• 2,627 replies
    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • billy the kid
    Joined:
    Dennis/ Tom Dooly

    Dennis, in the Dead's version he's being accused by someone, "you took her on the hillside and there you took her knife. You took her on the hillside and then you took her life. You dug a grave 4 feet wide, you dug it 3feet deep, you pulled the cold clay over her and you tromped it with your feet." I think he was railroaded!

  • JimInMD
    Joined:
    Tom Dula (Dooley in a thick, backwoods North Carolina accent)

    I am not convinced he killed her. Don't pay too much attention to the lyrics for the facts.. this is a well documented true story and in the end it is not clear that Tom Dula killed Laura Foster although it is quite clear she died (probably murdered) and he was convicted for it, the saga ending when life left his body while dangling from the wrong end of a rope.

    "Asked in seriousness if he had any last words to say, Tom held his right hand and replied, "gentlemen, do you see this hand? Do you see it tremble? Do you see it shake? I never hurt a hair on the girl's head". The trap door was dropped."

    It was on the first day of May, 1866, that Tom Dooley rode through the streets of Statesville in a wagon. He sat on the top of his coffin on that bright and shiny day with his banjo on his knee, joking with the throng of people walking along. He picked his favorite ballad on the old banjo, laughing as the wagon neared the gallows. When the rope was placed around his neck, he joked with Sheriff W. E. Watson, "I would have washed my neck if I had known you were using such a nice clean new rope".

    Two links that shed a little more light on this...

    http://ncvisitorcenter.com/Story_of_Tom_Dooley.html

    https://en.wikipedia.org/wiki/Tom_Dooley_(song)

    Man.. you guys have outlined my work listening this afternoon. I feel the need to listen to many versions of all these great songs... while their narrative piques my curiosity and steers my imagination.

    Grayson and Whitter 1929. Peppy, mountain music. The version you are most likely to be drinking local shine from an old stoneware jug.
    https://www.youtube.com/watch?v=k9NHKINSKFk

    Kingston Trio 1958 introduced by a young and dapper Milton Berle.. "when the sun rises tomorrow, Tom Dooley must hang"
    https://www.youtube.com/watch?v=S3zdE8bliGI

    Doc Watson 1964. One the best pickers to ever pluck a string
    https://www.youtube.com/watch?v=XkzgNgBk8_E

    Tom Dula - Neil Young 2012
    https://www.youtube.com/watch?v=Zouila8_-F8

    Grateful Dead 1978
    https://www.youtube.com/watch?v=FxetLkhani0

  • Dennis
    Joined:
    Sixtus, crimes and the Siphon

    Speaking of crimes,,,

    I never understood in El Paso, why the guy ran?

    So in anger I challenged his right for the love of this maiden
    Down went his hand for the gun that he wore
    My challenge was answered, in less than a heartbeat
    The handsome young stranger lay dead on the floor

    The guy did try to draw! His bad luck he wasn't faster!

    Steve Earle character, I think maybe he drew without the challenge part. From "The Devil's Right Hand" (Johnny Cash does a great cover)

    Got into a card game in a company town
    I caught a miner cheating, I shot the dog down
    I shot the dog down, I watched the man fall
    He never touched his holster, never had a chance to draw

    Another "kill her" tune, Delilah, by Tom Jones. I listened to this tune for 30 plus years and NEVER realized he shiv-ed her!

    At break of day when that man drove away I was waiting
    I crossed the street to her house and she opened the door
    She stood there laughing
    I felt the knife in my hand and she laughed no more

    I guess he failed to see the humor in the situation!

    And yes, I AM the music siphon. OR, so I thought until I saw this the other day. Hope this isn't where I saw it. But a big wow from this guy.

    https://www.npr.org/2020/03/02/809977172/the-archive-of-contemporary-mu…

  • Dennis
    Joined:
    Billy the Kid & Tom Dooley

    I believe Tom really did Laurie Foster

    "I met her on the mountain, there I took her life
    Met her on the mountain, stabbed her with my knife"

    The Scottish version, kinda, he didn't kill her, but was betrayed by her. From a tune written by Jamie Macpherson while he waited to be hung. Updated by Robert Burns. I have The Corries doing it.

