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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • simonrob
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    Europe '72 Dark Stars...

    5/11/1972 Rotterdam is one of my all time favourites.
    5/7/1972 Bickershaw was the one I was fortunate enough to to witness.

  • Sixtus_
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    Ok, All This Talk

    ...about Europe '72 Dark Stars. It's time to share this one again. I amassed detailed listens to all of them a few years back as I awaited Boxzilla:

    4/8/1972 - Wembly Empire Pool, London - 32 mins; intense/fast paced first leg up til about 10 mins then returns to DS theme for 1st verse; spacey post-verse til ~17 min, then pace picks up for a few minutes, followed by a brief meltdown; additional spaciness around 24 mins followed by another full meltdown; interesting groove established around 28 min that has hints of Sugar Mag (into which it segues, flawlessly). No second verse.

    4/14/1972 - Tivoli Concert Hall, Copenhagen, DK - 29 mins; loose first 10 mins not overly spacey; gets spacey around 11 mins; interesting groove establishes around 16 min to head into first verse w/interesting beat; heads off into intense nearly 7-minute jam inclusive of a very tight and fast Feelin Groovy jam; final 3 minutes are a meltdown. No second verse.

    4/17/1972 - Tivoli Concert Hall, Copenhagen, DK - 31 mins; spacey opening to about 7:30 when first DS theme emerges leading to 1st verse at 9:45. Spacey post-2nd verse tries to take off but melts further around 19 min; returns to a partial groove around 24:30 and closes out with spaceyness in the last 2 mins. No second verse.

    4/24/1972 - Rheinhalle, Dusseldorf, Germany - Split by Me & My Uncle; 26 mins 1st half, 14:30 second half. Spacey opening until about 8:45 where it coalesces and falls into first DS theme around 10:15 followed shortly by 1st verse with slow, sparse notes. Spacey feedback following verse until 15:45 and then picks up into an intense, fast paced jam for just under 2 minutes before it becomes dissonant again leading to major meltdown which eventually heads into Me & My Uncle with ease. Second half: spacey reintroduction persists until about 7 mins, where Keith leads-in with some piano phrasing and then the band follows into a tight fast paced jam where Jerry plays some lines back and forth as if in conversation with himself and then maintains an intense level effortlessly segueing into Wharf Rat. No second verse.

    4/29/1972 - Musikhalle, Hamburg, Denmark - 30 mins; spacey opening for ~5 mins, then enters a groove and Phil hints at the Feeling Groovy jam until it finally is joined by Jerry a minute later until about 8:00, then the floor drops out into space. DS theme appears at 14 min which leads to first verse. Spacey post-verse noodling leads to major meltdown, settling in at 22 mins with a fat, fast-paced Keith-led groove. Final 4 mins are spacey & lead to major melt #2, dropping into Sugar Mag as DS finally melts away. No second verse.

    5/4/1972 - Olympia Theatre, Paris - Split by drums; 19 mins 1st half; 17:34 2nd half. Spacey opening til about 6 mins when fast paced jam kicks in until 11:20, slowing down then resurrecting the DS theme into the first verse. 4 mins of space leads into drums. Second half post-drums is very spacey until 7 mins, then kicks into overdrive with a very high energy jam leading to a phenominal Feelin Groovy Jam for several minutes before settling into the second verse. DS dissipates into the Sugar Mag from E'72.

    5/7/1972 - Bickershaw Festival, Wigan, UK - 19:49 mins; decent, coherent jamming for the first several minutes that congeals nicely around 8 minutes. Bottom falls out around 10 mins and leads to some light noodling, cymbal fills and space. DS theme emerges at 14:23 and heads into 1st verse. Space fills the air through the remainder of the song until it totally breaks down into drums. No second verse.

    5/11/1972 - Rotterdam Civic Hall, Netherlands - Split by drums; 13:45 mins 1st half; 30:34 mins 2nd half; Opens with a light, airy jam that persists to congeal into a decent groove as it treads in and out of spacey phrasing. This settles into a mysterious sounding jam that grows with intensity without a return to the DS theme before dissolving into drums. Emerging from drums, Phil and Billy duel for 2 minutes before Jerry joins back in with some complimentary thoughts; the DS theme appears around 5 min followed by 1st verse. A few moments of spacey feedback give way to spacey noodling that devolves into a full blow chaotic meltdown, only to emerge around 19:30 into a very nice, fast paced groove that hints at Caution and PITB jams. This eventually dissolves and a light, sparse outro ends the song as it heads off into Sugar Mag. No second verse.

