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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • Sixtus_
    Joined:
    re: Eleven

    Thanks Alvarhanso for that very interesting breakdown of the boys' thoughts on The Eleven. I had definitely read that before but it's interesting to hear it again with Jerry and Phil's take on the tune. When they do it well, it creates this swirling dervish of sound serpents wrapping around each other upwards, upwards, upwards in a mad frenzy. Phil tows the line but Jerry offsets the pounding with his own double-helix jamming which creates the lush tapestry we all love so much. The FW69 shows really highlight this exceptionally.

    I also need to go find the 'very last eleven' someone else referenced, I don't believe I've ever heard it (or if I did, I never knew it was the last one played).

    Sixtus

  • Dennis
    Joined:
    listening parties

    Has anyone gotten links for the second & third party? I got a link for the first one.

  • billy the kid
    Joined:
    Bootlegs

    If Rhino released that same box set of shows, the fm shows from fall of 71, and I already had a bootleg copy, I don't , I would buy a copy from Rhino because they would certainly have a much better sound quality. I have tons and tons of tapes and bootleg records, but that would not stop me from buying an official release from Rhino just because I already had a copy , as their product would have far superior sound quality . I think most people feel the same way. But Rhino, seems very reluctant to release box sets from 1967 - 1971, for whatever reason. Ok, Dave and Rhino, let's start working on the Complete Recordings of April 1971, every show. Please.

  • daverock
    Joined:
    Lets get physical

    Thing is I don't listen to downloads or streaming or anything like that. Just vinyl and cds now. So the FM recordings are cheap and cheerful presents to myself. I don't buy them all, by any means. Just cherry pick from the years I like. Not controversial at all...I've done worse things! I bought all the cds issued by deadnet up to about a year ago. As has been discussed before on here, they ain't cheap if you live in Europe. So I've got a bit more selective of late. I would prefer to buy 1966-1974 shows with the superior sound as issued by deadnet...but I would rather listen to one with inferior sound from that timespan to a super duper box set from a year I am not so keen on.

    There has always been something attractive about bootlegs. I got my first in about 1973. They have lost much of their glamour over the years, but I still don't turn my nose up.

  • JimInMD
    Joined:
    Yellow Box Bootleg

    I'm not weighing in on the '71 bootleg controversy one way or the other.

    But I think it's a fair offer.. simply because it's free. The source material from these shows is FM broadcasts which circulate freely. I'd send them to regular, semi-regular and infrequent posters here for free.. basically anyone that is not a Russian Bot or Count Vlad himself.

    The music was presented free in crisp wonderful soundboard quality 49 years ago complements of GD management.. so why pay someone from Europe to package and send it to you now? Never made sense to me, these are the exact same recordings. Funny thing is.. I expect exactly one PM.. No one will take me up, yet people buy the Yellow Box for essentially a bean of hard earned currency.

    Just PM me. #FreeTheReels

    Edit: Trapped in a rhythm trip. That's the 11 in a nutshell. Love that tune and New Potato Caboose from 68/69.. wonderful stuff. Thanks Alvarhanso. Great post.

  • alvarhanso
    Joined:
    RSD

    Thanks icecrmcnkid! You had me at those Who albums, though I have the original 1st pressing of Odds and Sods already (Put the Money Down is hands down the greatest Who song hardly anybody has heard, and Little Billy is pure genius anti-smoking ad for the American Cancer Society!) But intrigued at A Quick Live One, maybe the one from Rolling Stones Rock n Roll Circus where their single song performance outshone the Stones set and John Lennon's supergroup, or maybe a live EP?

    The Ramones It's Alive II will probably be picked up, interested in the Hawkwind stuff, never had any, but Lemmy does British spacerock? Sure! I assume the Phish release not mentioned will be Farmhouse, which I wouldn't want. I missed out on Billy Breathes, and Story of the Ghost is probably sold out, too, those are the 2 studio ones I'd really want. Buffalo will be gotten, but not right away. More interested in when 3/1/69 comes out. The Zappa release You Can't Do That Onstage Anymore would be nice, I have it on cd somewhere.