    MacPherson's Rant
    The Corries

    Farewell ye dungeons dark and strong,
    Farewell, farewell tae thee,
    MacPhersons time will no be lang,
    On yonder gallow's tree

    It was by a woman's treachorous hands,
    That I was condemned to dee,
    She stood uben a windae ledge,
    And a blanket threw o'er me

    Sae rantingly, sae wantonly,
    Ans sae dauntingly gaed he,
    He played a tune and he danced around
    Below the gallow's tree
    (Chorus)

    Oh what is death, but parting breath
    On mony a bloody plain
    I've daur'd his face, and in his place
    I scorn him yet again

    Sae rantingly, sae wantonly,
    Ans sae dauntingly gaed he,
    He played a tune and he danced around
    Below the gallow's tree
    (Chorus)

    I have lived a life, o' straught and strife
    I die by treachery
    It burns my heart, that I must depart
    An no avenged be

    Sae rantingly, sae wantonly,
    Ans sae dauntingly gaed he,
    He played a tune and he danced around
    Below the gallow's tree
    (Chorus)

    So tak these bands fae aff my hands
    Gae to me my sword
    There's nae a man in a' Scotland
    But I'll brave him at a word

    Sae rantingly, sae wantonly,
    Ans sae dauntingly gaed he,
    He played a tune and he danced around
    Below the gallow's tree
    (Chorus)

    Now farewell light thou sunshine bright
    And all beneath the sky
    May coward shame distain his name
    The wretch that dare not die

    Sae rantingly, sae wantonly,
    Ans sae dauntingly gaed he,
    He played a tune and he danced around
    Below the gallow's tree
    (Chorus)

    I got these two albums years ago by The Tannerhill Weavers. Played the shit out them, thought I knew all the words. Finally got to see the words, found they were mostly Gaelic and had almost all of them wrong! :-)

    Some great stuff from them-there Scot people.

  • Sixtus_
    Joined:
    Picks & Crimes

    JeffSmith - you're The Man for offering of The Volumes - I am glad the effort will not be lost to the ravages of time, but instead shared with All, as it should be. That's really cool.
    Dennis - you are a music siphon the likes of which I have rarely seen!

    Also enjoying this banter and thoughtfulness about 'the justice vs. injustice' present in some songs. I mean, think about it: those card players in Me and My Uncle got all shot up, over a game!
    Poor fellers.

    Sixtus

  • Slow Dog Noodle
    Joined:
    Lee Brown

    Didn't he get 41 years and 41 days and nights?

    An extra 6 weeks to think about what he'd done.

    Dylan did a great version of this song on Bootleg Series Vol 10, which is probably my favorite of the whole series.

  • Cousins Of The…
    Joined:
    Viola Lee

    Somehow, I always assumed it was the name of a penitentiary; However, there was a Viola Lee charged with running a
    "disorderly" house(whorehouse) in June 1917, in Arizona. Two women and two men were also arrested...who knows? I'm still searching.

  • billy the kid
    Joined:
    Dennis/injustice in songs

    Dennis what about Tom Dooley? He didn't kill poor Lori Foster and look what happened to him. "This time tomorrow morning where do you reckon I'll be, down in a lonesome valley , just swinging from a white oak tree.". Now that's injustice!

  • Mr. Ones
    Joined:
    Last 5

    Grand Funk Railroad-Grand Funk
    Genesis-Bonus Disc from '70-'75 box
    Genesis-Lamb Lies Down On Broadway
    Lenny Bruce-American
    Dave Mason/Cass Elliott-S/T

    And a-wop-bop-a-loo-bop-a wop-bam boom!!

  • JimInMD
    Joined:
    Re: An Observation - Justice Ill Served???

    Well.. I see.. Good Point Dennis. If I had to rank the songs, it would go Viola Lee Blues, Little Sadie then Stagger Lee - understanding this is just my personal preference.

    The sentences in descending order were:

    Viola Lee Blues, the crime isn't mentioned but some got six months, so we can assume it's barely a felony. "Me and my buddies got lifetime here" (Viola Lee got life). A major injustice.

    In Little Sadie, the crime was murder in the first degree. Lee Brown got 41 years (not quite life.. we will call it halfway there).

    In Stagger Lee, the crime was also first degree murder. Stagger Lee was not charged because he was basically a mob boss.. so he got nothing. Certainly an injustice, a judicial travesty of sorts.

    ..but there is some foreshadowing mentioned by the authors that alludes to a different ending although no proof is mentioned, the authors leave it up to us to figure it all out (as in many great songs).

