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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • daverock
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    Credit where credits due

    Frank on the Bickershaw review below.....much as I'd like to take credit, its Simon, not me, what wrote it.

    I also attended a mud bath, though-Reading 1977. After three days or so of trekking through the mud, the soles of my shoes literally fell off. Hawkwind-also veterans of Bickershaw 1972- played mid afternoon one day, but it was a bit of a mess all round. I can remember Wayne/Jayne County and the Electric Chairs tried to play and got bottled off. The same thing happened with a reggae band-possibly Steel Pulse. The atmosphere was dominated by loud ,drunk, white, men in their late teens and early 20s-and anything they didn't like they smashed or bottled. Heavy metal and punk were the defining sounds.
    Round about that time it became very unhip to be tolerant of anything. And that mood, as far as I could tell, permeated the 1980s, too. That's in England, I should say- I am not assuming it was like that in America.

  • frankparry
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    Bickershaw

    Great write up Daverock! The closest I ever came to such a scene was a Genesis ‘reunion’ at Milton Keynes Bowl which was a fundraiser for Peter Gabriel’s Womad which, in it’s first year lost a packet. It rained like there was no tomorrow and mud pies were thrown at anyone with a brolly. Got home soaked and caked in mud but very happy even though I had to listen to Talk Talk before Genesis came on.

  • simonrob
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    Bickershaw liner notes for Mustin and others...

    For Mustin123, who asked about how it was to be at Bickershaw and seemingly doesn't have the show on CD, here below are the liner notes that I wrote for that. Indeed Wilfred was correct in identifying me as the responsible party.

    There has been some discussion on here recently about bad shows, fun shows etc. Bickershaw was neither of these. Due to the meteorological combination of a monsoon and an ice age, being there certainly was not fun. I doubt that any of the attendees would say it was a fun experience, but there was some great music played so it certainly wasn't a bad experience either. That the weather had improved by the time the Dead got to play was a big bonus but their performance ensured that the climatic conditions could easily be forgotten. Incidentally, tickets for all three days cost a mere 2.25 pounds

    Anyway, here are the liner notes (note: I was asked to provide more a general overview of the festival than to focus specifically on the Dead's performance) :

    Bickershaw was a place that I had never heard of, but it was hosting a festival and the Grateful Dead were going to be there for the only festival appearance of their European tour. This was too good to miss. While the good-time peace-and-love festival ethos had come to an abrupt end in America at Altamont in late 1969 (indeed the Dead had been scheduled to play there but had declined shortly before their performance due to the situation), festivals in England were still pretty cool and relaxed.
    Bickershaw turned out to be a small coal-mining village that time had largely forgotten. The festival site was on the wrong side of the tracks, literally. Having crossed the colliery railway sidings it was immediately apparent that the site was a desolate swamp complete with reed beds and a lake. There was also a lake at Woodstock and we had all seen the beautiful people skinny-dipping in the sunshine. Here it was different. Here there was a sign by the lake with the terse warning “Crap in water, do not drink”. To make matters worse, the weather was bad. It was unseasonably cold with frequent rain that continued for most of the three days of the event and there was a bitter wind. At least nobody was likely to consider swimming in the toxic pond. As I recall, most of the site was covered in a layer of mud and in places it was seriously deep. There was no way the mud at Woodstock could compare with this stuff. This was going to be all about survival and it was obvious from the outset that only the music could provide salvation. We just had to hope.
    During the first two days there was enough good music and other distractions to keep the hypothermia at bay. The other distractions included such oddities as fire-eaters, acrobats, high-wire cyclists, an aerial display and high divers. Friday’s highlights included a fine performance from Dr. John who liberally sprinkled the audience with mystical gris-gris powder. The final act on Saturday was Captain Beefheart and his Magic Band who played an awesome and astonishing set the likes of which I had never seen before – or since. Large video screens on either side of the stage added to the experience. Finally Sunday – the day of the Dead – dawned, cold and grey. Still trying to come to terms with what the Captain had done to my brain, I evicted a frog from my wet sleeping bag and settled down to listen to the day’s musical offerings. In front of the stage things had taken a distinct turn for the worse when the tank used by the divers was simply emptied onto the already muddy ground creating a quagmire of unprecedented proportions. In the afternoon the New Riders of the Purple Sage played a fine set, but it was more suited to sunny California than the tempest that we were enduring in northern England. Despite the conditions, the crowd remained, defying the weather. It was obvious why most people stuck it out to the end – they wanted to see the Grateful Dead and a bit of inclement weather was not going to get in the way of that.
    At last it was time for the grand finale – and the Dead did not disappoint. The first set was powerful enough to drive away the rain clouds and for the first time in three days the sun appeared. Things were definitely looking good. Around this time the fences around the site disappeared, presumably blown down by the arctic winds or stolen for scrap metal. This allowed the villagers come and see what was happening and whole families showed up to gaze at the spectacle. It must have looked like Armageddon to them. By now the Dead were back on stage for their second set, playing to this surreal mixture of mud-caked long-haired freaks and coal miners in their best Sunday clothes with their wives and kids in tow. As the set progressed, the music ascended to ever higher planes. Cultural differences melted away as hippies and miners grooved together. Things got even better as Dark Star > The Other One was complimented by an impressive firework display. The band were obviously up for it as they played on and on despite the cold. Sadly, all good things must come to an end and after a seemingly endless performance it was all over and we were left standing in a dark, cold swamp trying to take in what we had just experienced. It was true – there really was nothing like a Grateful Dead performance. Due to the magic of the music and the resilience of the estimated 30,000 attendees, the vast majority appeared to have had a great time despite the conditions which, by the end, had paled into insignificance.

