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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • deadegad
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    Lot's of great ideas for box sets. . ..

    And I would buy all of them! Watkins Glen complete with the other bands and sound check would be, if, I had to pick only one, would be The One! Yet RFK 73 would be a runner up.

    I still daydream about Radio City/Warfield tapes being rediscovered.

  • Shadeyguy
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    Requests

    And since this seems to be request time, I'll throw my hat in the ring for san antonio 72. I think its 11-26? Fantastic dark star, playing, etc. Unfortunately the only version available sounds like hot garbage. Definitely needs an upgrade

  • Shadeyguy
    Joined:
    Hello Deadland!

    Hope everyone is doing well, I'm just hanging out digging on this box. It's a bit of slow process when no one in the house but me "gets it". "Theres 5 versions of the same song in 5 shows?" Haha. Also listening to some anniversary shows, love me some 4/2/73. And just to switch it up I've been listening to the island tour. I was lucky enough to hit the first 2. If u want some deep outer space, I highly recommend the twist from 4/2, man that version takes me places! Stay safe, and keep washing those hands!!

  • KeithFan2112
    Joined:
    Releases

    Just give me the remaining Dark Star shows Plangentized ASAP. Give it its own series. Or make a big box set. Or periodic mini box sets. The rest will take care of itself.

    I'm also on board with the Watkins Glen release that was mentioned. And the RFK '73 double dose. I'm also good with the April '71 box set idea - and make sure it's engineered to sound exactly like Ladies and Gentlemen. Might as well mention Port Chester '71 since the wish list is out.

    At the moment I'm listening to Dave's Picks 17, Selland July '74. Keith sounds so good on Weather Report Suite. I've been a big fan of this show since it arrived on my doorstep. I wish Bertha wasn't fucked up. If I had my old easy CD Creator software, I'd be able to patch it by overdubbing the opening chords. Anyway....It's been a few months since I put this one on. Now I'm wondering if I like it better than the 1974 shows in the Pacific Northwest box set. I may need to do a side-by-side comparison. I'm also experiencing some runner's high at the moment, and that never hurts a show. I know it's not a popular choice but it just catches me the right way. I wonder why they didn't call "Jam" "Spanish Jam". Blah blah, blah blah blah blah.....

    Ironically Carlo, it was a Sunshine Daydream sitting on a Barnes & Noble shelf that converted me from being a casual fan to holding a PhD in Europe '72. Ah yes, that fateful day in B & N. I've barely put another band on since April 2014. Something weird happened in January of this year and I started listening to the Best of INXS. But by February the spell had passed and I'm right back on the bus with Cowboy Neil at the wheel.

  • carlo13
    Joined:
    Oro

    I agree with you on what you are saying but general releases dont do well in brick and mortar stores. I have seen a sunshine daydream veneta at barnes and noble sit there for months with no buyers. Same with a few other that dont sell (Cornell and long strange trip vid.). Its weird.

  • hendrixfreak
    Joined:
    Greetings bob t, could you extrapolate on your remark?

    "I wish but i don't have confidence on the June 10, 1973 show getting release."

    I read way back that the GD and ABB had put together a box of the best from 6/9, 6/10, 7/27 and 7/28, but nixed it. Of course, it's harder to do those deals with two bands and sets of heirs. But why do you say this of 6/10?

    Just curious. Have you read something about the tape or other issue?

  • billy the kid
    Joined:
    Junior Brown / Party Lights

    Great tune, check it out!

  • Oroborous
    Joined:
    The Futures here, we are it...