    _____________________________________

    Stagger Lee ultimately got the Death Sentence but only after Mrs. DeLions shot him in the balls with her gun (we are lead to believe this was a 45). Getting shot in the balls with a 45 and then getting dragged off to city hall to face a what is most certainly a death sentence is ultimately the harshest penalty of the three.

    In Little Sadie, his sentence was a little light, 42 years, probably out on parole in 20.. but it is probably within the state range in North Carolina. Typical sentences for a first degree murder range from 30 years to life. Although this isn't mentioned in the song, for the crime he committed he can expect to get beat up a lot in jail, so there's that.

    In Viola Lee Blues, they get the harshest sentence of them all, the got "lifetime here" meaning life in prison. However, understanding that Noah Lewis was born in in the deep south in 1891and wrote Viola Lee Blues just before the Great Depression (it was recorded in 1928). As for the crime, since it is not mentioned.. it took some research but I do believe I was able to ferret out the facts. You see.. there is a similar event popularized by the movie Oh Brother, Where Art Thou where an overly harsh sentence was carried out in the Deep South and the three (me and my buddies) were not getting out.. and while the protagonist is serving his time and the great depression begins to ravage the country, his wife divorces him and gets engaged, he escapes from prison, finds his wife, gets pardoned by the Governor of Mississippi and we can only assume lives happily ever after.

    So it all works out in the end, and we got the hit song Man of Constant Sorrow written by the Soggy Bottom Boys that was later covered by Jerry Garcia at several points in his career so the story becomes very much Grateful Dead Related.

    Fear not, Dennis.. justice has a way of finding it's footing even when injustices occasionally rule the day. In fact.. that's how we got some of our favorite songs.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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4 years 6 months

In reply to by Charlie3

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"Packaging for the individual shows is essentially the same as the first May '77 box and the July '78 box, again, nice colors on the packaging for the individual shows, and more detailed art on each one. "

Do the CD sleeves have the same layout like the May 1977 boxset? You have to be very careful how you remove the CDs out of the sleeves. I tore the edges on the sleeves slightly due to the tight fit.

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The other spectrum from #00069. The binding is made this way to allow the book to lay flat as you read.

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17 years 3 months
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Mine came in today WOOT! I still havent listened to 2 shows from Giant's Stadium or the Dave's Picks yet

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4 years 11 months
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The Brown Truck just delivered my set. Can't wait to start listening! No: 10995

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Sounds great so far. Nice Sugaree on 6/10/76.
Nassau1985, the CD sleeves look like exactly the same layout as the May '77 box (and July '78 box), the only difference is the artwork on the sleeves.
JRF68, nice catch on the Dune reference.

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8 years 10 months

In reply to by caniol

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Traded in brewing for roasting.
Good decision, there’s a lot of good beer available out there.
Roasting your own beans also affords better coffee for a significantly lower price.

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Lazer cat imperial ipa from medusa brewing co. Hudson,MA. Just starting the first disk.

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17 years 2 months
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Outstanding job. Binding of the book was an unexpected luxe touch. Sets the bar pretty high for the Live/Dead reissue. Can we hope for a 5.1 iteration?

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17 years 3 months
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north east ohio...digging some lazy lightning on a rainy day, and you can tell all smiles on the dancin' on the second boston show into nice music never stopped..ship oh and now this late set sugaree!!!

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This kind of thing happens to me on a fairly regular basis, and I absolutely LOVE it!

Was listening to "Help On The Way" from 6/14/76 a few minutes ago. My dog was bugging me, so I got up to let her out, and noticed my wife watching news coverage of the coronavirus.

On the screen: a picture of one of our hospital ships with the words "Help On The Way" boldly emblazoned in red next to the picture. Chills, man!

I choose to take that as a sign of hope. Stay healthy, y'all.

....it does smell good. #2732 in my soap rubbed raw hands. I really, really needed this today. Thank you dead.net/rhino.
Will listen later. Watching hockey games on YouTube.

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10 years 8 months
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Upsman dropped it off at 8:15. Have hardly dug into it. Got one cd ripped and my Internet went out, have spent a couple hours on that, as I was watching a free String Cheese webcast of 12/28/18 with Sam Bush and Darol Anger, and wanted that to resume. The contents are gorgeous. Will check out the sound tomorrow. About to read the book. Hope everybody gets theirs in a timely fashion, especially with all that's going on, I know a little music would help salve the soul in these times. I hope Bolo's synchronicity moment is true and that it will get better soon. I fear the response was too slow and that the numbers will only increase as the numbers of people who are tested increases. I hope I'm wrong, and everyone stay safe.