  • fourwindsblow
    Joined:
    DeadVikes - Warlocks Box Mix

    Mixing - Mike McGinn, He also did JFK '89 and maybe one other. These don't sound as good as they should have. The Don Pearson Ultramatrix cassettes sound way better.

  • carlo13
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    Jasmine

    I was just burning some jasmine incense and remembered coming home in the mid eighties from a stretch of dead shows on the east coast and reeking of jasmine and patchouli sweat. I remember those religious fliers that were passed around with the cool illustrations even though I was always an atheist. also passing around Greenpeace fliers and stickers that
    we would get from donations to GP. I'm sure some of you guys remember those fliers. Everytime I smell jasmine and frankincense it reminds me of those days.

  • Vguy72
    Joined:
    😊🙃🙂😉❣✌🤙...

    ....Thank you Mustin. You are correct, kind sir. I stand corrected,, for all the right reasons. All lumped together though, but I can figure it out.
    Another reason why this is the kindest corner of the internet.

  • wilfredtjones
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    mustin321

    Sent you a PM.

  • mustin321
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    VGUY

    All of the Road Trips are on Spotify as well. You gotta look under the compilations section.

  • Vguy72
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    E72 is on Spotify....

    ....as Mustin said. DP's too. No Daves or Road Trips.

  • billy the kid
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    Bob T / Cassidy

    The song Cassidy, is also written partly about Neal Cassidy, besides Cassidy Law. Also, some of the lyrics refer to the death of John Barlow's father. But your right the song is named after Cassidy Law.

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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Thanks man!

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Very cool avatar picture. Looks like a nice day too.

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Dave's: #4, #5, #6:
#4 = 9/24/76 William & Mary
#5 = 11/17/73 Pauley Pavillion
#6 = 2/2/70 + 12/20/69 +12/21 bonus disc.

Only drawback is the two complete shows from #6 have a lot of repeats (as does the bonus disc). But the fact that TC is there for the'69 but not the '70 makes that fact a plus. Showing how some tunes changed (or not).

That UCLA show might be my favorite show they have released on Dave's/Dicks.

I will try for Dick's as well. Very tempted to go 2,3,4 or 10,11,12, but the completist in me cannot quite do it. I will go #28, #29, #30.

#28: 2/26 & 28/73
#29: 5/19/77 + 5/21/77. 2 shows - 1 Encore.
#39: 3/28/72 complete + 3/25 stuff. Academy of Music.

14 Discs!

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Gotta say 12/6/73 with the 46 minute Dark Star. awesome Greatest Story, China Cat>I know you Rider and Eyes of the World..... tough to beat... bob t

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A couple years ago someone over on that thread said their favorite China>Rider ever is from 6/22/74, the DaP 20 bonus disc. I've got to get in a few more close listens, but being from '74 you know it's a good one.

