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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • #1421
    CaseyJanes
    Joined:
    WilfredT UJB

    You are correct sir about the Bm...also a Dm and Dsus2 according to Ultimate Guitar Tabs on the “Official Version”. I love the above mentioned app. Has most every song that you can think of and usually there are many versions to play so if you’re not quite getting one arrangement there is usually a way for guys like me to dumb it down a bit. That said I need to add those chords on UJB as they are in my range. Will also try the riff....I have a little pentatonic game as well! (I’m guessing there)

    For the record, and if memory serves, I do believe I’ve seen youtube of you playing WilfredT, and you are an excellent player. I’m like a wanna be campfire player at best, but it’s more fun then a frog in a glass of milk.

  • #1422
    Oroborous
    Joined:
    Hola Senor Janes

    Good to see ya!
    I think Bob was alluding to what I’ve heard/read all of them say over the years; it got harder and harder to get the band (especially Jerry) to rehearse and some of those songs you just couldn’t do well without rehearsal: LS, Cosmic Charlie, St Stephen etc. Unfortunately another side effect of ole Jer Bears monkey...especially when you consider how hard many of Jer’s parts were on these songs...it’s a bummer but no wonder many of the greats were set aside.

    GUITARS & CADDILACS; used to play all the time. Tried to play guitar for ten years, occasionally professionally, once in the studio....switched to bass and rarely looked back. Did try the solo acoustic/apre thing briefly, but wasn’t that good and it’s really hard carrying the whole show by your self. And Scarry! Don’t have that front man Mojo either “star waaarrrsss, nothing but staaaarrrrr wwwaaaarrrsss” much prefer to play with 3 to 5 people, the interaction is where it’s at. But the rush of playing in a hot band in front of a bunch of people IS uncompareble....talk about a high!
    But yeah, I preferred being in the back row under the dark lights grooving on the Bass. Played that professionally on and off for 20 years, last ten it was my main, though not only job...It was a gas, but after 100-150 nights a year, often at shitty bars and clubs, when your feet are killing you and your back can’t take that heavy lumber anymore, we’ll sometimes it’s a double edge sword doing what you love for a living....unfortunately haven’t really played in like ten years now. Had to TRY and grow up and get a real job....plus after I got booted out of my main gig, eventually all the calls stopped coming as it is a small, close knit group that gets the gigs here.
    I truly miss it in my minds eye, but I don’t miss schlepping that heavy ass gear at 3 in the morning, or getting hassled by the law, or trying to get inspired when your back hurts and it’s late, and there’s only 4 drunks left, but I do miss it.
    GUITARS
    - Ibanez Muscian Series I got in 79 and modified with Alembic circuitry/pickups in 84.
    - Madeira Acoustic
    - 84 Alembic Spoiler 4 string electric Bass
    - Michael Kelly Club Deluxe 5 String Acoustic/Electric Bass. picked this up early century when I was playing a lot to get upright sound etc. Never spent enough on upright to be proficient as it’s physicaly painful, and it’s a drag trying to play live with a loud band. I liked the sound I good get with the Kelly and a Sans Amp tech 21 Acoustic DI. It’s made for Acoustic guitar but works awesome for the Acoustic Bass. Seceret is the adjustable mid....
    shit, ramblin again, sorry, fun topic. DAVEROCK sportin’ the Bobbie Dazzler! Nice axe bra! My guitar teacher always played and sold Gretches. Wish I would of got one, but wanted a Bob Weir Ibenez so bad. Almost had one but got the Muscian series instead. I’ve seen pictures of both Bob and Jerry playing one but not sure what show (s)? Think it was around when Bob was first using Ibenez?