    Great points all, and though I agree on saturation and absorption issues, I think they could step up production if they wanted to. Yes the production team are truly wizards, but at the same time it’s not rocket science. If they have the tapes and know their good to use, the rest is doable.
    Personally, I think adding one or 2 more Dave’s a year, and doing say one “bigger” box i.e., June 76, and one smaller i.e., RFK 89 a year, if staggered properly, and marketed properly (like dont release 2 competing sets in a year?and price accordingly) could work.
    Maybe not 2 “boxes” every year, maybe years like this with 2 50th anniversary albums you don’t do 2, but say years that don’t have a 50th release get another release/box/from the vault? Whatever....but something above and beyond say a Dave’s or Dicks type release.
    Sure you might not be able to do 15 or 20K units, but you could make up for with the additional releases...
    I mean I agree with all you have said, except at current pace they could run out of hardcore absolute buyers so that by 20 years they can’t even sell out a 5K box run? Just a thought.....
    As far as the rest, I get what Jim’s saying about the quality and easy accessibility issues, but I think if they could figure out some kind of economy of scale to make it work, so that you could at least get out some of the later source shows, enough folks would want at least certain shows, say ones they were at, or those that were really stand outs.
    So if they could find a way to digitize and improve quality enough, with added packaging/marketing, to be enough of a step up above the online stuff, while of course turning at least a fair profit, it might work?
    I think there’s enough low tech geezers like me that would totally buy enough shows overall to do this. I’m not going to spend time I don’t have downloading tons of stuff via my horrible net service. But I would buy say a few dozen ala carte releases like a Road trips or even the download series quality, but on a disc. (I’m talking full or most of shows here, not chop jobs).
    With everything digitized, using a low budget universal packaging system you could do say pre-sale order only.
    Like “next month only, order your 7/13/84” ...you get your money up front, and you don’t have to guess about run numbers. You take your universal packaging, change the labeling slightly, and you sell however many so that at least it will pay for itself. Might not be huge money maker, but you repay the fans for 50 plus years of ridiculous spending, plus in some ways you keep those interested that aren’t hardcore, or all ready feel they have plenty of older shows.
    Just look at how well the response was for the Giants box? No ones going to argue that any of this would compare or replace say FW69 or E72 leval stuff, but I would argue that there is potentially enough interest for late generation folks who aren’t going to drop $200 for a 1970 Beatty box, but who would definetly buy the 3 or 4 ala carte shows they were at from later years. 4 or 5 $30 purchases, along with added shipping profits, by 10s of thousands of buyers overall, could equal or surpass the high production limited profits of said $200 box.
    Sorry, rambling, I guess I’m trying to say their ignoring a potentially large audience by only offering product they don’t want!
    Obviously it means doing this somehow affordably/profitably, and I also think you have to do it sooner than later because I agree with Kid that someday it will all be upgraded and availabilie via download, but will there still be a economically viable market by then? Who knows, hell, no way I thought 30 years ago the Dead would still be this relevant now....
    Anyway, just a thought, and interesting stuff for sure!

    Thanks and R.I.P. Eliis and the Great Bill Withers...
    May the four winds blow them safely home!

  • Vguy72
    Joined:
    Black Mirror....

    ....some awesome stuff there. My favorite was the episode where everyone's life status was dependent on other peoples upvotes/down votes and that lady just gets wrecked.
    "Science Fiction?"
    edit. Found it. "Nosedive". Season 3. Ep 1. A must see imo.
    The USS Callister is also 👌. Season 4. Ep 1.

  • deadegad
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    Europe Autumn 1990 Box?

    Now I could go for that!

    Dear Dave an N.Y.C. September 1979 @ MSG would make a great mini box set!!! Think about, please kind Sir.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

Thanks! I was reading about this new Jimi box set release last fall and wondering if I should get it? I do have that Band Of Gypsies cd. With all of the Jimi live releases available it is hard to decide which ones to get? Yes the title: Songs for Groovy Children is kind of silly but for the others reading it is JH quote from these concerts and can be heard during one of the shows. It is cool looking box set. One of these days I will buy it and report back.

Stay safe everyone!!!!

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The mastering is the best I've heard and I've been listening to those shows since Band of Gypsys came out. The tapes do have a bit of buzzing during the quiet parts between songs, I'm guessing it's the amps buzzing. The thing that's great is you can really hear Buddy and Billy. On the "big" stereo you can hear each instrument and it has real depth.
That being said, there are some tracks missing. I've heard various reasons why. I guess some weren't recorded, some were mono, but I don't know for sure. Personally I think it's about time these recording got some TLC.