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In reply to by wilfredtjones

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....need to pick my favorite three Dicks and Daves in a row. Oh, the pressure.
I just want you all to know, I look forward to all of your posts. Props me up. 🍻
Three is a magic number people.

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I come hear/here for the jazzy threads of conversation, much like how I return to the well of the Dead for the same, through music.

However today I pay tribute to the Seattle bands, given the recent outstanding release of Mark Lanegan's book, "Sing Backwards And Weep."

Honor roll:

Jimi Hendrix
Heart
Mark Lanegan
Layne Staley
Kurt Cobain
Chris Cornell
Mike McCready
Barrett Martin

\m/

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DaP34 arrived alive and well in the west of England which fits just exactly perfectly with completion of Europe 72. Weird things to note, UPS and USPS both seem to still think they’re about to hand over to each other at Fontana outside LA (since April 30) and that dreaded customs charge (£13.52 this time) has been levied again.
Hope everyone else also starting to get theirs delivered too. Stay well.

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First.. Awesome news Andrew. Can't tell you how good it feels to get some really good news first thing in the day and a compelling reason to replace your daily news with a daily briefing from dead.net.

As for the best three consecutive Dave's Picks. It really didn't take me much time to put together this list at all:

Dave's Picks Volume 13: Winterland, San Francisco, CA, 2/24/74
Dave's Picks, Volume 5: Pauley Pavilion, UCLA, Los Angeles, CA, 11/17/73
Dave's Picks Volume 8: Fox Theatre, Atlanta, GA 11/30/80
Dave's Picks Volume 9: Harry Adams Field House, U. of Montana, Missoula, 5/14/74
Dave's Picks Volume 11: Convention Hall, Wichita, KS 11/17/72
Dave's Picks Volume 13: Winterland, San Francisco, CA, 2/24/74
Dave's Picks Volume 24: Berkeley Community Theatre, August 25, 1972
Dave's Picks Volume 30: Fillmore East, New York, January 2, 1970
Dave's Picks Volume 34: Jai Alai Fronton, Miami, FL 6/23/74
Dave's Picks Volume 13: Winterland, San Francisco, CA, 2/24/74

I feel compelled to add one honorable mention, which combined with the list above makes this the four best consecutive Dave's Picks:

Dave's Picks Volume 13: Winterland, San Francisco, CA, 2/24/74
Dave's Picks, Volume 1: The Mosque, Richmond, VA, 5/25/77
Dave's Picks, Volume 2: Dillon Stadium, Hartford, CT, 7/31/74
Dave's Picks, Volume 3: Auditorium Theatre, Chicago, IL, 10/22/71
Dave's Picks Volume 13: Winterland, San Francisco, CA, 2/24/74
Dave's Picks Volume 21: Boston Garden, Boston, MA, April 2, 1973
Dave's Picks Volume 23: McArthur Court, Eugene, January 22, 1978
Dave's Picks Volume 25: Binghamton, November 6, 1977
Dave's Picks Volume 26: Albuquerque, November 17, 1971
Dave's Picks Volume 32: The Spectrum, Philadelphia, PA 3/24/73

Whew.. glad I got that out of the way. Not sure why you guys struggled so much and why no one had the same list as me, which I am quite confident is the correct answer.

Favorite Bonus Disc.. easy, …….

Edit / Caveat Emptor - One qualifying comment. You might want to install the "Bad Vibe Be Gone Filter" to your Dead.net app or browser before completely replacing the news with daily briefings from dead.net. A quick install makes things almost exactly practically perfect.

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Safe arrival in East Kent; no shipping notice, no demand for customs charges, just plopped happily through the letter box 10 minutes and made my day :)

KENT? My first bike as a kid (under 7) was a Kent. It was made in England. Is that where the bikes were from? Do they still make bikes?

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Sir James,

Either your math is off or my reading is really bad.

My favorite release of the series so far is 5. Way ahead of all the others. The next in order of release are 9, 11, 13, 23, 26, 29, 30 and 34.

I don’t really like 28 or 31, so that eliminates 29 and 30, unfortunately. That leaves me with 9, 11 and 13. Of the remaining options, I prefer 12 over 10, resulting in 11, 12, 13.