  • #1423
    wilfredtjones
    Joined:
    Casey Janes UJB chords and guitars

    There's a B Minor in there somewhere...I think after the G. The riff is fun, too! Don't forget to learn that :-)

    Thanks for sharing info. on your guitars, too. I also have a '96 Washburn (D-20 in Koa). My brother just bought his first guitar, a Seagull S6... :-)

  • #1424
    Oroborous
    Joined:
    6/22/83 source

    Yeah I think that’s the same source as I had. As I say at the time it was definetly my best sounding tape which in those days wasn’t saying much, but this one shined! Great show too, and looks like it must of been a great place to freak freely from the news clip.
    So my buddy Doug hooked up with some dude who either was doing the taping or ? Not sure I really knew, but they knew WTF they were doing, had like Nac with sennhieser mics and were usually low generation and near that quality.
    I had the best gear so most of my friends/cousins would bring their new tapes to my house for coping etc so I’d usually get decent generations. Some shows better than others depending on where they were located. Remember, this was before taper section so some diehard pros would poach in front of board, which sometimes was awesome, other times too loud or tone unbalanced etc...
    Anyway, we start getting some killer 83’s, probably end of year I’m guessing. Unfortunately I never got the source guys info and next thing you know ole Doug’s knocked up the bosses daughter, whose family is super religious so shotgun wedding and no more fun for ole druggles, poor bastard! And no more tapes for us! Dooaah
    Funny part was he got our band to play his ultra conservative wedding, but’s that’s a whole nother story for the bonfire....

  • #1425
    CaseyJanes
    Joined:
    Guitars and UJB

    Hey all, COVID seems to have me busier than I’ve ever been with both the wife and kid working and schooling here at the cave...so I’ve just been lurking here lately on the site, but I have to jump in on a good guitar convo.

    Dennis, I’ve read that 1983 is right around when Gibson started producing great acoustics again, shifting back to some of the methods that they used on 60s flat top guitars. I would love to play that Hummingbird. I’ll bet it sounds awesome, and from knowing what I know of you, it is probably very well cared for! I just recently learned UJB. It was surprisingly (to me at least) very easy to learn and made up of only 5 basic chords (G, D, C, Am, Em) which are some of the first chords (and easiest) that most guitar players will learn. Rhythmically, the toughest part of the song IMO is probably in what would be considered to be the chorus....that is the part that goes “whoa-o what I want to know is ______________....there are some quick chord changes in that line which take some practice, but all in all, not to difficult. That said, singing it and playing at the same time for me is much more difficult. I have only recently been able to incorporate some singing along with my playing and I have been playing for more than 20 years. Some of that I think is confidence factor of worrying about what others think I sound like, which I really don’t give a shit about anymore, but the other part is that rhythmically it is not easy to learn, especially if the song has difficult chord phrasing. Did anyone hear the Bob Weir Shakedown interview from Friday night? He had some interesting comments about Lost Sailor and the reason it didn’t stay around for too long in the bands repertoire. Too difficult to play and the other band members didn’t want to spend the time on it. And we’ve seen that LS has only recently been brought back into D&Cs repertoire. So this got me thinking about the progression of Bob Weirs playing ability. Of course it’s widely know that Bob was nearly kicked out of the band early on because of complaints about his guitar playing. And to be fair he only started playing guitar at the age of 13 and then met Garcia just 3 years later. And any player is going to experience some plateauing, especially early on. That said, it make me wonder if the shift in style on WMD and AB were at least partly made in efforts to help with this handicap as the arrangements are much simpler and back to the basics. (Here is a quote from wiki on the subject:
    “The incident apparently led to a period of significant growth in Weir's guitar playing. Phil Lesh said that when drummer Mickey Hart left the band temporarily in early 1971, he was able to hear Weir's playing more clearly than ever and "I found myself astonished, delighted and excited beyond measure at what Bobby was doing." Lesh described Weir's playing as "quirky, whimsical and goofy" and noted his ability to play chord voicings on the guitar (with only four fingers) that one would normally hear from a keyboard (with up to ten fingers).[13].

    Cousins: what kind of guitars do you own? What gets the most play? Based on your bands genre, I’m going to guess a Fender Telecaster?

    Here are my guitars:

    1). 1996 Washburn Limited Edition Acoustic
    2). 2017 Gibson Les Paul High Performance in Cherry Red Sumburst
    3). Seagull Artist Studio CW Deluxe Element
    4). MJT Custom Telecaster build that is aged vintage relic...Taos Turquoise over 3-Tone burst
    5). Rhino issued Grateful Dead Dancing Bear/Stealie ukulele (don’t really play this one just decoration
    6). I also recently ordered a Taylor GS Mini Koa Plus E with edge burst on my 4 years zero interest Sweetwater card. I needed a good travel guitar and this one gets phenomenal reviews....can’t wait!, but sshhhhhh! Don’t tell Mrs Casey!