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Put on 6/10/76 and sat back and enjoyed. Song 11 is my favorite Mission In the Rain and it was perfect. You guys take care and try and be safe. We will ride this out. I am still working as deemed essential by the Air Force. Lots of controls in place for protection.
Good Luck
Drp Out

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Yes - if you dig live Jimi this is a must have box. Ignore the dumb title, the sound is magnificent. Ditto for the new Cream box. It's amazing that they waited until now to release both of these but both were worth waiting for. Like all this fantastic Dead coming out, analog to digital remastering techniques have never been better. In this sense, classic rock audiophiles have never been more fortunate.

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Hey Kids!!

Anyone have scans of the individual show covers from the June 1976 Box Set?

Mahalo

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... absolute lay beautiful, just so beautiful!
I’ve been listening to 6/14/76 on repeat for days ; love it! Time to put on another show today! 🙏❤️😎💀🌹

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In reply to by LedDed

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The new Live Cream cds is another purchase that I've been eyeballin'? I have both Vol. 1 & 2 plus some bootlegs from DimeaDozen but the deluxe treatment with this official release is tempting.

And yes -- what took them so long?

Another band that I would love to see release more official live cds from the past would be Hot Tuna. I still can not believe that Hot Tuna does not allow on line tape/cd sharing of their concerts at DimeaDozen or anywhere. Please Jack and Jorma were only fans trying to scratch an itch!

Thank you! This website is amazing! Gary Larson, the Pynchon of comics, gets it.

Peace

Edit: That Pynchon reference was too good to pass up. Also, 76 "Let it Grows" with the drum solo?!?! Fuggin tight, bro!

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...just ordered beer online for the first time ever...they deliver.
I don't know whether to be happy or sad.
Prolly both.

Gotta make due; the Soundtrack Beckons.
Up to 6/15 at this point...loving the vibe and *Oozy Groove.

*That would be a cool band name.

Sixtus

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In reply to by Sixtus_

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.....has a ton on live recordings on Spotify.

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In reply to by Vguy72

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Got this email from UPS which confirms that you can reroute a package if you have a My Choice account.

—————-

In these unpredictable times, you still have control of your package deliveries. With UPS My Choice®, you can tell your UPS Driver where to leave your deliveries, redirect your deliveries to another address, and receive notifications on when to expect your deliveries from UPS.

If you have a delivery location preference already set for somewhere other than your home, you can update it at any time by logging in to your UPS My Choice account using this link.

Link:
https://www.ups.com/lasso/login?returnto=https%3a//wwwapps.ups.com/ppc/…

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Got the June 76 today and so far it sounds great. Very Nice packaging but I have only one complaint. The book that came with it has no spine and will fall apart. It looks like this is a defect and hopefully not the way they designed it to be. Anyone else have this issue ?

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If you type 'Jimi Hendrix Songs For Groovy Children Missing Songs' into your search bar, you'll see the missing songs. I recall reading that upon listening back to the tapes at Electric Ladyland Studios, Hendrix was furious with Buddy Miles for his 'vocalizing' during the shows, and was the reason most of the songs were left off.

A quick listing: 10 songs total if you count 'Auld Land Syne'. 2 for each of the first 3 shows and 4 for the last show. All the shows were sequenced/re-sequenced in the correct running order according to 'Super Deluxe Edition', a Box Set website.

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In reply to by icecrmcnkd

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So far I have not heard annoying “ya ya ya” guy.
I thought I did hear him very faintly in the background once. Maybe he is only on the FM copy which might have had some AUD mixed in, or maybe Norman did is a favor and removed the guy.

The subject has already been discussed below.
It’s designed that way so that it will lay flat when open.

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I've only listened to the first two shows, but had to post how impressed I am with the sound quality. It's amazing that a two-track tape from 44 years ago, stored in really bad circumstances, could be brought to life like this. Congratulations to the whole tech team and, of course, Betty.

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In reply to by Sixtus_

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Remember this moment.. March 21st, 2020. Thanks to Sixtus, this day marks the exact moment we realized we never have to leave the house again..

Great to hear about the sound quality. I knew three things when this release was announced.
1) I was going to get it.
2) Another 76 was not going to be universally accepted (the 76 groove thing).
3) I suspected the sound would be exceptional.