    5/18/1972 - Kongressaal, Muenchen, Denmark - 28:20 mins; almost 2 mins of noodling before opening notes from Phil; a loose jam ensues around the DS theme for the next several minutes and then decays. At ~9 min an interesting jam emerges, which eventually settles back into the DS theme and 1st verse around 14:30. The remainder of this DS is borderline chaos as it treads in and out of varying degrees of a meltdown until it settles into Morning Dew. No second verse.

    5/23/1972 - The Strand Lyceum, London - 30 mins; Spacey opening minutes lead to tight fast paced jam commencing around 3:30 for two minutes and then it settles into another spacey jam digressing to almost…nothing. Billy and Phil then have a small duel until ~13:30 when the rest of the band fills back into a delicate groove which grows to into a jam reminiscent of the post-Truckin' foray from E'72 until about 17 mins, when they drop into the DS theme and 1st verse. Ensuing is additional delicate spaciness that transgresses into a frenzied meltdown madness, and eventually settles into Morning Dew. No second verse.

    5/25/1972 - The Strand Lyceum, London - 34 mins, out of Wharf Rat. Strong opening with a groove almost from the beginning, no noodling around here in the first 7 minutes. Then turns very spacey until 15 mins when DS theme appears, and heads off into 1st verse. Post-verse finds a Billy, Phil, and Keith duel for several minutes. At 21 mins, Phil institutes a mellow Feeling Groovy jam, soon joined by the rest of the band until ~25 mins. Final minutes are dominated by space and then a monumental meltdown before heading off into Sugar Mag. No second verse.

    Final Verdict(s): It is a very close tie between 4/14 and the second half from 5/4. I put these on the pedestal due to the crazy, intense jams surrounding the Feelin Groovy sequences. They are just interstellar. Part of me also wanted to simply catalog which Dark Stars included a Feelin Groovy jam from the '72 trunk, so I feel my work is done and I can rest easy. I'd be delighted to hear if any others had similar, or more excitingly, differing thoughts.

    Sixtus

  • farhansaqib444
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    Update about Corona April 2020

    Nice overview about corona and I've found number about corona april 2020

    http://www.careermalls.com/corona-live-update-april-2020-death-rate-liv…

  • Dennis
    Joined:
    Stoltz & Coworkers

    To the coworker for whom without the rest of us would have no one to blame.

    5-Branch - nice summing up on last paragraph about Dark Star, Denmark.

  • stoltzfus
    Joined:
    some coworkers...

    get on my FUCKING NERVES.

    just had to say that.

  • stoltzfus
    Joined:
    Rubber Bowl

    or Bowl of Rubbers

    just so easy

  • stoltzfus
    Joined:
    Dark Star

    the apex of GD

  • Angry Jack Straw
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    4/14 Dark Star

    In my journey through the entire E72 tour, that has been the one song that has moved up considerably on my "favorites" list. I somehow forgot how good it was. I've taken to listening again on the off nights.

    One thing I find cool about this tour is the actual theaters in which the band played. I've spent a good deal of time this go-around reading more about the venues and looking at photos. Truly amazing places. That must have made the experience all the more special for those in attendance. They sure are nicer than the Rubber Bowl in Akron.

    The other thing I find interesting is the location of the shows. Aside from Denmark and Munich, all the shows are heavily concentrated in the Northeast corner of Europe. It seems as though they could have spread out a bit more.
    Hell, if you are going to play Munich and have five days off before your next show, you might as well play Salzburg.

  • Charlie3
    Joined:
    Interludes of Chaos

    For me, the chaotic interludes in Dark Stars just serve to make the return of the melody that much sweeter a release after the tension of the chaos. Sort of like that transition from slipping around in your own skin peaking to that sweet feeling afterglow for the last few hours, when it feels like your skin fits again and you recognize that person in the mirror.

  • Deadheadbrewer
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    10/16: LIG, Deal, and that second set!!