    Reminds me, I need to get a copy of that Seattle Playing in the Band, pretty good deal 20 bucks...

    Speaking of good deals, Deal of the Day at Amazon, almost over, is for storage devices, hard drives, usb drives, etc. 12 TB monster for 175 bucks. That cartoon idiot that paid 439 for 2 TB at Best Buy would have almost all the room he needed, especially since 6/22/73 is now available in 24/192, and the whole box set is 48GB.

    A return to the transition from St Stephen> The Eleven from 3/1/69 started the day of right. Then I started up 3/2/69 Dark Star... Got some great (loud) Dark Star action at lunch then finished it on ride home along with> St Stephen> 3 min of The Eleven for the end journey. Great out of the gate Dark Star, St Stephen is flying along and The Eleven thunders in a bit less than the night before, but they start to hit dynamics and take their time after rushing through just 6 glorious minutes of The Eleven the night before, so I failed to pull a keithfan and remain through the next 10-12 min, I decided it shall be tomorrow morning's jolt to awaken me prior to facing the day. I think Phil really really liked playing St Stephen and The Eleven. I think precisely what made him love them so much, their rhythmic complexity, is what made Jerry not want to play St Stephen at least. Who knows why The Eleven was dropped. Was it because Billy thought they needed Mickey?

    Did a search and how wrong was I?
    Garcia, 1988: “‘The Eleven’ was successful because it had a great groove…but you’re really stuck in that chord pattern – we used to go into E-minor out of that A-D-E [riff], which is like ‘La Bamba.’ ‘The Eleven’ is like ‘La Bamba,’ it really is… ‘La Bamba’ is a trap too, just like ‘The Eleven’ is, because you’re trapped harmonically in this very fast-moving little chord pattern which is tough to play through. It’s tough to play gracefully through except for the most obvious shit, which is what I did on ‘The Eleven.’ When we went into the E-minor [section], then it started to get weird. We used to do these revolving patterns against each other where we would play 11 against 33 – so one part of the band was playing a big thing that revolved in 33 beats, or 66 beats, and the other part of the band would be tying into that 11 figure. That’s what made those things sound like, ‘Whoa, what the hell is going on?’ It was thrilling. But we used to rehearse a lot to get that effect. It sounded like chaos, but it was in reality hard rehearsal.” (Golden Road, Fall 1988)
    Lesh, 1990: “It was really too restrictive; and the vocal part, the song part, was dumb. [Garcia said it was a hard tune to play through] because of the three-chord structure. When we put that together with a drone it was much easier. How was it we used to do it – Dark Star/St Stephen/The Eleven/Lovelight? It fit well in there, I guess… It was really designed to be a rhythm trip. It wasn’t designed to be a song. That more or less came later as a way to give it more justification or something to work in a rock ‘n’ roll set. We could’ve used it just as a transition, which is what it was, really.” (Golden Road, Summer 1990)

    Thanks, Interwebs! Well, song, or not song, or just an excuse to confuse people musically, I plan to rock out to the final Eleven of the Fillmore West run. May have to pull out 1/2/70 for the evening, that's a really good Dark Star and 2 smoking TIFTOO's the next night and that Dancin'. Can't wait for Workingman's and American Beauty and the accompanying 1970 sets!
    Garcia, 1988: “‘The Eleven’ was successful because it had a great groove…but you’re really stuck in that chord pattern – we used to go into E-minor out of that A-D-E [riff], which is like ‘La Bamba.’ ‘The Eleven’ is like ‘La Bamba,’ it really is… ‘La Bamba’ is a trap too, just like ‘The Eleven’ is, because you’re trapped harmonically in this very fast-moving little chord pattern which is tough to play through. It’s tough to play gracefully through except for the most obvious shit, which is what I did on ‘The Eleven.’ When we went into the E-minor [section], then it started to get weird. We used to do these revolving patterns against each other where we would play 11 against 33 – so one part of the band was playing a big thing that revolved in 33 beats, or 66 beats, and the other part of the band would be tying into that 11 figure. That’s what made those things sound like, ‘Whoa, what the hell is going on?’ It was thrilling. But we used to rehearse a lot to get that effect. It sounded like chaos, but it was in reality hard rehearsal.” (Golden Road, Fall 1988)
    Lesh, 1990: “It was really too restrictive; and the vocal part, the song part, was dumb. [Garcia said it was a hard tune to play through] because of the three-chord structure. When we put that together with a drone it was much easier. How was it we used to do it – Dark Star/St Stephen/The Eleven/Lovelight? It fit well in there, I guess… It was really designed to be a rhythm trip. It wasn’t designed to be a song. That more or less came later as a way to give it more justification or something to work in a rock ‘n’ roll set. We could’ve used it just as a transition, which is what it was, really.” (Golden Road, Summer 1990)