12 is also one of my favorite cover designs along with 5, 23 and 26. By the way, if Dave did his research, 12 should have been release 13. I do understand that marketing probably played a huge part.

A strong second would be 5, 6, 7. I like release 5 that much and 6 is a great release. 7 comes along by default as I did not like 4 much at all.

Sorry for not including the dates. It’s just too much work. You can use the link, as I did, for reference.

http://www.deaddisc.com/GDFD_Daves_Picks.htm

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I have a Kent water bottle for my bike. I do believe they are the last remaining Legacy bike manufacturer (Schwinn, etc.) that still makes bikes in the US. I could be wrong, someone please correct me if I am.

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I have a kent brush co. mustache comb, so there. Also Daps- 21, 23, and 30. Bonus- NOD. P.S.- JIM, you are correct sir.

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In reply to by carlo13

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....i have a co-worker named Kent. He's kind of a douche. We won't talk about him.

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Three way tie. These are shows I listen to in full repeatedly. I stuck with a "must already REALLY get a lot of mileage out of the releases" criteria.

DaP 1 May 25, 1977
DaP 2 July 31, 1974 + Bonus Disc July 29, 1974
DaP 3 Oct 22, 1971 + Bonus Disc 3 Oct 21 1971

DaP 11 Nov 17, 1972
DaP 12 Nov 4, 1977
DaP 13 Feb 24, 1974

DaP 16 March 28, 1973
DaP 17, July 19, 1974
DaP 18 July 17, 1976 + most of July 16, 1976

As much as I like the following list of DaP releases that I omitted, they fall into a sequence of three shows where I only like bits and pieces of at least one of the three.

DaP 5
DaP 6
DaP 9
DaP14
DaP 21
DaP 24
DaP 26
DaP 29
DaP 32
DaP 34

Best Dave's Picks Bonus Disk - yikes - so many good ones. I think the Academy of Music one makes up a nice little 1972 set. Get your magic twanger out Jerry.....

I put on To Terrapin: Hartford '77 today. Last show of magical mythical May 1977. Favorite Samson and Delilah. Bobby and Donna have some vocal magic in here. Probably my favorite 1977 Terrapin Station as well. I prefer the shorter 1972 Sugarees with Pigpen's Hammond, but if I'm going post-hiatus, I'm going full bore with the 19 minute epic from this 5/28 show.

Never heard of Kent bikes. I had a Huffy. Are you sure you don't mean Huffy? Not to be confused with Hoffy, my buddy from college. Man he had a hot live-in girlfriend. I shouldn't have but I did. We once went to a Preakness with a group of about 20 people and never saw a horse. Must have been the mushrooms.

KeithFan2112...I'm catching up on the thread...the version of I Can See For Miles that you were hunting for is on The Who BBC Sessions; Best Buy Exclusive Bonus Disc...if you are still trying to get your hands on the song's official release...

From the bonus disc liner notes: "I Can See For Miles is essentially the same majestic take as captured by Kit Lambert on the mono single. The notable exception being John's re-recorded Rotosound strings holding the group together far more prominently in the mix - done to comply with a Musicians Union ban on miming."

I guess i was lucky enough back in 1999 to have purchased the set at Best Buy, which included a second disc with 8 additional songs. I have seen this bonus disc offered on e-bay for cheap...otherwise let me know if there is a way to get a digital rip to you...

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As many have stated, this is much tougher that I thought it would be. So many of my fav's are part of a trio that include some of those I don't love quite as much.

I think if I had to pick only one, it would be
Vol. 1. 5/25/77
Vol. 2. 7/31/74
and Vol 3. 10/22/71

Bonus disc 1 is my personal fav too, so that's a factor.

Runners up would be 11,12, and 13 - 24,25, and 26 - and 29, 30, and 31.

Peace

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In reply to by Angry Jack Straw

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My math was ok and your reading spot on. I just chose to break the rules and it felt so good.. sort of like midnight skinny dipping as a teenager at the local quarry with just the right company. Add in some rock gut malt liquor if she suggests it; it feels absolutely perfect until the cops come.

No offense meant to all the rule followers out there, carry on with your picks of three, I just cannot abide.