    :-O

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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In reply to by stoltzfus

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6 19 76

Soooooo good

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Fellow Canadian deadheads be heartened - DaP 34 arrived this morning in all of its new-packaged glory. Canda Post may sometimes be slow and annoying, but ultimately they get the job done!

... Speaking about killer versions of ‘The Other Ones’, I cant help but remember & think the 40 +minute versio on Dicks Picks # 23 is Primo with a capital P!
Dick's Picks Volume 23 is a three-CD album. It was recorded on September 17, 1972 at the Baltimore Civic Center in Baltimore. It contains the complete concert, except for the encore, which was "One More Saturday Night". Another Primo 72’ performance by the Grateful Dead!
Also, It contains the longest CD version of the song "The Other One" to date, clocking in at nearly 40 minutes, holy Toledo my brothers & sisters! Its mind blowing & a pure example how the dead can take a song and add to its overall sound, structure & vibe into som new forbidden fruit just waiting to be consumed into Grateful Dead’s own trademarks & style / structure & arrangements to boot! We lucky fans are blessed with a vault filled with Magic & love !
Each volume of Dick's Picks has its own "caveat emptor" label, advising the listener of the sound quality of the recording. The one for Volume 23 reads:

"Dick's Picks Twenty-Three was mastered from the original 1/4" analog tapes, running at 7.5 ips. The mix you hear was done live to two-track at the show, and the results are remarkable. We hope you'll dig it as much as we do." And I must concure, I love it!

***Track listing -
*Disc one
**First set:
"Promised Land" (Chuck Berry) – 3:39
"Sugaree" (Robert Hunter, Jerry Garcia) – 7:59
"Black-Throated Wind" (John Barlow, Bob Weir) – 6:34
"Friend of the Devil" (John Dawson, Hunter, Garcia) – 4:19
"El Paso" (Marty Robbins) – 5:11
"Bird Song" (Hunter, Garcia) – 10:55
"Big River" (Johnny Cash) – 5:22
"Tennessee Jed" (Hunter, Garcia) – 8:05
"Mexicali Blues" (Barlow, Weir) – 3:57
"China Cat Sunflower" > (Hunter, Garcia) – 5:18
"I Know You Rider" (trad., arr. Grateful Dead) – 6:16
**Disc two
"Playing in the Band" (Hunter, Mickey Hart, Weir) – 18:48
"Casey Jones" (Hunter, Garcia) – 6:12
***Second set:
"Truckin'" (Hunter, Garcia, Phil Lesh, Weir) – 12:19
"Loser" (Hunter, Garcia) – 7:20
"Jack Straw" (Hunter, Weir) – 5:22
"Mississippi Half-Step Uptown Toodleloo" > (Hunter, Garcia) – 8:38
"Me and My Uncle" (John Phillips) – 3:16
***Disc three
"He's Gone" > (Hunter, Garcia) – 10:21
"The Other One" > (Bill Kreutzmann, Weir) – 39:07
"Sing Me Back Home" (Merle Haggard) – 10:50
"Sugar Magnolia" (Hunter, Weir) – 9:25
"Uncle John's Band" (Hunter, Garcia) – 7:22

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got a meme yesterday from my buddy -

"Hard to believe we've already been in quarantine for an entire Grateful Dead song"

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Today I did receive a CD through the post from America. It was something I pre-ordered before lockdowns and the like. It shipped on April 23 which means it took 33 days to cross the pond. My Dave's Picks 34 shipped a week later, so will maybe, possibly, hopefully arrive a week from now. Time will tell.

Pre-crisis shipping time was typically around two weeks.

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Yeah, this is it! That's a good catch man because I Googled it too a few years ago. I think I may have heard 15 second clip of it in documentary which I think is called Amazing Journey. That's how I know of its existence. But I did check The Kids Are Alright at the time, and unfortunately it's not the one. I even checked the Smothers Brothers TV show recording to see if that was it. I checked the Sellout remaster, 30 years of Maximum R&B box set.....nothing. and here it is. Thanks man.