  • carlo13
    Joined:
    Veneta/giants

    Love the veneta show someone here gave me. Real old school. I can taste the free yogurt as i listen. I was also playing the giants box 87'-89'-91' shows my friends and I used to go to along with a few on this site. That june 17th 1991 first set eyes was great.

  • JimInMD
    Joined:
    Ha..

    Welcome Shadeguy. I've seen that van!!

    Don't let these guys wreck your political career. What happened in the van, well.. never mind.

    So the Senate might be out but I think you still have a good shot for a seat in the house. Those guys all seem to drive vans with no windows with little or no repercussions, fear not.. your future is bright..

    Freak freely..

  • Shadeyguy
    Joined:
    Van

    You mean the one with no windows? Sure do=)

  • Roguedeadguy
    Joined:
    Shadeyguy

    I think I bought a fake ID and some weed from you back in high school.

    You still have that van?

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6 years 8 months

During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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7 years 4 months
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Really looks great in person. They packaged this really well. I am going to listen to the first Boston concert in the set right now. Looks like they did a great job on this Boxset. Hope everybody gets theirs ASAP !

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17 years 5 months
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From the tracking info shown below, it can be seen that my order was passed to the dreaded UPS Mail Innovations and they have subsequently passed it on to the local post office for delivery, still in Fontana, CA. Bearing in mind that this is an international order that is shipping to the Netherlands, I suspect that it is now going to continue its journey with USPS and then the Dutch postal service (bless their wooden clogs), no doubt with a stopover at a Dutch customs facility where presumably taxes and duties will be levied, along with an "administrative charge" which, whilst unwelcome, is less than that charged by UPS. I may be wrong, but otherwise why would UPS hand it to the local post office.

Tracking info:

03/19/2020 - 8:00 P.M.
Fontana, CA, United States
Package transferred to post office

Past Event
03/19/2020 - 7:11 P.M.
FONTANA, CA, United States
Package processed by UPS Mail Innovations origin facility

Past Event
03/19/2020 - 5:18 P.M.
FONTANA, CA, United States
Package received for processing by UPS Mail Innovations

Past Event
03/17/2020 - 10:04 P.M.
United States
Shipment information received by UPS Mail Innovations

Thanks Betty, ABCD Enterprises, Dave, Norman, Plangent, TPTB, Rhino, etc.

6-14 is spinning and sounds grate.

Yes, I did wipe down the outside of the box with Chlorox.

“1000 cycles ladies and gentlemen....”

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9 years

In reply to by stoltzfus

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Maybe only USPS can bring stuff into Europe at this time?

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9 years

In reply to by icecrmcnkd

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June 10/11/14/15/19, 1976

Yes, 6-14 sounds mighty swell.

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9 years

In reply to by icecrmcnkd

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I sprayed Chlorox bathroom cleaner on paper towels, then had paper towels in each hand, and picked up the box and wiped down the sides.

You also could wear gloves and remove the Box from the outer cardboard box. The inner Box is wrapped in plastic.