    -the one I play the most (currently) is the Seagull...most accessible hanging on the wall right next to the couch in my living room. It has a pick up so I can plug it in but I rarely do as it projects nicely anyway. It as a solid Sitka Spruce Top, with Solid Rosewood back and sides, Mahogany neck and Ebony fingerboard, gold vintage tuners. It’s a beautiful guitar that sounds just as good as it looks.

    Oro - Great repo car story...had me LOL as usual! For those interested, I promise to finish my Gorge story very soon. Fell off the wagon on that one, but the details are still there. Anniversary is also fast approaching....bummed I can’t do the repeat as I planned for Boulder in July...hopefully we can get back at it soon!

    Doc - Great to read your regular posts again. Glad you’re back.

    Be Well Dead People!

    KCJ

    Led Ded: just read your post...couldnt agree more. No better hobby and incredibly gratifying when you are able to overcome a plateau....repitition and practice....I’m at least one hour a day usually early mornings or later at night!

  • #1426
    LedDed
    Joined:
    Yes, some of us really play...

    I am a guitar freak. I have about two dozen electrics, two acoustics and a couple basses, untold effects pedals and several amps. I actually do pick up those instruments with my two hands and play the shit out of them, every day, sometimes only for a half hour and other times all day long, esp. on weekends.

    It's the most gratifying hobby I've ever known. When you start out, you suck and sound like shit. Over time, you learn other people's songs, chord changes, scales, etc. One day you find yourself sitting there with a drink and wailing along to "Layla" at full volume, kicking ass and blending right into the record. And then, you start coming up with your own stuff. Some people eschew covers and play as themselves right off, but if there's a kind of music you like, learning that stuff gives you a toolbox of techniques from which to start doing your own thing.

    You get out of it what you put into it, practice practice practice. I don't really practice so much as play, but you hone your skills through repetition and hours devoted as you pick up new things here and there. One of my favorite things is to crank up a "Big River" like the one on One From The Vault, and wail along with Jerry. He was so good in his prime it's sick.

    I'm not in a band. I have a straight job and a family (and a mortgage etc.) However now and again getting in a room with other musicians, especially with drums present, and turning up is as much fun as it looks. Unfortunately it looks like a bleak time right now for anyone struggling to make it as a musician. First album sales were destroyed by the internet and bands had to depend on live concerts and merch sales. What are they going to do now?

    A long time ago, I might have leaned that way, but I'm glad I went with the straight job, keeping the guitar playing on the side, pure artistic expression with no strings attached or record company bullshit. Last, anyone who's always wanted to learn to play the guitar, go buy a decent one and get after it! If you keep with it, it will reward you more than you can imagine.

    \m/

  • #1427
    Deadheadbrewer
    Joined:
    Did someone say, "Saint Paul"?

    LOVE that show from '77 (AND the Saint Paul show from the 1978 box), but cannot allow myself to get distracted from my E72 studies. I still need to finish Bickershaw AND Amsterdam, then get to Rotterdam on its anniversary today. The back-to-back concerts on this tour make things difficult . . .

    I didn't get into Grateful Dead until I was 21 (1991), but if I had been born ten or fifteen years earlier, I would have attended those old MN and upper-midwest shows.

  • #1428
    Cousins Of The…
    Joined:
    @Dennis

    Hey Dennis, I'll take your Hummingbird if it's lonely :-)
    I play guitar in a band(Western Swing/Honky Tonk) , although not sure when we'll be able to play out again this year.

  • #1429
    Dennis
    Joined:
    Dave's guitar and Dave's Pick

    Just got DP29 in from Real Gone Music. I never bought any of the DP's when they were coming out, my buddy was getting them and sending me copies, money was tight and what the hell. In the end, wish I had bought them all as they came. Now I'm too cheap to pay some of the prices I see for complete sets, and the wife would never understand :-).