I can't believe I sprayed the box with Lysol. What a different world we're in now...

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8 years 11 months
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Finishing up a first listen to 6/10/76 and my first impressions are all positive. The sound is great, hard to believe what they can coax out of decades old tape, and a testament to Betty's recording skills. Everything sounds nicely balanced, there is nothing that seems low in the mix or too prominent. The show itself is sweet, mellow, goo. It's nice and mellow without being at all low energy. While there are no super-long jams, everything has a nice jammy flow and everything sounded so good it's hard for me to say exactly what stood out more than the rest. This is probably something that would serve as a nice introduction to the Dead for folks. And did I say it sounds fantastic?

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In reply to by alvarhanso

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No Box For Me.
No box for me, god only knows where my box be...

You have to wonder if whoever painted help on the way on that mercy first aid boat was enlightened, or at the very least a deadhead. I say yes. Collectively, we do make a difference.

I used to hate the term deadhead, because.. of course.. there's lot's going on in between our ears, almost the exact opposite of dead.. I have grown to accept the term though and now view it as a compliment. More a token of intelligence and certainly not lack thereof.

Help on the Way on the Maiden Ship bringing first aid to those in need? Right on, prove to me a deadhead wasn't responsible.. and good luck with that.

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One thing that is very unusual about this group of shows is that it's almost the same songs every night. There are way more repeats than any other box I've heard. I think they were easing into it after the long layoff and new approach to the music. Where is Bertha??? She really didn't come around no more!

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In reply to by okiedoke13

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on the packaging.

Did I miss the notice on Live/Dead? I thought they were just doing the studio albums?

Anywho, just got done with the first set. Sound is amazing. Show is sweet. I like '76. Weird sets. Kind of loping. They are figuring stuff out with Mickey back.

Also kind of cool that they are starting to release some of the FM shows. I THINK most of these shows were broadcast. In the past, they seemed reluctant to me. Perhaps this opens the floodgates ('71 late fall).

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In reply to by Butch

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The faster we go the rounder we get.. go back to 67, 68 or 69.. but I agree. They hadn't played together in a couple years and were rusty. The repeats were as much to get what they had rehearsed almost exactly perfect before they added new songs as anything else.

I think they played Sampson every night that year except once or twice. But look at the song selection from the Live Dead era. Much less diverse, but kicked extra ass to make up for it.

No Box For Me. :(

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12 years 11 months

In reply to by Butch

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There are some shows missing. That contributes some. The 12th, 17th, and 18th are missing. But even the back to backs have a lot if repeats.

Agree they are figuring stuff out, but also a lot of new material. New stuff got played nearly every night (Estimated in '77), and there is Blues For Allah stuff, Kingfish stuff, and JGB stuff all debuting at the same time.

Edit: 00744. I have the exposed binding thing as well. If it is not on purpose, it seems universal. Does anyone NOT have it? All discs save one firmly in place upon arrival. And that one looked pretty good. Hope it plays OK.

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7 years 10 months

In reply to by Jason Wilder

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Jim, sounds like you and I are in the same boat. Maybe Monday.

On a brighter note, and I don't often comment about too much outside the Dead, but here it goes, my brother was diagnosed with the virsus last week and had already recoverd on his own. Great news!
Stay well people and enjoy this music that sat in a storage locker, auctioned off to three different parties and saved by multiple unsung heroes. This one is to you!
Can't wait to get mine.

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In reply to by DeadVikes

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Great news. Glad to hear. Heavy shit.. glad he escaped, that's really lucky and great news. Eventually calamity from this monster will affect most here.

Still, great news.. worthy of celebration. What are we listening to or smoking/drinking? hehe.

Red Fox, Blue Sox, No Box for Mox.

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17 years 2 months

In reply to by DeadVikes

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....Candyman. Highlight. re; only made it through Candyman so far.
I started with this show first, because I heard it was pretty good.
And I'm feeling fine 🤞

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In reply to by JimInMD

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Thanks Jim. We have to get through this and we will.
Just really crazy times......

Aged rum tonight. Not the cheap stuff, bit not crazy either. Just good.

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12 years 10 months
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In these days of self-isolation it is great to take a break from the news and telecommuting (which is for the birds!) and scroll through the comments. I especially enjoy reading what you are all spinning.