For me, it's a toss up between #5 and #13, but mhammond paved the way with 13 good vibes and I just went with it. For what it's worth.. I was having an 11 moment (Wichita 72) four or five months ago and was really getting into it.. when the second set started to take off and at the same time I was interrupted in the worst possible way. I know I will like this show, but at this point it's become a dark comedy.. every time I start to get into it lightning strikes, followed by an earthquake which was caused by this volcanic eruption down the block causing my house to get swallowed up by a sinkhole and eventually I give up before something really bad happens. Distractions kill.

Speaking of which.. we have sort of been bombarded with really good 1973, but Dave has been carefully dancing around the truly great ones still left. One of these days he's going to have to go there.

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Nor can I.
I would have to listen to all the DaP’s first in order to decide, and then still wouldn’t have an answer.

But, best GD CD I ever bought?
Anthem of the Sun in 1989. It was only the second or third CD I had ever bought (they were expensive back then) and it was awesome. I didn’t even have a CD player and had to use a friend’s stereo system to make a cassette copy of the CD so I could listen to it in my car.

(Of note, the first CD I ever bought was Saucerful of Secrets in 1987).

Those are the markings on the Anthem of the Sun CD I bought in 1989. Just started listening to it.

On inspection there was no disc rot and the CD looked like a well-manufactured CD. You can see the detail in the pressing of the metal. Also thicker and heavier. Plays and sounds just fine.
Maybe time for WB/Rhino to go back to basics of CD manufacturing.

Oh, that’s right. They’re trying to wean us old farts off of that outdated medium.

The single most important piece of music besides 4/19/82 that I have ever witnessed. And the April 82 thingie was a blotter related aberration for which I am eternally grateful.

Anthem was their best studio voyage, in my humble opinion. A psychedelic masterpiece.

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Kent bikes seem to be based in NJ, and there appears to be no connection to the Garden of England. So no bikes, but we too have some douches; and, oddly enough, I know a lady who sells moustache combs here in Whitstable – although I don't know whether they are Kent brand ("the world's finest brushes" since 1777, apparently, but they are made in Hertfordshire, not Kent). And I still haven't had time to listen to DaP34...

Congratulations to those in the UK that have #34. Mine doesn’t appear to be getting any closer. It left Wayne County, Detroit for a second time on 28th May. 29 days so far and still not crossed the ocean. Hopefully it will arrive before the new Dylan and Neil Young releases on 19th June. I live in hope.

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In reply to by Colin Gould

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Colin,
Mine also left Detroit for the second time on the 28th but tracking now tells me it has left Heathrow, UK on route to destination. No demand for import charges (yet).

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... happy to read our fellow DeadHeads in the UK & Canada and other locations in the world! Are starting to receiving their long awaited next Dave’s Picks in the 2020 series!
I hope they make all of you “Smile Smile Smile!”, I know a “Whole Lotta Shakin”is going on around the USA! Enjoy my brothers and sisters! 🙏❤️💀🌹

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Thanks for the info. on Kent! (bikes, brushes, etc. :-P)

Now once set and setting is right, get cracking on DaP34. We'll need a full report! :-)

Glad to hear they are finally getting to where they need to be...

Make it a grateful day everybody!

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...I must admit, I’m already looking forward to the next release in the Dave’s Picks series of 2020 , which is #35...
6/20/80
West High Auditorium, Alaska
Hell is about to 🥶 freeze over in Deadland, imagine!? 😉🙏❤️💀🌹 have a grateful day everyone! Be safe,Be Kind & be grateful! We all have the “Good Ol’ Grateful Dead to help get us tru anything in this lifetime! Ciao’ Bello’s & Bella’s!

I haven't got Dave's Picks 34 yet! But I am still quite happy waiting. I listened to 5/21/74 yesterday - a stunning show, and beautifully recorded. I am currently very close to buying the vinyl version of 5/19/74, which keeps dropping a few quid every day here on Amazon UK. It would be a massive indulgence-the cds sound great ( I am not fussed about the vocal drop outs at all)...but you only live twice, as the saying goes..

Icrmcnkd…..your comments on cds being heavier and thicker in the distant past before possibly being phased out, reminds me of what happened with vinyl in the 1970s. My first records, bought in 1971-1973 are very sturdy, cut on vinyl that resembles granite. Move forward to the end of the decade and they get very wibbly indeed. I think the idea was to phase them out, first for cassettes and then for cds.

