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    Friend of The Devils: April 1978 (Dead.net Exclusive) [19 CD]

     

    WHAT'S INSIDE:
    Curtis Hixon Convention Hall, Tampa, FL 4/6/78
    Sportatorium, Pembroke Pines, FL 4/7/78
    Veterans Memorial Coliseum, Jacksonville, FL 4/8/78
    Fox Theatre, Atlanta, GA 4/10/78
    Fox Theatre, Atlanta, GA 4/11/78
    Cameron Indoor Stadium, Duke University, Durham, NC 4/12/78
    Cassell Coliseum, Virginia Polytechnic Institute, Blacksburg, VA 4/14/78
    Huntington Civic Center, Huntington, WV 4/16/78

    Recorded By Betty Cantor-Jackson
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners By Author Steve Silberman
    Artwork By Acclaimed Artist Matthew Brannon

    Limited To 10,000 Individually Numbered Copies
    Dead.net Exclusive

    It’s been said before but April ‘78 was an incredible month for the Dead. Like May ‘77, you could throw a dart and guarantee you hit a stellar show. - KyloRensPecs, r/gratefuldead, Reddit

    .... April/May '78 has a lot of the same qualities of Spring '77 but with some extra edge and a much bigger sound from the Rhythm Devils. A really special era that often gets neglected. - viewtiful_alan, r/gratefuldead, Reddit

    Sportatorium - April 7, 1989

    when drums started I thought, oh s*#!, i hate drum solos and Billy and Mickey stopped me in my tracks. Wow, these guys are really good. Little did I know the pervasive influence this phenomena would have on my life. - pearlybakerbest, Dead.net

    Huntington Civic Centre, West Virginia – 16 April 1978

    This is another must-hear concert by The Grateful Dead. The sound and mix are almost ‘absolutely perfect'... It’s difficult to pick out highlights because everything is played so well; the band are tight, Donna is great and the set list is strong. - Grateful Ted, gratefulted.co.uk

    We're hitting the bullseye with the eight previously unreleased stellar shows that make up FRIEND OF THE DEVILS: APRIL 1978. Filled to the brim with peak performances from the Grateful Dead's post-hiatus period, this collection captures the historic tour where "Drums" begat "Space," morphed into "Drums">"Space" and cemented the Rhythm Devils' second-set power move from the music business to the "transportation business."

    Spring 1978 finds the Dead consistently weaving spontaneous magic, showing signs of great promise and potential - from the no-nonsense rock'n'roll in Tampa, where scholars cite the first "Drumz" leading into "Space," to the lengthy communal get down in Pembroke Pines to Jacksonville where the twain emerge fully formed, offering the primordial opportunity for "soul retrieval." It's evident in the dynamic range delivered on back-to-back nights at the intimate Fox Theatre and through the laid-back unity of the band's performance in Durham at Duke, a comfort that carries over to Virginia and West Virginia where the playing is unbridled, bursting with momentum, threatening to carry itself away. And nowhere can you hear that more clearly than through Betty Cantor-Jackson's original recordings, reliably crisp, bright, and vivid.

    Individually numbered to 10,000 copies and exclusive to Dead.net, FRIEND OF THE DEVILS: APRIL 1978 has been mastered by Audio Engineer Jeffrey Norman using Plangent Processes tape restoration and speed correction. Steve Vance designed the collection’s custom box, which features a removable wave drum. (We invite you to unleash your inner Rhythm Devil.) Acclaimed artist Matthew Brannon created the set’s original artwork. The collection also includes a 48-page book with original liner notes by author Steve Silberman and photos by James Anderson, Bob Minkin, and more.

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  • #491
    nitecat
    Joined:
    Travels in California

    On my way to and from Lake Tahoe this month, I passed Nevada County Fairgrounds, where I saw JGB and the Dead in 1983. I also passed Boreal Ridge Ski Resort, the home of the infamous " Worst Dead concert ever" in 1985. I recall the Fairgrounds being pretty pleasant, and the Ski Resort being a pretty rocky, dirty location. I don't remember the show being all that bad, but the boys did have several technical difficulties. I'd go back in a second.

  • #492
    JoeyMC
    Joined:
    What's the line on, on time…

    What's the line on, on time delivery?

  • #493
    JimInMD
    Joined:
    Re: Steve Silberman's Obit

    Nice Post Dr. Robert

    When I run that obituary through HowNow (C) TM, the proprietary software I wrote to get wordy musings through this website during the HeyNow period, it would have taken 6,234 separate posts to get the entire thing through without getting HeyNow'd. (unfortunate to see it get fixed the day my patent came through...argh)

    anyhow... I'd call that tremendous progress.

    A tip of the glass and a moment of silence for all those deadheads worldwide that we lost jumping off bridges, hanging from neckties, joining monasteries, becoming uber drivers, starting tech companies, worm farms, etc. during the dark period when HeyNow ruled the land. May the four winds blow you safely home.