Happy Spring.

Listening to No Box Blues by Willie Poor Boy Jameson. Such a sad, sad song.

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Very nice show with excellent sound.

https://archive.org/details/gd1981-03-21.sbd.walker-scotton.miller.1067…

Set 1

Alabama Getaway-> Promised Land, Peggy-O, Me & My Uncle-> Big River, Tennessee Jed-> Little Red Rooster, Althea, Let It Grow-> China Cat Sunflower-> I Know You Rider

Set 2

Jack Straw, Ship of Fools, Estimated Prophet-> Eyes Of The World-> Drums-> Not Fade Away-> Black Peter-> One More Saturday Night, E: Don't Ease Me In

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The spine on the book looks like a Coptic binding or some similar method (stitch-based, non adhesive). I think it was an aesthetic choice and not a defect.

Though I could be wrong. I have been before.

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In reply to by SkullTrip

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I must be one of the lucky few, my book has a beautiful hard cover, over the binding; inside the front cover is a bonus CD, and the back cover has a dvd of 6/19. Also included, a never published before recipe for head-cheese souffle.
S/N 04412

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Hi-dee-ho there Deadhead-o-roonies!

Sheesh Louise strange times! Love all the positiveness I’m reading here. Holy shit we are in the Matrix. I feel like we’re all reduced to ones and zeros. Anywho, more important digits: 09992 arrived yesterday. Numerology speaks to me and the triple nines say I will survive, and you two.

Giving it a proper listen this morning. I’ve had a penchant for ‘76 for a long time. Well, ever since the archive dot org opened. Sublimely recorded and oh so tight. It’s tingly to me. Fits like a warm hug. A well rested Grateful Dead, music halls, Betty, new material, what could go wrong? Nothing; well, except for the missing spine of the book. I overlook it. I’m in love with how it’s packaged. Neat; easy to get the discs in and out. Just like the (first) May ‘77 box. Ahhh, that May ‘77 box. So good! This box is fast moving up the ranks and contending with the top box(es). I know I know. We say that after each release (well at least I do). Gots me to thinking: hmmm, how would I rank thy boxes? Here is my top 10 list of Grateful Dead boxes and a drip of what I love about them. I only put what impressions came to mind first now that I’m reflecting on them. If I put in all my impressions, we’d be here for a while.

1. Thirty Trips- the sound is phenomenal; it's immense; covers a lot of ground...still taking it all in

2. Europe ‘72 - pretty much the gold standard

3. June ‘76 - made the top 3...I think it has staying power!

4. First May ‘77 - Jack a roe, my favorite two versions

5. Get Shown the Light - I like the mix...not at first, but it grew on me. Amazing shows!

6. Pacific Northwest - sound quality- I closed my eyes and I thought they were in my living room - long groovy jams

7. Giants Stadium - it’s the pinnacle of sound quality; I feel like I’m standing in the mouth of the beast

8. Fillmore West - sound quality and intimacy feel. Pigpen. Jerry’s voice quiver; Death Have No Mercy

9. Winterland ‘73 - 11-11-73 Black Throated Wind..bobby is just so soulful

10. Spring 1990 The Other One - Branford; sound quality is superb

Honorable mention: Warlocks cigar box - Darkstar, and some awesome Space

Cheers All!

....reminds me. I need to hug my wife. Off the next few days. On a rotational schedule at work. Long story, but when this is over, my grip on your hand, should you shake it, will be as if you're shaking Thanos's gauntlet. Look out.
Nice list.

I began ranking box sets and my mind imploded and my body was simultaneously transported to another dimension. Fortunately there's an internet here allowing me to post this warning:

Resist the temptation of trying to rank box sets. Much like time travel and nuclear weapons, it simply should not be attempted...

The sun has set, my front porch barren, the mailbox is empty. How dry I am.. how dry I'll be.. I checked my mail, no box for me.

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Play it as loud as you can!! It is basically a Jerry vocal solo. Holly shit... Minimal backing on first refrain, non on the second.. Wow.....