And Dennis - thanks again, that Echoes sounds waaaay better than the youtube.com version. I have to double-check before I swear this but I'm pretty sure even the 5.1 works in 5.1 through my phone's 8th / inch headphone jack into stereo RCA inputs in my receiver. At first I thought it was just give me 2 track stereo in the front and the back like usual, then I was pretty sure I heard different stuff coming out of the back speakers. And of course someone wanted to watch TV after a minute and I listened to the rest on headphones.

With all of this Pink Floyd talk I thought that I would add that David Gilmour live at Pompeii is well worth watching and listening to. Damn! Comfortably Numb just soars into the atmosphere. I Wish I Was There.

@Simon Rob. I hope your Dave's follows that educated-guess timeline to you very soon. One Way or Another: This Lockdown has got to end (Reminds me of a lyric in New Speedway Boogie). Imagine that the lockdown ends and as you report back to work your new Dave's arrives as you head out the door?!?! Call out sick Rob! Stay home and safe and open a Bass Ale at 8AM while listening to your new cd. Invite Boris J over. His hair looks strangely familiar?

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March 31 was my last day at work before retirement. That means that so far the first two months of my retirement have been spent in lockdown. To make matters worse the weather has been great, but at least I have a garden. Currently listening to Dave's Picks 1 which is behaving itself. No sign of rot and it sounds great. Haven't played it in a while. Next up GarciaLive 13 which is what arrived earlier today.

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Great suggestion DP 19. Found a used one on ebay. First chance to listen this morning and it's everything you said it would be. Strange that Mind Left Body is separated on this but remains part of Dark Star on other shows.

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Someone posted here a couple of weeks ago that these last 3 Dave’s might be the 3 best consecutive in the entire series. Of course, I had to go to my shelf to check.
If I was only allowed to keep 3, and they had to be consecutive, I would go with 9,10,11.
Missoula MT 5/14/74
LA, CA 12/11-12/69-Bonus disc!!
Wichita, KS 11/17/72
Anyone else have an opinion?? I sure hope so.
Stay healthy, stay safe.

Oops! I think that I read about your retirement a while back. Enjoy the garden and let's hope your cds arrive soon.

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Dave's # 5 , 6, & 7. 5 & 6 are 10 out of 10 powerhouse, must have relaeses. Since I have to pick 3 in a row # 7 gets to come along for the ride, my #4 has rotted away and gets excluded from this fun little game. I guess I should write down the dates, 11/17/73, 12/20/69, 2/2/70, and 4/28/78. Great idea Mr. Ones!

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For me, it would surely be 11, 12, & 13 (unless Dave unleashes a truly phenomenal show this summer!)

#11 Wichita, 11/17/72
#12 Colgate, 11/7/77
#13 Winterland, 2/24/74

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Check your PM

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In reply to by CaseyJanes

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....That makes it interesting!
Based solely on personal preference;
8- 11/30/80
9- 5/14/74
10 12/12/69
or
16-3/28/73
17- 7/19/74
18- 7/17/76

I probably like 16 the best of all, but like 5/14/74 over 7/19/74 and probably would take 12/12/69 over 7/17/76....maybe?

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Butch (or anyone) - Awhile back I combined Dark Star and Mind Left Body into one track on DP 19 so they'd stick together on shuffle play. PM me if you'd like a copy.

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In reply to by KeithFan2112

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I was putting shows attended on my home page and noticed that I was at some of the same shows as Nappyrags, VGuy, and Good Old Grateful Dead. Do you guys remember seeing me? I had long hair, a beard, and was wearing jeans.

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Experience Regina! Ha!

Now that's hilarious! I haven't watched that terrible video for years!

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Think I ultimately agree with Mr Ones on 9 5/14/74, 10 12/11-12/69, 11 11/17/72. The silver goes to 13 2/24/74, 14 3/26/72, 15 4/22/78. My second runner up would probably be 24 8/25/72, 25 11/6/77, 26 11/17/71 & 12/14/71. In each and every scenario, there just aren't three in a row that are all killers; somehow one of them just isn't there. But these are the overall strongest three in a row to me.

Most of my listening lately has been taken with the Owsley Foundation's most excellent Never the Same Way Once box of Doc and Merle Watson. Lots of repeats, but killer playing and singing from the hills of North Carolina. Wish they had done a Shady Grove, but it's all good. And talk about a great live recording! If this had been put out as a live album in 1974, it would've sold at least as much as Old and in the Way the next year.