As I write I am listening to Pat Metheny's latest, "From This Place", for the umpteenth time since I picked it up a few weeks back. The players he has assembled here—Linda May Han Oh (bass), Gwilym Simcock (drums), and the amazing Antonio Sánchez (drums)⁠—are unmatched in their ability to listen and respond to each other and their leader. (Little wonder as they had been touring together for a few years before stepping into the studio.) While the orchestrations may put off some of the jazz purists out there, to my ears this is one of Metheny's best since the height of the Pat Metheny Group.

But enough preaching! Here are the other 4 of my last 5:

Nick Cave and Warren Ellis: "The Assassination of Jesse James by the Coward Robert Ford" soundtrack
Bob Dylan: "Good As I Been to You"
Good Old GD: "The Warfield: October 9th and 10th, 1980"
Patti Smith: "Peace and Noise"

Stay safe everybody. "We will get by!"

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7 years 7 months
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I arrived home from work yesterday to find #2266 waiting for me in its precious little box. Beautiful packaging. The folks in Rhino's art department continue to stun with their brilliantly executed concepts.

The slower tempos remind me of Dead & Company. The band are clearly listening to each other throughout these shows, something that would sadly disappear soon enough.

Anyway it's all burned into the master hard drive now and will inform the rest of the weekend. Thank you, Dave, Rhino, UPS, and... the Good ol' Grateful Dead!

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76 is some damn fine drinking coffee, making bacon, chillin' at home on a Saturday morning Dead! Almost through 6/10 (in the DEEP of Playin') and I have to say, this box tickles my fancy both song-wise and sound-wise. Sure, there are a lot of repeats, but thankfully, I am a fan of all the songs! Now, a late 90s box with multiple "Wave to the Winds" and "Libertys" - not so much. Still, I'd probably buy it :)

Wash yer hands, ya filthy animals, and stay safe!

Peace

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Kenny Rogers dead at 81. Not really of fan, but you got to know his songs AND if you're old enough you'll remember his Quick-Pickin' & Fun Strummin' Home Guitar Course!

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Vikes--good to hear about your brother! Maybe today is the day us Mini-Sotans get our box?

Kenny Rogers--Double bummer. Today is the day a bunch of us were to gather in person for the 32nd year of drafting our fantasy baseball teams. Long story, but the gist of it is that we have a tradition of singing "The Gambler" each year as part of the silly fun. Can't believe that I woke up feeling cruddy about not having Draft Day, then hear about Kenny. Okay. You needed a diversion, so here's the long part. There used to be a major-league pitcher by the name of Kenny Rogers. He was a real decent pitcher for quite a while, and one year, as we auctioned off this pitcher, someone started singing "The Gambler." One by one, we all joined in. Each year thereafter we would intentionally sing that song when we auctioned off that pitcher. After Rogers retired, we named the draft portion of the day "Kenny Rogers Ultimate Draft" (KRUD), so that we could invoke that name and sing the song. We have had a lot of odd looks from servers over the years as they walk into our party room while we are singing. By the time we're simply drafting players, we have reached the crud of MLB. (still fine players and human beings . . . )

Jim--sounds like we've gone opposite ways with our brewing! I did all-grain forever, then quit brewing when my sons were young. When I returned to brewing a while back, I did mostly steeped grains with extract. The secret is--DON'T BOIL THE EXTRACT!! My first batch back (E.S.B.) was done that way, and it took Best in Show at the MN State Fair competition (700 entries!). Shortly thereafter my wife and I cut way back on our alcohol consumption, so I decided to start making 1/3 batches--1.75 gallons. So now I usually bottle, given that there are only about 16 bottles per batch.

Carlo--kegs are expensive, and I have too many. Maybe with some donations by you to some funds set up recently to keep musicians and bartenders solvent in these trying times I would just send you some . . . Let's think about that, eh?