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Listened to the 6/11/76 show this morning, Bob T is right, that is an awesome Stella Blue, fantastic Eyes, the whole show was great. Listened to the 6/14/76 show this evening and wow, I like this one even better than the first two shows in the box. Great PIB, the High Time was sublime, the Crazy Fingers was all I'd hoped, those Dancing in the Streets have all been fantastic in this box and the one on 6/14 was no exception. The Help-Slip-Franklin's was stellar. I'm easy to please, but this box is proving to be one of my most gratifying purchases in a while. Really dig the laid back, mellow vibe to these shows and the sound is phenomenal. I guess I should wrap this up before I use all of the superlative adjectives that I can think of.

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Just got to Beacon Night 1 and my take through the 2 Garden shows is just THANK YOU. The sound quality is exceptional. You hear everyone right where they need to be in the mix. And the music throughout speaks for itself. Everyone is on point. And Dave might be right that Donna never sounded better. The Mission in the Rain from 6/10 had me in tears. This is straight up medicine while were all sheltering in place in Cali. Thanks to all involved. Its also a beautiful case. Stay healthy friends!!!!

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"8. Fillmore West"

I feel the need to counterbalance a sudden shift in the earth's axial spin:
1. Complete Fillmore West

Really, things are quite mad enough already!

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I agree with you Kate C, I would definitely put that Fillmore West box set at #1. I would also put that Winterland 73 box set in the top 3, it is fantastic!

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In reply to by Kate_C.

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Eight sided whispering hallelujah hatrack
Balance restored

Edit: I'd put FW high in the list. Nothing wrong with ranking box sets and releases, I just have a hard time doing it myself. ..There is one factor that comes into play, not everyone has the FW Complete Recordings Boxset.

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In reply to by JimInMD

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It is even worse than it appears but it is alright.......

30 years of the best live band ever. No contest.

Still no box, but don't forget the Winterland 77 Box!

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to see what condition my condition was in

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While being at home, apart from any essential food buying and medical needs, I thought it would be interesting to re-listen to ‘I am sitting in a room’ by Alvin Lucier. This is a fascinating piece where a simple set of words are slowly converted to an unintelligible drone by multiple recordings of the interaction of the sounds and the resonances of the room. Well worth a listen.
I’m also passing the time by reading a recent biography of the composer Michael Tippett by Oliver Soden. I haven’t finished it yet but so far it is very good. I also just finished re-reading ‘Beyond Jazz’ by Trevor Barre. This is history of the free music played in London 1966 - 1972. On first reading it got me back into listening to AMM, Spontaneous Music Ensemble and ISKRA 1903. Some stunning pieces of improvisation.
I look forward to the arrival of the boxset this side of the Atlantic soon. Keep well.

Seeing the reference to the book "Beyond Jazz" reminds me that the free music played in England between 1966 and 1972 is something I have always intended to investigate further, and so far haven't got round to. I believe early Pink Floyd and Soft Machine were influenced by this approach. The only cds, apart from the ones by the aforementioned bands, that I have got are by the guitarist Ray Russell...assuming he was part of this style.

I am re-reading Greil Marcus's "Mystery Train" recently re-released with beautiful black and white photographs by the Folio Society. Each chapter is focussed on an artist or band. It doesn't seem necessary to actually be familiar with the band in question to enjoy the book, as Marcus seems to be trying to identify and describe the moment when music bursts free from societal and formulaic constraints, to voice something new, exciting and slightly dangerous. Of the individual chapters, I am not sure how "The Band" fit into this paradigm...and I've never even heard anything by Randy Newman - apart from "Gone Dead Train" from the film "Performance". But its a good book.

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Yup, I m digging this box set too. The sound quality is top notch so much so that there are many nuances in the playing that I am hearing. So far 6/15 is my favorite show - I have listened to all but 6/19. I am partial to 6/19 as I have a lot of familiarity with it so it may still win out for me. Overall every show is good and there are highlights throughout.

Not to jump to far ahead, but I am really curious as to what the next box will be. I say this not out of impatience but because looking at those lists of box sets got me thinking. We have really been given many great box sets of peak eras that have excellent sound quality. Certainly there are more shows to pull from. I think the big question is that I wonder if they will stick with Betty Board sources or go another route. However this is just fun speculation as I am way too invested in the current box set.

