its at its worst in the beginning and it can pop up on seemingly any song. Later in the year he was regulated to the GD version of slide time-out, where the 'slide' only appears on the dreaded slide only songs such as Rooster, CC Rider and a few others. Similar to the technique I used to block out Donna wails.., after countless hours of mind control, meditation and electroshock therapy.. I have trained my brain to overlook the slide anomalies and enjoy what are often otherwise very enjoyable shows. _____________________________________________________ ...and One Man, the second disc rocks.. from the jam in Estimated through the soulful redemption of Wharf Rat, its special. I honestly tuned out the rockers at the end because I suddenly wasn't alone so I cant comment on them. ...and Chris Grand, agree. This is a thing of beauty. I honestly prefer it to 30 trips. Don't get me wrong, I love 30 trips.. but that box was like eating too much on Thanksgiving. A great meal but too over the top. This box covers all bases, right size, right price, great shows, great sound, wonderful art/package and the added bonus of more than half the music previously did not circulate. An instant classic.
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12 years 11 months
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This is SO good on so many levels.Thank you Betty, thank you David, thank you Rob, thank you Jeffrey! Etc. etc. Love the rocks box and all its glorious, affordable, beautiful, enduring awesomeness! -One super happy Hoopsie!
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@JiminMD - yeah, but that's 481 people surrounded by about 4000 square miles of nuthin' except antelope and sage brush! And a gas field. Which is why there are any people there at all. @ jrf68 - no not Campbell. Albany.
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My bad. :)
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15 years 3 months
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My July 1978 box made it to Sacramento at 2:06 PM, less than 150 miles away. Must be a two-night stand as the delivery date has now been pushed back to Friday by the end of the day. AAAAAARGH!
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9 years 3 months
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I've been tracking mine all week, got hung up in Great Falls for 2 days and only now arrived in Seattle. I'm 10 miles away and it's going to take until Friday? Sigh....
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13 years 6 months
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Its the last day of the tour.. can't blame your box for wanting to hang around Sacramento an extra day, can you? If its any consolation.. my box came a day early, hopefully yours will too. Hang in there man. This isn't '68 special, but its special nonetheless, and well worth the wait.
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9 years 2 months
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Why does everyone hate the slide so much?Do you not like the slide at all, or do you like the slide but not when Bob is using it? I can't play any musical instrument so ignorance is bliss. Donna: She sounds good with JGB in '76, but has some not so great moments with the Dead. So, one of the bands was giving her something backstage which affected her performance?
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Unlike you, I'm unable to ignore the slide; his solos on 7/3 Werewolves roll into one long clam! I just started 7/5, and here comes the slide trying to overpower Jerry. Other than that, Jerry's on fire throughout these shows, 7/1 is a ton of fun, and Mickey's bass drum can be obnoxious at times, to my ears he was mic'd much better in 76.
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Unlike you, I'm unable to ignore the slide; his solos on 7/3 Werewolves roll into one long clam! I just started 7/5, and here comes the slide trying to overpower Jerry. Other than that, Jerry's on fire throughout these shows, 7/1 is a ton of fun, and Mickey's bass drum can be obnoxious at times, to my ears he was mic'd much better in 76.
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It's because he plays out of tune.