I save the shipping boxes, so I cleaned the outside.
Pretty cool how the shipping box is a single sheet of cardboard that is cut and folded to make the box.

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17 years 5 months
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I received an email from UPS today regarding their operations during the current crisis. Nothing seems to have changed for customers except that they are not required to sign for packages. Mostly it was about precautions to safeguard their workers. Nothing about restrictions or cancellations of international shipments.

I think in general restrictions on international flights refer to people/passengers (and bats, naturally) rather than freight.

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10 years

In reply to by icecrmcnkd

Permalink

Right on ConeKid...I will confess, those are mine as well ha ha. Maybe I'll start with 6/11 though....hmmmm.
What spurred you to a 6/14 opener, just curious. That Slipknot! is one of the all-timers if I recall.

Good handling instructions.
I just got our mail for the first time in 2 days...that's another way to pull it off I suppose. But that was just me being lazy - ha.

Sixtus

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6 years 10 months
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Mine arrived this morning.
Couldn't have come at a better time.
Should make this shelter-in-place a bit less stressful (though I'm not stressing much these days).

Been wanting a June 76 box for a while now, so thanks to Dave and company for making this happen. And, man oh man, the sound quality is primo.

Also, thanks to those who have checked in on me. Some days are better than others. But for now, I'm still kickin'.

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17 years 5 months
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Finally got out of a long stretch of unemployment just to have my new job end up in a long term layoff with no known end in sight. Bummed. Won't be able to afford this anytime soon and will definitely be long gone before I'm back on my feet. I have the worst luck.

No doubt everybody is feeling the pinch, or soon will be. Enjoy the music if you're lucky enough to spend your quarantine time jamming out to this.

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15 years 7 months
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Looking it over, I noticed minor scratches on multiple discs and the booklet seems to be missing its spine. As a Deadhead of some twenty eight years (yeah, I know, newbie), I appreciate the fact that the band/Rhino takes the time to release high quality sounding shows. But for the amount of money we lay out for releases like this, it would be nice to see better quality control. Not sure who the buck stops with here, but just wanted to put this out there.

BTW, my copy is number 544, if that helps anyone.

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10 years 2 months

In reply to by stoltzfus

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Amen, a fine show.
Currently listening to the Dicky Betts Warren Haynes version of the Allmans- Second Set and Live at The Beacon Theatre 1992-hot stuff.
Less so the Miles Davis documentary, "Birth of the Cool." I'll try not to let it put me off the music.
I am not-so far (never say never)-getting this 76 box, but am also looking forward to the reviews which will hopefully start filtering through soon.

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9 years

In reply to by Sixtus_

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I had all of these shows on cassette and 6-14 was my favorite, so that’s why I went with that first.

Actually paused listening because the rain stopped, the sun came out, and the temp went up to 73. Now it’s raining again, the temp is 66 and headed to 30. I opened all my windows and filled my house with warm humid air. Now back on the couch and playing 6-14 set 2.

if PNW hasn't sold out yet, 76 won't sell out, either, at least for a while.

The economic impact of this...thing...is going to be gargantuan.

There's always the archive. Not the same as full-Normaned discs, but it's still there.

Good to hear from you Skulltrip. Glad you got the box and will have time to enjoy that.

Love to hear more about the box!

Enjoy the box all.

Mine is still scheduled for Monday.
Train derailment or something. They won't deliver on Saturday because it is ground service, which is Monday through Friday.
I just hope it gets here before they shut the State down.

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17 years 4 months

In reply to by DaveStrang

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....people without tp are flushing other items down the pipes, clogging them. Trickle down issues.
Box is out for delivery. 👍

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4 years 7 months
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Package just arrived. 5 unreleased Betty Board shows! So very thankful that the packaging for this box set is smaller than a microwave oven. PNW is pretty, but the container is almost as large as the Europe 72 suitcase with 70 + cds. Less is more as far as packaging in my opinion. Thanks for the soundtrack to the next weeks at home....