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The first two responses are the only logical answers.

5, 6, 7 with 7 getting a free ride or 11, 12, 13.

So tonight marks the end of the E72 journey. No surprise, but over the past two months I had the pleasure of listening to 22 concerts that far exceed anything I ever saw them play live. Taking into account some of the venues, it had to be the experience of a lifetime.

4/8, 5/3, and 5/26 remain my favorites. The biggest surprises on my second full go-around were 4/14 and 5/7. Those two nudge 5/11 and 4/26 out of my top five.

In aggregate, I feel The Other Ones outshine the Dark Stars ever so slightly. Each arguably have their pinnacle performances on this tour, but as a whole I will take the former.

Honorable mention goes to 5/13 in Lille. If nothing more than they set up in a park(ing lot) if I understand correctly.

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In reply to by Angry Jack Straw

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Some things can only be explained by drugs. Like the decision to make a sequel to the Flintstones movie. I suspect the decision by Grateful Dead Merchandising to market a Workingman's Dead hat, a Workingman's Dead apron, a Workingman's Dead leatherman, a Workingman's Dead jacket, a Workingman's Dead hatchet, a Workingman's Dead tool roll, a Workingman's Dead key chain, and a Workingman's (notice they omitted Dead for this item to avoid confusion) dog jacket may have been the result of a chemically induced enthusiasm.

I think you meant to say, "The Things I blame on Other People Doing Drugs"

The Second Flintstones movie. So funny.

Things I Blame On Drugs? Waking up that day, large, strange hematomas on strange parts of my body.. brand new frisbee, less than 24 hours old, lost. Looking forward to that first cup of coffee only for my old, dear friend from high school waking me up with the seemingly rude reminder.. "oh, so you don't remember what happened last night at all, do you?"

Yea.. that. coincidentally, the last time Me & Mr. Lemmon 714 ever hung out and not so coincidentally, the last time I ever saw my favorite frisbee. That was a very long time ago ..but I digress.

that... and that Flintstone's movie for sure.

Back to your regularly scheduled drums and space.

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Status: ''Your item departed a transfer airport in FRANKFURT, GERMANY on May 26, 2020 at 8:01 am.''
Hopefully not to another Airport, like Shenzen, Brussels or elsewhere.
If not so, It might be out for delivery soon. Oh, I forgot the customs.

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USPS keeping me informed!
Having finally(?) left LA on 20th and then Salt Lake City on 21st I’m now told it left Detroit on 26th. Still moving east and it might get out of the US in the next month or two. Does the Pony Express still deliver?

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Interesting question about a favorite 3 DaP in a row sequence, kind of tough because some of my favorite individual releases aren't part of a favorite 3 sequence. Here's a couple runs that seem like contenders to me:
28, 29, 30 - 6/17/76, 2/29/77, 1/2/70
16, 17, 18 - 3/28/73, 7/19/74, 7/17/76

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Baltimore Civic Center, Baltimore, MD – 9/17/72’ Dick's Picks #23. As the first set of this September 1972 show in Baltimore closes, notes peal from Jerry Garcia’s guitar while Bill Kreutzmann kicks the band into a gallop, both actions emblematic of the surety permeating the playing of the Grateful Dead captured on Dick’s Picks Vol. 23, To say the band sounds inspired is to understate the precision and passion with which they play on this recording of Owsley “Bear” Stanley.

Little wonder the group next launches into a near twenty-minute exploration of “Playing in the Band.” and makes it sound succinct. With a collective confidence rooted in their innate sense of improvisation, the Dead performed like they could do no wrong at this point in their career and rightly so: having returned earlier in this same year from a conquest of Europe, their first visit to the continent, the group had every reason to feel sure of themselves. For one thing they possessed a wealth of new material to choose from, some of which Garcia/Hunter pieces, like “Mississippi Half Step Uptown Toodleloo,” wouldn’t be recorded till the next year. That tune is, nevertheless, as much of a piece with originals like “Jack Straw” as covers such as “Big River” and “Me & My Uncle.”