    I have to say for anyone who hasn't bought these real gone music releases, they did a nice job on it. At first blush I thought the bonus tracks weren't included, but though not listed, they are there. It was 60 bucks from amazon (got a price cut before it shipped!) So maybe I'll look into getting the real gone collection,,,,, if it's cheap enough :-)

    Dave the Rock and the Gretsch - I know Dave's not the only one on these boards who has guitars AND I know absolutely NOTHING about guitars or playing. But I looked up your guitar and yeah, pricey things. The demo's online made it sound very nice. My question, can you really play? I've met many people over the years who have instruments of all types, played "in my youth", they can still strum a few basic cords, but really can't play. I have a Gibson hummingbird my wife gave me back in 83-ish, why, I have no idea. Maybe she thought I develop unknown talents. I told it's a nice guitar, quite a few people have strummed it over they years and say "very nice". But one night at the store a customer who came in all the time (doctor of some sort), had just bought a new hummingbird, asked me bring in my old one. Bastard sat down and knocked out UJB off top of head. Blew me away. BTW - said my old hummingbird was much louder than new ones.

    So Dave, do you play? Also other folks out there, do you really play? I believe some of you are in bands?

    Just curious.

  • #1430
    musicnow
    Joined:
    bonus disc

    The bonus disc is simply amazing! Classic songs/jams and the sound is superb. This was a GRATE addition to a magnificent show. Thank you Dave!

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Submitted by clayv on
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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

Would be the next best thing from 1980 (and probably the best possible), as, alas, I think the masters from the Warfield/RCMH are no more.

6/20 & 6/21 were mainstays of my tape collection.

Plus, as I love Althea, 1980 shows are always welcome. Some real interesting lists, too.

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Submitted by KeithFan2112 on Fri, 05/29/2020 - 19:22

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The Utica show has the WRS intro into DS. I actually just got to it. I had to put my headphones on backwards because Jerry's on the right and Keith is on the left on my copy of this show. It was driving me bananas. It's like Closing of Winterland - backwards.

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Submitted by wilfredtjones on Sat, 05/30/2020 - 03:40

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Checked out the setlist to Utica and realized they also did the WRS Prelude into Dark Star a week later in Springfield. I wonder how many other times they tried that. Anyway, isn't that the 'Scooby Doo house' show? DaP 16? :-) Maybe I'll try and give that one a spin today.

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Submitted by Lovemygirl on Sat, 05/30/2020 - 04:01

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...Ithica 73’, Excellent show, thank you for sharing! Love the ‘Box Of Rain’ , Phil is just amazing as usual but performed with such beauty it instantly made me Smile Smole SMILE!
I have a log cabin in Delhi, NY, that’s where I used for “Homebase while on tour in the cat skills NY right along the Delaware river! Beautiful! 🙏❤️💀🌹
https://gratefuldeadoftheday.com/03-21-1973

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Submitted by Lovemygirl on Sat, 05/30/2020 - 04:20

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..hello Dave , check to see if the “Police” LP I sent you. It was sealed when I sent it to you, Did you happen to open it a give it a spin on your record setup?

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Submitted by Mind-Left-Body on Sat, 05/30/2020 - 05:07

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A name blocker feature would a nice feature for this site.

I heard Dave's 30 again after a few months rest. With the exclusion of the Dark Star medley and The Other Ones does anyone else find the performances lower caliber than other 1970 shows that they released? The sound is great. They don't sound so "tight" as usual. More missed lyrics than usual. Both UJBs are mediocre sounding. They just sound a little less mind blowing than typical 1970.

No, I am sorry to say I never did open it. It was nice of you to send it, but I never cared much for them back in the day. Maybe I should give it a spin. Although there are a heck of a lot of other things on my playlist !

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Submitted by pkb on Sat, 05/30/2020 - 06:03

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I love those shows. It’s funny hearing it may be officially released when that trip was spoken about in Billy’s book.

“As for the three-nighter in Anchorage, the only thing I remember about those shows is that they were in a high school gymnasium which, believe it or not, is not the ideal place for a rock concert. For one thing, the room was sonically unsound — it was one big echo chamber. There was nothing to soak up the sound and the back wall was terribly close to the stage. Every time I hit the drum, I’d get a report back. Every beat bounced back. With two drummers going full-throttle, it was an acoustical nightmare. All told, those gigs couldn’t have been that great.”

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Submitted by Angry Jack Straw on Sat, 05/30/2020 - 06:07

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I actually enjoy the release. Yup, it’s a bit more mellow than most 70 shows. The Dark Star and Alligator are the highlights for me. I certainly like the release a lot more than DaP 10 from a few weeks earlier.