Stay healthy and safe everyone.

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In reply to by daverock

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My own favourite album by Randy Newman is ‘Sail Away’. The song ‘Political Science’ is a very funny take on the Americanisation of the world with nuclear weapons. It also has the songs ‘Simon Smith and his amazing dancing bear’ and one I’d like played at my funeral (in the distant future obviously) ‘Old Man’ some of the lyrics are ‘Won’t be no god to comfort you, taught me not to believe that lie. you don’t need anybody, nobody needs you. don’t cry old man don’t cry. everybody dies’ That should go down well.
There is an anecdote in ‘Beyond Jazz’ about The People’s Band. They were asked to stop playing at a night organised by anarchists because they were too anarchic :-).

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In reply to by Kate_C.

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Very hard to do - but agree with Kate C as well -- Complete Fillmore West is at the top (or close to it) for me
I really like this June 76 box, so it may rise up the list a bit

My top 5 is probably:
1. Complete Fillmore West
2. Europe 72
3. Get Shown the Light/May 77 (tie)
4. Winterland 73
5. winterland 77

After that, I'd probably go July 78, June 76, 30 Trips, Spring 90 (first one), Pacific Northwest.
I think July 78 is really underrated

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I’d probably go for:
1 Winterland 73
2 Complete Fillmore
3 Europe 72
4 May 77
5 Europe 90 (first)

This may change according to mood and when June 76 arrives!

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Top one or two for me. The 1978 box would be way up on my list, as would Giants. PNW would be lower on my list.

Jim, please check your PM. I, too, have been listening to the "No Box Blues" you speak of. :)

Love Randy Newman.

I'll have to check out that jazz book. I've picked up a bunch of free jazz and British jazz of late.

A few days back, while extolling the virtues of 3/17/93, I mentioned that the next two nights were supposedly quite good as well. In checking my DeadBase, I meant to say that the 3/17-19 run from 1995 was the highly-regarded three-pack. I apologize for any confusion my error might have caused. :)

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That's easy, 1) Fillmore West the Complete recordings, 2)Europe 72 box, 3) Winterland 1973 box. If anyone doesn't have the Winterland 1973 box set, get it, it's fantastic! This order of course will change, when the complete recordings of April 1971 comes out.

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I can heartily recommend the Cream box. I've listened to the first three shows, at a generous volume, though not really loud. Similar setlists. But they stretch this way and that and at nearly anytime in any song, those boys are careening off each other in style. It is said, and probably true, that spring '67 might ultimately be their peak. But fall '68 is no slouch. The RAH show is said to be a major step down in SQ, but great playing. Probably hear it today.

As for live Hot Tuna, I recommend the recently released "Before We Were Them" by the Owsley Foundation. It's Jack and Jorma in summer '69 blasting away (and, I believe, opening for the GD), months before they went out as HT.

Crazy, just saw Jack and Jorma electric at Boulder Theater and they killed it. Jack in particular was rock solid, so when Jorma (about to turn 80 -- the new 50) flagged just a tad, Jack kept everything rolling and Jorma brought himself back up to stride. That was Feb. 29 and we were all aware of the virus but still oblivious on some level.

Well, two weeks later, I'm ticketed to see Los Lobos at Boulder Theater (Sat, Mar. 14) and by Wednesday prior I had made the executive decision not to go. The next day the band cancelled and rescheduled for October.

Tuesday, March 10, we were doing our weekly open mic at a local bar and the last song played (the bar shuttered afterwards) was "Monster Mash" by Bobby Pickett (1962). Everyone joined in the line "It was a graveyard smash" in our best ghoulish voices, while the women behind the bar did the high refrain of "the monster mash" over and over. The last real fun before things went to hell.

I recommend hitting YouTube for this song -- it might make ya smile.

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This box set is really good. The sound quality is incredible. In my opinion, the best sound of any of the releases. Everyone talks about 77. I think there's a better groove in 76. The band is tighter and in my opinion everyone is playing with more creativity.

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anyone else notice a lack of metadata on these 76 discs? seems previous releases had way more metadata. i put these in my laptop and the descriptions are minimal metadatawise. anyone else???