As with their grasp of composition, The Grateful Dead had elevated the sophistication in their musicianship too by teaching themselves to carefully navigate that ever so fine line between structure and spontaneity. That balanced approach lent itself to memorable jamming, as in the segue from “China Cat Sunflower” into “I Know You Rider,” but numbers such as “Tennesee Jed,” which didn’t accommodate much stretching, still helped maintained the necessary overall discipline

But that’s not to say the inclination to take chances had disappeared. During the segues near show’s end that envelope “The Other One” and “He’s Gone,” the Dead performed with a purpose and this focused approach manifest itself on “Casey Jones,” as well as the colorful highlights Keith Godchaux supplied, equally on electric and acoustic piano. Slightly over twelve minutes, this robust version of “Truckin'” might well serve as a microcosm of the elevated level of the group’s chops this autumn in the early 1970’s.
Dicks Picks #23 ( 3-CD package)reaffirm the impact of its music, rendering the Grateful Dead’s progression through their thirty-year career sound all the more wondrous.
🙏❤️💀🌹
Have a grateful Day Everyone! ✌️, More Grateful Dead Please...

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Sorry I woke up grumpy, I'm a teacher and can sniff out (Google search) copied work like a bloodhound. Unless your name is Doug Collete and you write for Glide, copying and pasting someone else's article into a post without proper citation is not cool. Please dont do this, it is wrong to plagiarize someone else's intellectual property. If you agree with another's sentiments, use it, but put their due credit, especially when its multiple paragraphs. If you are Doug then I'll shut my assumptive mouth, cheers and nice writing.

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That's me just had a card through my door demanding £13.52 to arrange delivery of my Dave's Picks, for the second time (out of two) this year. I can see a pattern developing here. It looks like it's no longer going to be affordable for me to subscribe from the U.K. in future. :-(

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Just received the limited edition t shirts for this pick, wow, are they nice, perfect fit and awesome design, hope any and all who wanted one got one cause they are sold out now.
Gave a good listen to this pick yesterday also, nice 74 sound, great recording and love the set list. Love the let it rock on this release, too bad the boys did not play this one again, what a great tune and done very well. This was the first seastones, I bet those people in attendance were like, wtf is that, short but sweet and very experimental. The second set is just great, that jam>ship of fools is to die for and I can't remember another time when they went out of Around and Around into Dark Star, very different. Love the Casey Jones encore. Lots of love for the big river and the other cowboy songs on this release. I have not listened to the bonus yet, but I know it will be hot.

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In reply to by JimInMD

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I think the Zap-Man covered this in a song.

And the cocaine decisions that you make today
Will not be discovered till it's over 'n' done
By the customers you hold at bay

BTW Mham-man and shows you've been to.

You asked about remembering see you there. Long Hair...Beard....Jeans.

I saw you there. Would it have hurt to have gotten a hair cut? A beard trim? Did your mother know you went out with holes in those jeans? I bet she would've been proud, huh?

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12 years 1 month
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Watching an old movie last night "Till the End of Time", (Dorothy McGuire, Guy Madison & Robert Mitchum), but in this movie they used the term deadhead. It meant a water logged log that floats with just a little head sticking up. Never noticed that in that movie before.

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14 years 10 months

In reply to by Dennis

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my 18 year old self remembers a little joke

A man at a bar noticed a guy at the end of the bar with a head the size of a tennis ball.

"Wha'appen?"

"Well, I was stranded on an island. Weeks went by. One morning a stunningly beautiful mermaid appeared just offshore."

"Hi there, handsome. I can grant you three wishes", she said.

"Really? OK! Number one, I want to be back on the mainland."
"Granted..."
Number two, I want to be in a bar so I can get hammered."
"Granted..."
"Number three...you're so hot...how about a little head?"

BAM, all three wishes were granted.

When I first saw some of the merchandise being offered. . .. I thought "have they lost their minds-body-jam!!!" Next I thought maybe they did their market research and in fact are marketing geniuses. Dead.net are the Next MadMen (TV show, series). I think they would make great "Gag" gifts from one Dead Head to another. The axe really should be limited edition and numbered.

Can you imagine the customs charges on the axe to Europe? Jesus, Mary and Joseph!