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13 years 2 months

Submitted by JimInMD on Sat, 05/30/2020 - 07:11

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Big fan of that release as well. Carving out the DS suite.. well, many of these releases have a segment that makes the release, leaving the rest less remarkable. I agree, there is enough other stuff that pulls this one along nicely. Hard to Handle and Mason's Children come to mind, the Bonus Disc is a nice add. In fact.. it's due for a refresher listen.

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Submitted by Lovemygirl on Sat, 05/30/2020 - 07:56

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https://m.youtube.com/watch?v=9BXcaeyarPY&feature=share&fbclid=IwAR3B99…

... Here’s a little something that’s extra special for this grateful Saturday in A grateful gift for all,
I hope you all enjoy it as much as I do!
Wow I just noticed it was my anniversary yesterday, April 29th, I became a member & poster after being on the sidelines enjoying everyone’s contributions to this grateful forum/ Grateful Dead Website! I’m still grateful to still be apart of this beautiful group of members! Thank you all for being you! Peace be with you all! Be kind be safe! 🙏❤️💀🌹
https://m.youtube.com/watch?v=9BXcaeyarPY&feature=share&fbclid=IwAR3B99…

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10 years 1 month

Submitted by KeithFan2112 on Sat, 05/30/2020 - 08:51

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I agree the UJBs are not 5 star.... trying to think of what's left once you take away the Dark Star medley and The Oher One x2. I like the fact that Midnight Hour is on it, albeit a bit slower than the Ladies & Gentlemen version, which is my personal favorite. Also a fan of Alligator. For the most part though, I have not given the rest of the songs on DaP 30 a close enough listen to weigh in. Maybe time for a refresher here too.

As far as 1970 releases go, I listen to the High In Hawaii Dave's Pick quite a bit. That being said, the release has a whole disk 3 full of bonus tracks from the next night, half of which I tacked on to the front of the main show; so I basically cheated and made one big show out of it. I also removed Yellow Dog Story and the Casey Jones that got cut short after a minute (that drove me nuts). The performances on this one are all rock solid, although Dark Star is not all that interesting to me. Has the only Feedback I like.

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Submitted by Lovemygirl on Sat, 05/30/2020 - 10:34

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... just thought I post this in case anyone is interested in this release from the legendary grateful dead dicks pick series!
Available July 10th
Heres one place;
https://www.amazon.com/Dicks-Picks-Oakland-Coliseum-Arena/dp/B007ZIMB1G…
...being a late era dead performance, IMO, Jerry is just Amazing on this release and the bonus tracks are a grateful Treat for fans!
Rock on! 🙏❤️💀🌹

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17 years 3 months

Submitted by Oroborous on Sat, 05/30/2020 - 10:47

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...we need em living in a world where the police murdered a man, and their defense is he wasn’t healthy enough to be strangled for 9 minutes....like if he didn’t have underlying health issues being strangled for 9 minutes for doing nothing would of been otherwise ok? WTF is wrong with people?
Yeah, keep the love train running folks as someone has to put some positive energy out there to balance out the darkness. Funny, some things never change...”the futures here, we are it, we are on our own”

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8 years 11 months

Submitted by Charlie3 on Sat, 05/30/2020 - 11:05

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Funny, I was thinking similar thoughts as I was listening to the 1971 album What's Going On by Marvin Gaye yesterday. Time moves on, but humans repeat the same cycles in a generational march, with each generation thinking the next is the end of civilization as we know it. Time moves on, but humans stay human and humanity contains the darkness and the light, the evil and the good. But for right now, I'm just spinning the DaP 34 bonus disc and diggin' that PITB while marveling at the annual Ponderosa Pine pollen dump - nothing like wondering why your nose and throat are irritated and walking out to see every surface covered in a layer of fine, yellow pollen thick enough to scrape into little yellow piles. In the wind sometimes it looks like smoke billowing off the pines.

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4 years 9 months

Submitted by billy the kid on Sat, 05/30/2020 - 11:06

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I hope Real Gone Music will start releasing the Dave's Picks series after they are done putting out the Road Trip series.