I am not sure what my first cd was. I didn't get a cd player until well into the 1990s. I think it was the head swirling Ozric Tentacles box set Vitamin Enhanced, which, incidentally, still sounds head swirling. Even without the self administered vitamins.
My first Dead cd recorded on tape from a friend was One From The Vaults-8/13/75.

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Do you remember those ghastly "Dynaflex" albums that RCA released. I can't remember whether that was in the late '70s or later. If you held them by the edge on two sides the middle sagged dramatically. RCA claimed it was improvement over "normal" vinyl. Yeah, right.

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I appreciate the info. I passed on the BBC sessions, and didn't even realize it had a bonus disc at one time. Just bought a copy on ebay for 5 bucks. Advertized as having some light marks on the CD but does not skip. I'm good with that for $5 (and free shipping).

P.S. - love the Rotosound Strings "commercial" before I Can See For Miles on Sellout.

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In reply to by simonrob

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I had read before that the oil embargo was the cause of cheap vinyl. Crude oil is the source of a lot of industrial chemicals and during the embargo there was a shortage of whatever was needed to make good vinyl. Don’t remember where I had read that.

Daverock, I have 5-19-74 on vinyl and like it. Grab it when the price is right.

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Simon,
Dynaflex LP's were issued between 1969 and the late '70's. I have Bowie's Space Oddity and the self titled Lou Reed both released by RCA on Dynaflex in 1972. I remember back in the day showing off by folding them almost in half! Funnily enough both LP's seem to have less surface noise that standard releases that I have from the time.

https://en.wikipedia.org/wiki/Dynaflex_(RCA)

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10 years 3 months
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Yeah, for instance Hot Tuna's Burgers album. I remember the circle of friends sitting around "the campfire" in my freshman dorm when I held the LP between my hands and pressed it into a "U". Perfect distraction during the flip to side 2.

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5 years 1 month
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Yorkshire UK
My update last date 21 / 5 stated just left international carrier facility to be delivered by post office!
Looks as though they are coming in by different means
Let’s hope they all get here!

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16 years 9 months
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Wow got home and listening on internet archive, the Playing is great... Looking forward to WRS Prelude>Dark Star>Eyes of the World>Wharf Rat!!

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7 years 4 months
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Cool link Ian. Jeff I also used to do the "U" hack in the day on these disks. I think it was a Booker t. album. I'm sure we are going to get a professional album critique any moment now . I cant get enough of the new bonus disk. Later.

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4 years 3 months
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Was hoping to get it before the end of May, but alas, still it is not here. Let's hope I can listen to this cd before Canada day.

Have a nice weekend friends

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14 years 8 months

In reply to by marleyman3389

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why does it take so long for people to get their discs???

I can talk instantly with some guy in Pakistan. But delivering a CD pack is outsourced to the Keystone Kops, apparently.

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14 years 8 months

In reply to by stoltzfus

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miiiiighty tasty, for sure.

I still remember the first time I heard it...

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10 years

In reply to by icecrmcnkd

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Icecrmcnkd - thanks for the nudge in the right direction-I ordered 5/19/74 this afternoon, and it should be delivered tomorrow. With Dave's Picks presumably on the way, 1974 is very much the year of the moment for me.

I am half way through the Road Trips 6/16/74 highlights...and what highlights they are. Superb versions of China Cat-Rider and Eyes of the World, with Playing to follow later tonight, and then a Truckin' jam on the bonus cd. And 6/18/74 after that. Maybe my favourite Road Trips release - definitely one of the best.

I have never heard of these Dynaflex L.Ps. from the 70s.

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10 years 1 month
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Daverock - Hopefully you have the Road Trips '74 bonus disc with the Morning Dew from 6/18. The quiet, sparse interplay between Keith and Jerry that begins about 7 minutes in will have you picking your face up off the floor.

Bobby T - 3/21/73, aka Haze Over Utica. This one passed the sound test for me so it's in the soundboard folder on my phone. The Dark Star is really the only thing I've listen to off of it. You've motivated me to shift over to that show. I had put on some May 77, but I think it's about time I gave this Utica show it's due. Thanks for the idea. Will get back to May 77 later...

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