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17 years 2 months

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Uuuuugggghhhhh, Box was “out for delivery” at 10:30 at the local UPS just a mere 5 miles away.....then log said “delivered at 7:24 pm”.....NOT!, no box! WTF? All vey strange as we get all our stuff at the PO, that’s how it was addressed? UPS tracking did have a weird log before “out for delivery”: “apartment or address changed”? WTF?
Funny thing is a truck did stop across the street at about that stated delivery time, but we asked them if they received the wrong package, but alas no.
Also went to the ole ladies place of business because once they somehow delivered something there that was supposed to be PO. Not sure how they figured that, perhaps because she receives a ton of packages for work they just knew.? It is a pretty small town.
Spent hours on the phone last night on hold, never even got a person!
Of course it’s saturday, or I’d go to the local place. Went there last night after the first round of waiting on the phone, said fug it and drive over....”it’s on a truck, they haven’t been to the post office yet, so it will either be dropped there, or it will get delivered, but not sure which”? Huh? I should have asked about the “address change”....idiot!
So yeah, not to be a bummer, but looks like this lil buckeroo is not getting a box, at least not anytime soon. And of course there’s talk the Governor is going to shut the state down Monday so that means no going to the local shop,
Uuuuugggghhhhh! I’m really starting to freak out, it’s like everyday it’s something else. Am I cursed? Am I the victim or the crime? Yee-gads.
Anyway, don’t mean to let my shit wind foul all yalls parade. Sounds like a real Bobbie Dazzler! Enjoy Onward Mates! Through the fog...

DEADVIKES: glad to hear your Bros ok! On top of feeling so shitty, psychologically it has to be brutal.

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10 years 8 months
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This is how I prefer to remember Kenny Rogers. Not much on country, hate it, in fact. Plus, the dearly departed Mickey Jones was on drums for New Edition. When Levon Helm quit touring with Bob Dylan and The Band due to the boos, Mickey was the replacement, and became a great character actor. Kenny was a decent actor. Never got to try his fried chicken, but it made for a helluva Seinfeld. Sail on to your Island in the Stream, Kenny.

https://youtu.be/AULOC--qUOI

https://youtu.be/K3z6qjM4chw

Also, thank you to the Coen Brothers for using this song so perfectly in The Big Lebowski.

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9 years 10 months
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Got lost in that very deep and Spacey Playing in the Band, only to have it aided out of the cosmos and to a very interesting transition into Dancing in the Street. Love me some disco Dancin. Especially these early nuggets, before the Wawa, having tons of fun with the two drummers. Super-solid show out of the gate for this box. And I can actually finally hear Jerry beautifully. Prior copies of mine of this had Jerry way down, almost inaudible in the mix.

Peace and resilience to everyone out there and hang in there, those who have delivery woes.

Tomorrow will be Sunday
Born of rainy Saturday.

Sixtus

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8 years 1 month
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Just reported for duty.

I had a panic for moment when I thought the 1st disc was defective. My laptop CD drive wasn't reading it. But I think its more a problem with my CD drive --- its taking forever to read and spin up the discs. But they work eventually.

Spinning a Chuck Berry record while ripping the discs. 6-10 is on deck.

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7 years 7 months
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Are the individual CD covers available somewhere? Would like to use them for iTunes but haven't found them.

noticed the cover of the last show is different, with hands...

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15 years 6 months
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The booklet that came with the June 1976 box set says the Boston Music Hall shows had intense security. Pat downs, dogs, "the tightest security this side of Los Alamos". Seriously? I was there for two of the shows and so ZERO cops. People running around shouting "acid for sale, acid, get your acid" and waiving sheets of acid. Literally the LEAST security I have EVER seen at a concert. Why the odd discrepancy? Weird.

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15 years
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Started the box with 6/11, since it's someone here's favorite show(Sixtus? Stoltzfus?? I forgot...ends in "us")
Fantastic sound right off the bat, and great, dreamy playing; LL/Supplication on right now, everybody's dialed in and
at the top of their game.

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10 years 6 months
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Nothing like a global pandemic to enable me to laugh off the "next week" expected arrival of the '76 box...

And I do have quite the pile to get through before then:
Cream '68 Farewell box
Dylan '66 box (yes, STILL WORKING THRU IT)
Dylan, Travelin' Through (w/Johnny Cash tracks)
GarciaLive #12
Hendrix BoG (takin' my time)

And, let's face it, major re-listening opportunities: PNW '73, ABB '71 & '73, The Band (and excellent Woodstock set) and a few hundred officially released GD shows, not to mention the hard drive with hundreds more Charlie Millers from ForensicDoc ...

My M.O. for new material, as in DPs etc, is one good listen, then onto the shelf they go. That way, when I pull them out for the long-delayed second listen, they're really fresh -- I get two good jolts from each release. Alternatively, I copy my favorite songs for the long drives into the backcountry. Typically that starts in ~2 weeks but is certain to be delayed this year. Although, talk about social distancing...