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15 years 11 months

Submitted by unkle sam on Sat, 05/30/2020 - 11:39

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look what's happening out in the street....we can't seem to answer those questions we asked out mothers so long ago..... why is there war? why do people kill? why can't we be free? if only we had a president that helped and healed instead of....what we got now.
Last five:
Ziggy stardust
Axis bold as love
disraeli gears
Led Zeppelin II
Yellow submarine

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8 years 11 months

Submitted by Charlie3 on Sat, 05/30/2020 - 12:00

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I'm guessing that the Dave's Picks series is off limits due to the limited edition situation. Wouldn't bother me a bit if Real Gone released them, but I suspect not everyone would feel that way.

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17 years 2 months

Submitted by Vguy72 on Sat, 05/30/2020 - 12:16

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....I'm embarrassed for my fellow Americans. Protesting is one thing....when I get confused, I listen to the music play. That being said, I've been listening to a lot of music recently. Fact. 80% of the "protesters" in Minneapolis aren't from Minneapolis. I call them opportunists.
Be safe deadvikes.

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11 years 7 months

Submitted by nappyrags on Sat, 05/30/2020 - 12:21

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Yup, same here...I lose it on the mornings I go out and realize I now have a yellow Forester

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8 years 11 months

Submitted by Charlie3 on Sat, 05/30/2020 - 12:42

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Forgot about that SpaceX launch till I saw your post Nappyrags. First launch of NASA astronauts into space from US soil since 2011.

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17 years 2 months

Submitted by Vguy72 on Sat, 05/30/2020 - 12:56

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....was unfortunately buried under all the news about assholes.
Been digging on Dylan a lot recently.
Last five.
Bob Dylan - Travelin' Through Bootleg Vol 15
UB40 - Labour Of Love II
GOGD - 3.17.68
GOGD - 6.14.76
Metallica - Master Of Puppets

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8 years 11 months

Submitted by Charlie3 on Sat, 05/30/2020 - 13:21

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Giving another listen to DaP 30 after reading the recent ambivalent comments about that one. Just started disc 1, but at this point Black Peter is hitting the spot. That Hard To Handle is no slouch either.

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17 years 2 months

Submitted by Vguy72 on Sat, 05/30/2020 - 13:29

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....High-Lie Bonus Disc. I need this. One could analyze this PITB for ages, as I'm sure some have already. Its a keeper.
I'll just put Mr. Floyd as my avatar here as my version of a protest.

i’m honored to be part of this beautiful community/mega brain dead head place to be wishing everyone a grateful day today can you listen to music play it’ll get you through the day just can’t wait to see you tomorrow

*I have just watched a repeat of the documentary "Rock N' Roll America", which was shown as a tribute to Little Richard, according to the paper. Its a great programme, and stresses repeatedly how rock n' roll helped break down racial barriers, as white kids got turned on by Little Richard, Fats Domino, Chuck Berry etc, and Sun records recorded so many fantastic records by black and white musicians. Proof positive that real rock n' roll comes from the right place, and is needed now as much as ever. It will take more than rock n' roll, of course, but I thought the point was worth making.

I started watching View From the Vaults earlier today, 6/14/91. and it is fascinating. Its years since I have watched a film of the band this late in their career. They take a while to warm up, that's for sure. Initially, it seems there are just too many people on stage to play such stylistically simple music...Big River, Wang Dang Doodle, Maggies Farm being the worst offenders. Too many people, with too much electronic equipment. Then it all coalesces during Row Jimmy, and the rest of the first set is really good. I'm not keen on Bob Weirs guitar tone, but what he plays is pretty good, and Bruce's playing is sparkling. I'm not sure about Vince's contributions. Jerry is great when he can push through to the front. Second set starts well, too, with Help-Slipknot-Franklins.
Last 5, while I'm here -
Its Hotter in Hawaii Various -comp of Hawaiian music from the late 1920s-1930s.
Speciality Sessions CD2 Little Richard
Roll and Tumble Blues Various - comp of blues slide guitar
Road Trips - the one with 6/16/74 included
Young Americans David Bowie. My least favourite Bowie album from the 70s, as it goes.

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Submitted by LedDed on Sat, 05/30/2020 - 16:12

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I've been binge-listening to Dick's Vol. 20 for the last 48 hours. I really love this show and I don't think it gets the attention it deserves.