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6 years

In reply to by scott Bunte

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I just received my ‘76 boxset. Literally just opened it. Is the spine of the book supposed to just be exposed glue, or is mine just defective?

It is designed to have string and glue.
At least that is my guess. That’s how books are generally bound, then a cover is put over it. This just doesn’t have a cover.

07925 arrived safely. Disinfected. Discs and book seem to be fine. Beautiful weather now that the sun has come here in N.Y.C.. Summer in March! With some good Ole GD!

Of course positive vibrations, thoughts and prayers going world-wide to everyone. Like Wake of the Flood; we will survive this thing.

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10 years 2 months
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Seems like they've sold a lot if I got 9005. Sanitized and ready for the Heil AMT 4's to shake the floor. Bass bomb Phil!

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6 years 10 months
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Check your PM, yo.

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7 years 2 months
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#01074 showed up today. I had it shipped to work. Good thing it came today because today is the last day I’ll be able to be here for the foreseeable future. All my musical activities have been cancelled so I’ll have plenty of time for listening this weekend.

Stay well, everyone!

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13 years 6 months
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Beautiful box arrived today, and it is a perfect size - a tad smaller than the July 78 box, but a similar idea.

My book also has the exposed glue and string binding... I guess I don't mind, but if it was intentional, it's kinda sloppy.

Otherwise, box looks great! I hope all the CDs are ok - I know the music is primo!

Edit: Upon further reflection, I bet the binding issue on the book is a mistake. As long as the discs play well, I won't ask for a new one over such an issue, but still...

Peace

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10 years

In reply to by icecrmcnkd

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....it's the June 11th show....so goooood. That second set. I can only describe it...drippy-good.

That Sugar Mag > Eyes....oh man. The Eyes is an all-timer on this end. Just love that 2nd...
It is all enjoyable. Phil Bombs. Deeeeep Bass. Jerry's sweet tone. The mix.
I am counting the moments....UPS said by 4 PM...clock is a tickin'.

First IPA cracked in anticipation. 8.5% Wachussett Larry. Go Big or GO Home. Oh wait. I'm already home. Forever.
Hope All are enjoying as much as possible. This site is truly a ray of sunshine amidst cloudy weather and a wonderful place to go for a happy diversion.

Seventy-Sixtus

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12 years
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LL Rain on 6/10 sounds very nice. Package very nice like always.

I hope you all get your’s soon. I have seen UPS deliver on my street on Saturday before, so fingers crossed for those still in waiting, you shouldn’t have to wait until Monday.

Sixtus, this Big River from the 11th is cooking along. Who says 76 is slow? If this was any faster they would be complaining that it was an ‘82 cocaine-fueled rendition.

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4 years 8 months
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I had my 76 box sent to my work and today was the last day they would be open. It was scheduled to deliver today and went out for delivery at 7:30am. At noon the status changed to Held m. It said due to a health crisis my delivery would be rescheduled. Now at 5pm they just updated my package as return to sender in Carlsbad, CA. I really was looking forward to listening this while locked down on quarantine. I have no idea what will happen now. If they will resend it or contact me. Man in super bummed.

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9 years

In reply to by Poshy218

Permalink

Sign up for UPS My Choice and get it held at your local UPS, or possibly sent to your house.

Edit:
Call the 1-800 number right now.

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4 years 11 months
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Is anyone else having trouble loading this set on to Apple Music? It seems to be ignoring whole disks in each show. Any thoughts, help?

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4 years 8 months

In reply to by icecrmcnkd

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They took down the 1-800 due to too many calls. I have an account with the UPS site but they never attempted delivery so it won’t allow me to change the address or schedule a pick up.

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7 years 6 months
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I just received my box. I won't open it until I get home. "SAY HELLO TO MY LITTLE FRIEND".

I think that UPS My Choice will let you have it held at a local facility.

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7 years 9 months

In reply to by icecrmcnkd

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Lowest number set I have ever received. For some reason they delivered it to my house even tho it has my PO Box on the label. In this case, it saved a trip, but normally, I use a PO Box so I don't have a box sitting out side to temp the passersby. I use dbpower amp to rip 24 bit and it was flawless. I started at the end, June 19th - Help on the way >>> as show opener must have been magical.