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In reply to by jamgol

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30 Trips and Europe are just so much larger, that is almost a different category. Even the difference between the 2-3 show (6-10 discs) boxes (Warlocks, RFK, Winterland '73 & '77) and the 5+ show (14-15+ disc) ones is pretty substantial for me (May '77, July '78, Spring '90s, Giants, PNW, this one).

For me, at some point, it just comes down to more awesome beating less awesome. It is why the White Album is my favorite Beatles album & Physical Graffiti my favorite Led Zep & Exile my favorite Stones.

So, Europe '72 and 30 Trips will always be tops for me. And Warlocks/RFK will always be bottom (RFK).

As for the middle. Fillmore '69 Complete or Get Shown the Light for me. Really a jumble for 3rd. Better sound with the earlier boxes and better variety with the latter ones.

I think I'd go "outside the box" (sorry, could not resist) and choose All the Years Combine. Is that off limits?

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For me it really depends on my mood at the time. Different box sets fit different moods. Having said that, FW '69 would be at the top of the list for that 2/27/69 Dark Star, just like Live Dead will always be at my favorite original album. That 2/27/69 Dark Star was instrumental in turning me on to the Dead in the first place, that whole Dark Star - St. Stephen - Eleven - Lovelight sequence was unlike anything that I had heard before. Once I discovered Live Dead it replaced most of the classic rock that I had been listening to on my morning ride to school on the bus.
Looking back it surprises me sometimes that the school bus driver didn't just drop a few of us off at the police station. There were about 5 or 6 of us that would just sit in the back portion of the bus and smoke bowls, carefully covering the bowl and discretely passing it around. I mean, we thought we were slick, we'd hold our hits for as long as possible to minimize the smoke, but it obviously must have reeked. Everyone else in the back of the bus knew, and in fact pointed it out on one or two occasions. And yet, nothing was ever said. But I digress, I was talking about box set rankings...

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In reply to by Jason Wilder

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There’s a lot of song repetition in FW69.
I don’t have the physical box, but do have a copy made out of digital ether. Also have 27,28 on vinyl which are made from Plangentized remasters. Thus, those who don’t want the FW Box rereleased are denying themselves a better sounding copy.
Personally, I think I like 11-10-67 and 2-14-68 better than the shows in FW69 (not that I don’t like FW69).
So Dave, bring on a 67/68 Box (after the 71 Box).

Don’t forget about the From The Vault Box which contains a remastered 8-13-75 and a third disc with FTV2.

Box speculation is fun. I agree with what others have said in the past, that ABCD Enterprises may have stipulated that the returned reels get priority treatment for release within a set time frame. ABCD is run by Deadheads, and they want the reels released just as badly was we do. I wonder how many copies of each release ABCD gets, and if they are unnumbered.

Jamming to 6-15 set 2 right now.
Sound quality on this release is spectacular.

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So one of the few Dead.net musical releases I do not have is the FW box. My embarrassing admission is that at the time when it came out, I was more into shows from 72-74 and 77. Because of that and my cashflow at that time to a somewhat lesser extent I passsed on it. I was wise enough to get the 3 CD compilation which surprisingly came with the bonus disc.

I had 3/1/69 on tape back in the day and the 3 disc compilation set so I am familiar with the shows. However seeing how highly regarded the FW box is on these lists has compelled me to make acquiring it my next conquest.

Looking at the secondary market the 2 most expensive releases to acquire are: the FW box aand Dave's Picks Vol. 1. Spring 1990. TOO, the Warlocks, Dave's 2-4 get up there on prices as well. Right now on ebay there are a few FW boxes sitting at about $500. Recently a complete FW with discs only (no box no sleeves, just the loose CDs) on an auction went for $200. A cheap price for Dave's Vol. 1 is $250. It would be hard for me to shell out 500 big ones for the FW box. Similarly I am not keen on paying $250 for Dave's Vol. 1. However if I could get the complete FW box for $250 (discs, box sleeves) I would do that. I might have to wait for a while as I am not sure when or even if I will find it at that price. It just seems like that box is the "missing link" for me.

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