Strange times we are living in keep getting stranger. Makes me "feel like a stranger." And before anyone carries on about how they don't come here to hear anyone talk about anything other than Dead music, I'm fine with it as long as folks refrain from attacking each other personally... er, with words. You know.

I spent my youth avoiding cops and trying not to get busted, mostly for drug-related offenses. I did some stupid shit and I was lucky to get away with almost all of it. As I have gotten older, and now that weed is legal here, I appreciate that there are cops of every race out there tonight putting their lives on the line to protect us and our way of life. One bad apple does not ruin the whole bunch. May they stay safe, use sound judgement, and prosper.

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Submitted by Oroborous on Sat, 05/30/2020 - 17:18

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DAVEROCK/6/14/91: well said my good man. All that was true and often the case, so nice read for someone who doesn’t normally listen to that era!

CHARLIE/VGUY: nice posts! And take that sweeeeettt High Lie bonus playing and do with it what Mickey said after Fare Thee well...put it in your heart, and hang onto it, and take it back out into the world.
EDIT: at a safe distance of course!

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Submitted by Dark-Star on Sat, 05/30/2020 - 17:28

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Both shows or 1 of the 2 LedDed? I haven't listened to that one in years . Nice preemptive shoosh.

MLB I hear you on some of the warts on DaP 30. Great stuff though anyway. I wouldn't throw it back in. It prompted today to be 1970 day for me. Speaking of which, KF doesn't switching the song order bother you when they start tuning up for one tune and then play something else?

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Submitted by daverock on Sat, 05/30/2020 - 17:38

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All the electronic gadgetry ( and the presence of Mickey Hart ) makes sense when we get to drums and space. Excellent Estimated Prophet, too, though...sorry to pick on Vince again... .. why make your keyboard sound like a sax? It seemed to be a bit of a thing for the Dead in the 90s, making your instrument sound like a different one. Seems very gimmicky now.

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Submitted by Oroborous on Sat, 05/30/2020 - 18:17

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As much as I USED to like to slag Vince;
1) as I’ve watched some of those videos over the years I’ve realized he could play and sing well, but like some of the other non-core members, they always seemed to push them into lead role/front man status, and imho that’s where the problem might be. Though sometimes he did look not very engaged.....and I don’t think I’ll ever have an affinity for long, long, long, long, long, long, long long, long, way to go home.....sorry...but I HAVE learned to appreciate some of his contributions. You wouldn’t think Jerry would of signed off if the guy couldn’t play.
2) Bob Bralove supposedly picked many of his sounds and Vince supposedly didn’t often have much control over any of it.
No I’ve really learned to appreciate some 91 and 92 shows. But whenever they had a big band it definetly could take more time to get the train rolling etc. prolly why I love late 71-74 so much. Lean mean Improvisational Jazz machine!
But as you’ve mentioned, once that big 91 train got rolling, look out! Whoo whoo!

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Submitted by Angry Jack Straw on Sat, 05/30/2020 - 21:10

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Electronic gimmickry. Exactly. Leave that to U2.

I have been saying that for years. Whether it’s Vince’s keyboards sounding like a saxophone or Garcia’s guitar sounding like a trumpet, none of it interests me. If I don’t see the actual instrument on stage, I don’t want to hear it.

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Submitted by jrf68@hotmail.com on Sat, 05/30/2020 - 23:17

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Does your way of life say that it's ok or normal to repeatedly kill innocent people for nothing? Yes? Then I guess they are protecting your way of life.
Fucking disgusting...
"and now that weed is legal here"=now that I'm not on their radar....better them than me.

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Submitted by Lovemygirl on Sun, 05/31/2020 - 01:53

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...wake up music picked by the crew aboard the shuttle just woke up the crew with their pick Of music to play which has been a NASA tradition since Gemini I believe. They chose a ,“Black Sabbath “! Song! Guess what song it was?! Very cool! The tune? "Planet Caravan" by ‘Black Sabbath’!
*** https://m.youtube.com/watch?v=_rfXkfeGi5k
* Behnken and Hurley are apparently big rock fans! Safe Journey my brothers!🙏❤️😎
*Also check out this ‘amazing Jam & ‘legendary line-up (musicians)! Love this !
https://m.youtube.com/watch?v=48UcXX3FAwI
** Legendary blues guitarist BB King performs jams with very special guests Slash (Guns n Roses), Derek Trucks (The Allman Brothers), Susan Tedeschi, Mick Hucknall (Simply Red) and Ronnie Wood (Faces) live at the Royal Albert Hall.