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Even after practice and years of experience, Bob wasn't a great slide player. I felt the same.. honestly, the electroshock therapy only made it worse.. but years of therapy and 12 years of transcendental meditation in Nepal and here I am. At peace. I'm with you man.. start with some therapeutic breathing and pastel colors. If all else fails, I will send you a dart board in the shape of a slide guitar. ______________ Slide Guitar Dart Board related side-bar (honestly 100% true, you cant make this stuff up).. When I was in high school and cutting my teeth on the GD and all its accompaniments.. me and my older, much cooler and smarter brother shared a basement with a kick ass sound system, a full sized fridge, a pool table, ping pong table, a dart board and a very curious, super cool cat that liked to get stoned (don't tell my aging parents). So every night when we got off work she would come down and hang out with us. (Peta folks chill out.. she actually really liked it). Anyway.. after a few years of checking us out.. one day we were playing some dart game and the cat jumped up in the air and caught the dart. It freaked us all out.. she jumped at least four feet in the air, caught the damn thing, landed, it still in her paw and proceeded to lick the same paw, like she found some spec of dirt that needed cleaned. We were slack jawed. She had been checking us out for years.. it was a learned behavior, if she heard darts from anywhere in the house, down she would come and assume the same spot on the carpet and watch the darts fly. Don't freak out.. she was no dummy.. she had a sneak attack, her paw actually came swiped from the back end and she always caught the feather part (if that makes sense). Her paw moved faster than the dart in the same direction it was going. She NEVER caught the point of the dart. As far as I know, we had the first dart catching cat.. and it amazed my friends until the day she died. Cool and true story. Kimba the dart catching cat - and she LOVED the Grateful Dead as does our current non-dart catching cat Bagira. Edit: One add.. so we were clever hippies.. and we quickly realized the trick to catching darts was to come in from the back side and try to 'catch the feather part' and so human dart catching became a fun not-sober sport of chance in my youth. Kimba was infinitely better than us mortals. Enter my brothers d.f. buddy (I can only assume a later Darwin award winner) Jeff Dimwitt as we called him. Stepped up to the plate to try his hand at dart catching.... I could go on...
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Beautiful packaging! Can't wait to listen!
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Agreed, the 7/1 show catches fire near the end of EP whence the Gar goes moderately cray-cray and doesn't let up through the remainder of the show. I can see (hear) why it was hyped. It's fab. The bass drum still bugs me -- especially in the drum solo, where it totally dominates -- and I do not like Weir's guitar tone in '78, even when he's not playing slide (and it got even more tinny by the time he got to Egypt, but don't get me started on that and Billy's broken paw). These are minor quibbles. We are lucky to hear this from a good audio source. My commute tomorrow will consist of the entirety of 7/3, beginning at 6am Eastern. Can't wait!
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Thank you for posting the link to the individual album artwork for this box. Any chance you have the same thing for the May 77 Box?
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8 years 7 months
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Thank you for posting the link to the individual album artwork for this box. Any chance you have the same thing for the May 77 Box?
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17 years 6 months
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....that the Giants Stadium show on 9.2.78 had Willie Nelson opening. I suspect that arrangement was discussed over a few fat joints backstage two months earlier. The Wheel is turning and it can't slow down.....
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Watch the master Duane Allman. You play slide by being exactly over the fret and moving your hand with vibrato. Not everyone can do it well. Bob took a long time to get mediocre.As per Donna, she said many times she couldn't hear herself well. In that case a trained pro backs off the mic! Donna just wailed, and many times it was harsh. Half of singing is listening when doing harmony. Period. This box is gonna be go to for summer no question. I love the 72 vibe the best, but this is gonna make for good times this summer.
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How cool is the shipping box? For those who transferred to iTunes or are digital only what are you using for art work for each show?
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17 years 6 months
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Been listening to the 3 disc set for a few days....#13446 box set arrived today... can't wait til work tomorrow!
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The vocals on daves pick 18 also distort when turned up just like 78 box
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The vocals on daves pick 18 also distort when turned up just like 78 box
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15 years 11 months
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The vocals on daves pick 18 also distort when turned up just like 78 box
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I never had the opportunity to see Duane live. Thankfully, Trucks is a living prodigy-cousin. Certainly woven from the same cloth and could today be the best living slide guitarist. The torch still burns. ________ Kimba was much smarter than DeWitt.
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....yeah, he got it alright. LOVE that movie btw....post-apocalypse classic. "If it's alright with you, I'll drive that tanker."....Fury Road got close....btw, July '78 box is chrome, and I've only made it through the first Arrowhead disc....
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