I am waiting for a news story from Europe that says a postman/customs official got chopped up after an exorbitant demand for a customs tax for The Working Man's Dead Axe! Well, afterall, it was the two years into the Lockdown when it finally arrived. Quarantine-Crazy-Syndrome. "He was a quiet man" said the newspaper. Neighbors say that if you listen closely. . .. that in the wee, small, hours, of the morning you can hear the man screaming "Lizzie Borden."

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Yesterday I was trying to get my dog walked before the rain came, but per usual, as soon as I got about 15 minutes out on the walk it started to rain, not too heavy, but a nice spring shower. I was wearing a Cats Under the Stars shirt. I'm at Sheffield and Diversey and a guy in a jeep with his window rolled down stopped in the left hand turn lane says something to me.

I can't hear him because my earbuds are in and Bobby's trying to transition to Dancin in the Streets on 6-10-76. So I pull out my earbuds and look at the guy again and he's wearing a tie dye. He says something about me being on a mission. I didn't quite hear him so i just smiled and nodded and he waved. Then 5 seconds later I realize he said "Walking along in the mission in the rain". Whoa. What are the odds that this dude knows Mission in the Rain and quotes it to me while its raining while I'm listening to one of the 4 shows out of 2,500 where they played it?

Cosmic.

Carlo, thanks for the pic tip. Hopefully its working....

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My son just had his online English final for his English class at his Catholic high school. Analyze a poem was the assignment. “Box of Rain” by Hunter/Lesh was the assigned poem.

Very nice! Carry on all and be well! We are everywhere!

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17 years 5 months

In reply to by Slow Dog Noodle

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DEADEGAD: 😃

Slow Dog; radio I Ching!
We are everywhere.....avatar looks good!

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15 years 2 months

In reply to by joebacons

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Unfortunately, this is the price you have to pay to have the disc delivered. I think that the Royal Mail have become more insistent since we left the EU, they don’t seem to let stuff through like they used to.
Personally, I’d welcome the payment demand since it would mean that the cd was in the UK. Mine is still a long way from my home.

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13 years 5 months

In reply to by Oroborous

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Ha..

Careful with that axe, Eugene..

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13 years 3 months
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DaP 8 - 11/30/80 - Fox Theatre - Atlanta, GA - Only Matrix - Return of the electric Birdsong - Superb Scarlet-Fire -
DaP 9 - 5/14/74 - Adams Fields House - Missoula, MT - Great WRS & Dark Star>China Doll - Hauntingly beautiful
DaP 10 - 12/12/69 - Thelma - Los Angeles, CA - Long 69 show with an Alligator & Caution...Lots of Pigpen

3 very different versions of the band. If you played these for someone who has never heard the band, they might be surprised to find it is the same band. Me and My Uncle is the only song played on all 3 and only a handful of songs overlap from 8 & 9.

This was almost as easy as picking my 3 favorite (in a row) from the Dicks Picks series, which would be 15, 16, & 17 for the same reasons. 3 very different eras. DP15 (9/3/77) is one of my favorite Dead shows ever. The energy at this show is ridiculous. I'd pick this show over Cornell anyday , or any other Spring 77 show for that matter. YMMV. DP16 (11/8/69) might be the most jammy show they ever played. DP17 (9/25/91) is just a great Bruce/Vince era show. Love that Terrapin>Boston Clam Jam.

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13 years 10 months

In reply to by JimInMD

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My sense of humor can get even worse and I had to censor an additional thought regarding the Working Man's Axe. I almost posted it. Quarantine is getting to me, almost.

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15 years 2 months

In reply to by mhammond12

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#13-2/24/74 Winterland.
#14-3/26/72 Academy Of Music.
#15-4/22/78 Nashville.

I had to have #13 so I structured my picks around it. "Whatever's happening in the rest of the world whether it be wars or kidnappings...this is a peaceful Sunday afternoon with the Grateful Dead." One of my favorite releases period. And I get a 72 with a bonus disc to boot.

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12 years 1 month

In reply to by mhammond12

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… at least you didn't waste it.

Old saw about - "spent most of my money on wine, women & song. The rest I wasted"

product sku
081227909352
Product Magento URL
https://store.dead.net/special-edition-shops/dave-s-picks-store/dave-s-picks-vol-34.html