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Submitted by Colin Gould on Sun, 05/31/2020 - 02:21

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I try not to comment on politics since my own country is currently being run by a group of incompetents. However, in posts below a comment was made that one bad apple doesn’t spoil the bunch. That is exactly what happens unless you have procedures in place to remove the bad apples from the others. Those procedures need to identify and remove these bad apples, preferably before they infect the others (or kill someone). It is also necessary to ensure the bad apples aren’t able to just rejoin as police officers, something that can happen at the moment since sacking someone from the force doesn’t prevent them from rejoining.
Another poster said it was a fact that 80% of the protestors in Minneapolis were not from the area. I have no idea if this is correct but I have to ask where does this fact come from? It seems unlikely that the entire population of protesters were identified and while it is possible that a statistically significant, random, selection of protesters may have been canvassed about their origins I doubt it since the data would have had to be collected and interpreted in a very short time in very difficult conditions. I could imagine that the police might have the information on those protestors that they detained/arrested but this would not be a random group since they have, presumably, been picked out because of some anti-social/illegal behaviour.
Whatever, Stay safe and remember questioning the actions of your government is not unpatriotic. Let’s try not to go to hell in a bucket.
Last 5
Let pass my weary guiltless ghost - Magnus Granberg
Stimmung - Stockhausen
Live at Temple University - John Coltrane
Sunflower - Tom Rapp
Wrath of the math - Jeru the damaja

If one man commits murder while three of his colleagues stand by watching, it might be a good idea to review the whole system, as well as the individuals concerned.
Maybe I should also say, I am not for a minute forgetting the injustices evident in British society. We all have along way to go.

Stockhausen....there's a name to conjure with! His short electronic composition "Gesang De Junglinge" still sounds shocking today. I saw him live once, too. It was strange , as you might expect. He gave a short speech, which was so offensive he got booed off. They then dimmed the lights, we were advised to close our eyes, and it seemed as though they played the L.P of "Hymnen" in quadraphonic sound. Afterwards, there was an apology read out over the system, as apparently one of the speakers hadn't been switched on! You would never have known.

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Submitted by unkle sam on Sun, 05/31/2020 - 06:22

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old man get some soldiers, keep them close at hand
the seeds that were sown yesterday now flower in the land
guard yourself most carefully with military might
for plants that cannot bloom by day must flower in the night

last five
Ohio
Monster
Baron Von Tollbooth
For what it's worth
Volunteers

history shows this is not going to end well

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13 years 2 months

Submitted by JimInMD on Sun, 05/31/2020 - 07:54

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There's an old war saying, "first results from the field" are often wrong.

https://lawandcrime.com/george-floyd-death/jail-records-show-minneapoli…

Available data is showing in excess of 80% of the people in these protests are in-state residents. Those first reporting that 80% were from out of state are not proving to be correct and several redactions have been made from those first reporting these numbers. Most appear to be in city (Minneapolis).

I am not rushing to judgement on either side I doubt if I will. This is a complex and nuanced topic. Be careful, be kind be considerate.

Have a peaceful day out there folks. So much trouble in the world.

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Submitted by KeithFan2112 on Sun, 05/31/2020 - 08:52

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I like your new avatar / picture. The illustration is funny and the colors are cool.

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Submitted by Charlie3 on Sun, 05/31/2020 - 09:16

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...Oh Yeah, two wrongs don't make a right. So maybe, condemning the police who killed George Floyd really doesn't justify destroying the property, livelihood, and possibly the lives of innocent people who didn't kill anyone. If you feel it is justified, then I have to ask if you are volunteering your property and safety for destruction by a mob of angry people who want to inflict pain on you to remedy an injustice in which you did not participate or condone. Should each group riot and destroy when a member of their group is killed or injured by another? Is that really the path to harmony or is that just the retrograde idea of a blood feud coming back into vogue?

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