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14 years 9 months
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I went from bottles to kegs after a few years, and now that I brew 1.75 gal. batches, I've returned to bottling. You want Cornelius kegs, preferably with ball (not pin) fittings. There are some 3-gal. Cornie kegs floating around, and even some 1-gal. kegs that fit well in a regular fridge. I've also had luck putting the beer in growlers with carefully-measured priming sugar (and slightly less (~30% less)) than normal, and then carbonating just like in bottles. If you want to spring for a tank of nitrogen (besides the tank of CO2 you'll normally use), then you can even have a keg that dispenses with that gas.

I do enjoy XTC, especially Skylarking.

I think my box is coming via the USPS, but I saw the carrier come and go at the curbside box, and he didn't shove any packages in. :(

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7 years 6 months
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Thank you. I'm going to go with the Cornelius 3 gal. And just buy a keg fridge with the post and faucet set up. Thanks for the intro suggestion. I think I will go all the way since I can now afford it. Also thanks for the ball instead of the pin suggestion. There is nothing to good for my beer. P.S.-thanks jim for the beer help too.

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In reply to by Deadheadbrewer

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Less than two gallons doesn't work well for kegs. I actually don't brew much anymore, but when I do it's all grain (no syrups), liquid yeast and as fresh hops as I can get. My house batch is a 50 lb sack of grain (why, because it's cheaper and better) which roughly yields 30 gallons of beer. I give most of it away, which can at times give me mayor status in the tiny little hippie town I live in.

So 1 sack of grain, fresh hops, yeast and water and I get either 3 5-gal kegs for a half batch or 6 5-gal kegs for a full batch. I find if you are doing all grain, it matters little whether you brew 2 gallons or 30 as far as time, and it's much cheaper and higher quality to buy materials in bulk.. so there you have my calculus. Same time input, cheaper and free beer for my friends and river rats.

If I never sanitize another bottle in my life.. than I will have lived a good life (ooops, bad timing on that comment). Seriously.. if you are going to go, go big and all grain is the way to go.

No box for me, no box for me.. god only knows where my box be...

P.S. I have a few extra 5 gal kegs for free now that I don't brew so much anymore. free, of course. If I do a batch every three of five years, that's a lot. Then again, like most reading these posts.. we might just have more free time quite soon and the price per pint if you make your own, is a fraction of buying it from the store. (and better tasting, better for you and did I mention cheaper?).

Free lessons but only if you dare the rapids that are just upstream....

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Aaaaandd Happppppppy.
It smells good.

Listening Commencing.
11370

Sixtus

Post Script: Admittedly, the sound is immaculate. The playing is slinky and grooovy. They maneuver and utilize every crevice of each and every beat.
That organically manifests The Slink.

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In reply to by icecrmcnkd

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>>>>>>>>>>
It is designed to have string and glue.
At least that is my guess. That’s how books are generally bound, then a cover is put over it. This just doesn’t have a cover.
>>>>>>>>>>

Just opened my box (#2126) and had the same booklet spine issue as others have reported. I believe this is indeed by design. I re-watched the unboxing video in full screen mode on my PC and right at the 1:56 mark when the book is flipped over from front to back I was able to stop playback and see that the spine on the book in the unboxing video looked to be just like what I had received (string & glue).

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Just got this box and it looks awesome, really nice box. Almost exactly the same size as the first May '77 box. Lots of detail in the art on the box, pleasing colors and a nice touch with the unusual way the box opens from the side. Packaging for the individual shows is essentially the same as the first May '77 box and the July '78 box, again, nice colors on the packaging for the individual shows, and more detailed art on each one. A nice bright spot in an otherwise lackluster day. Looking forward to diving in for a first listen.

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081227908911
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https://store.dead.net/special-edition-shops/june-1976/june-1976-15cd-boxed-set-1.html