Also, I am fortunate to own (and know how to play) three really nice acoustic guitars (a flawless 15-year-old Martin D35, a battered 45-year-old Mossman and a new-ish acoustic-electric Taylor) and, on the electric front, a Strat, an SG, a 1964 Gretsch 6120, etc etc. (meaning, I'm not listing the other five).

So on the last two days of snow and cold here in dear old Colorado, I'd build a fire (in the wood stove, but that may change) and sit down with a healthy serving of Jameson and an extra large spleef (early: Sativa, later: Indica -- JimMD DID ASK! a few pages back) and my how the time flies! Then it's on to the super-terrific "The Fantastic Films of Ray Harryhausen," who was -- to those of you who don't know -- an early expert at delightfully cheesy science fiction animation/special effects. (More Indica indicated here, towards midnight). Edit: only a matter of time til I turn to the stash of Rolling Stones vault videos, except the ones in which Mick wears too much makeup...

Rest assured that I know no one could possibly give a hoot what I'm doing but as I live alone

I HAVE TO SOCIALLY DISTANCE MYSELF FROM MYSELF. So here I am, reporting in! Note: just a tad early to hit the pipe just yet....

More bad news: the longer this shut-down goes, the more likely you will be subjected to more GD concert reminiscences......... so the worst is still ahead!

Seriously now (*rimshot*) stay safe, check on your neighbors (but carefully), be patient. It's good to know this twisted little community is out there, somewhere..............

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4 years 9 months
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What a great day! It sounds like everyone is really digging this new box set. I glad, but not at all suprised, 1976 is one of my favorite years for the Dead. My box set may come on 3/25/20, but no rush, all good things in all good time.

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10 years 8 months
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Don't know how many here are fans of The Far Side, but Gary Larson started putting them online back in December, and he does a Daily Dose of a couple to several cartoons from across the years, as well as special features of several grouped together. As I'm about to rip 6/11/76 disc 3, I pop the disc in and go to thefarside.com for my Daily Dose, and the first cartoon matches up with the Samson & Delilah that's now emanating from my speakers.

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9 years 10 months

In reply to by Cousins Of The…

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Yep, 6/11 takes My Cake and has been a long-sought after relic; I had even emailed Dave at one point many years ago to which he confirmed that it was among the missing Betty's at the time. But how happy he would be if one day it was able to be released.
Here we are, folks.
Super awesome special in my eyes. Any of those Betty's seeing the light of day again is A Miracle.

Sixtus

P.S. This Eyes. The first 6 minutes are pure Bliss. Who's playing lead? Phil and Jerry contend and spiral for position; there are various movements, dips and cresendos. The groove Moves In and Out until utter coalesceance.

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15 years 11 months
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Thanks! Ya can't be too careful.

If I got this virus I would be opening a vastly different box.
The upper respiratory is bad all I have left is the lower.

Along with Calvin and Hobbes, arguably the two best comic strips ever created.

I purchased the complete collection of Calvin and Hobbes. Read it to the kids every night when they were younger. The Far Side was a but too advanced for them. Both are classics.

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17 years 2 months
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I bought the flac high def download. One 27.3 GB file. As far as I can tell, it's complete and sounds fantastic. It's going to take a while to listen to all five shows. No electronic booklet. The box set looks great, but I don't need no more physical CDs!

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10 years 6 months
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So here we have the most complete (still lacking two songs, I believe) version of the two-night, four-show BoG over New Year's '69-70. It was created from the master reels that Paul Allen owned, so I believe the SQ will never get better. There seems to be some controversy over the song sequencing. Add in the fact that the shows were decidedly uneven -- despite massive rehearsing, Jimi went for songs they hadn't mastered, displaying his willingness to take risks and fail. But at least two-thirds of this box is mind-blowing Jimi, with soul backing of Buddy and Billy. It has all kinds of warts (Buddy getting too vocal at times) but you cannot beat Jimi Hendrix at the Fillmore East.

So if you dig Jimi, get it! My opinion is highly personal ("hendrixfreak," right?), but based on purchasing the BoG LP when it came out in '70, then literally about 25 discs of BoG boots and all official releases over the years of the shows and the rehearsals. The new box, Songs for Groovy Children (horrible title), is the version to end the collecting saga in this particular instance.

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