  • #494
    boblopes
    Joined:
    Steve Silberman's Obit courtesy of David Gans

    Steve Silberman’s vocation as a Grateful Dead scholar and writer began organically, on a blanket on the grass at a concert in the sun. He happened to sit next to Blair Jackson and Regan McMahon, publishers of “The Golden Road,” an essential fan magazine.
    “Steve wasn’t just a fan who ran off at the mouth about how many shows he had seen,” recalled McMahon of that chance meeting. “He had all these layers of spiritual and countercultural depth.
    Everything he said about the Grateful Dead was intellectual and perceptive and poetic.”
    By the end of that afternoon, Silberman had been invited to contribute an article to “The Golden Road” and that led to the high honor of writing liner notes for albums and box sets, and ultimately co-authoring the episodic glossary, “Skeleton Key: A Dictionary for Deadheads.”
    Silberman was known for wearing a custom T-shirt to a Halloween show bearing the message “Your Hallucinations Are My Costume,” and for his skill at putting cultural, scientific and medical complexity into common language, which he did during decades as a science journalist and in his 500-page treatise, “NeuroTribes: The Legacy of Autism and the Future of Neurodiversity” published in 2015.
    He spent four years on that project, followed by six years becoming an expert on cystic fibrosis. An upcoming book titled “The Taste of Salt,” was scheduled for publication in 2026. Silberman was to Silberman Chronicle obit.rtf the point of submitting chapters to his editor when he died suddenly at his home in San Francisco on Aug. 29. Cause of death was an apparent heart attack, said his husband Keith Karraker.
    “Steve lived an exciting life and wrote a book that changed the world,” said Karraker. “He could walk into a grocery store and make a friend for life with the counter guy, just from commenting on the music playing on the stereo.”
    Silberman also made friends for life by starting and maintaining a Facebook group titled “Cole Valley, a Not-So-Secret SF Neighborhood.” It has 8,000 members, including his sister Hillary Shawaf and mother Leslie, both of whom moved here from the East Coast based on Silberman’s recommendation.
    “He just loved this beautiful small-town neighborhood on the N Judah line,” said Karraker, a high school chemistry teacher. “Steve created a town square for the neighborhood,” added his sister. “One of the greatest talents he had was keeping it civil.”
    Silberman spent many years as an editor and writer for Wired magazine, but perhaps his greatest creative outlet was the Dead, having seen his first Dead show in 1973 at Watkins Glen, N.Y. He also developed an expertise on Crosby, Stills, Nash & Young and became a close friend and confidante of the often-difficult David Crosby. He wrote the liner notes for the Crosby-Nash live album “Another Stoney Evening,” released in 1998, and the 50th anniversary edition of Crosby’s solo debut “If I Could Only Remember My Name,” from 1971.
    “He understood people,” Shawaf said of her brother. “Making human connections was his life blood. When he walked down the street people approached him constantly.”
    After the death of Jerry Garcia, in 1995, Silberman wrote an essay called “The Only Song of God,” that was originally published in Dupree’s Diamond News. In it, Silberman described walking by the Henry J. Kaiser Auditorium in Oakland after Garcia’s death, where he estimated he had seen 40 of the 56 shows the Dead played there, often on weeknights when only the cognoscenti came.
    Silberman in an undated photo at the Oakland home of Regan McMahon and Blair Jackson, publishers of “The Golden Road,” an essential Grateful Dead fan magazine. He met them at a concert and soon became a contributor.
    “If you weren’t from the Bay Area, after three or four shows at Kaiser, eventually, you’d move here,” wrote
    Silberman, who had followed that migration himself, though he had the extra incentive of earning a master’s degree in English literature at UC Berkeley.
    His tryout with “The Golden Road” explored the connection between the Beat anti-hero Neal Cassady and the Grateful Dead, a connection that the band’s historian and publicist, Dennis McNally also visited in his biography of Jack Kerouac.
    “Steve was always willing to chat about some angle of the 60s music scene in general and was a very reliable source,” said McNally. “What he said was trustworthy.”
    Stephen Louis Silberman was born Dec. 23, 1957 in Ithaca, N.Y. His father, Donald, was an English professor at Queensborough Community College and an anti-war activist, as was his wife, Leslie Hantman.
    “We saw my parents get arrested and be led away in handcuffs,” said Shawaf. “My dad did 11 days at the Queens Detention Center.”
    Silberman’s first literary goal was to be a poet and he had success in sixth grade with a poem called “the
    Math Battle.” It began, “Cubes are swirling through my head, π’s attack me in my bed,” and built enough momentum to win a poetry competition sponsored by Fordham University. That became his first published work. Silberman attended John P. Stevens High School in Edison, NJ., and gave a graduation speech in 1975, declining to cut his shoulder-length hair for the ceremony.
    Seen here in an undated photo, Silberman helped author David Gans write a collection of reminiscences about Jerry Garcia, the Grateful Dead co-founder and guitarist.
    “He was a magnificent human being,” Gans says of Silberman.
    By then he was already a Deadhead, having attended his first show and begun a live concert tape collection that was to include “tons and tons and tons of tapes,” said his sister, “and some very obscure ones.” He had also come out as gay, which was not immediately accepted.
    “My parents reacted very badly. It took some years for them to come around,” Shawaf said.
    He attended Oberlin College in Ohio, and his slow migration west began with a position as a teaching assistant for Beat poet Allen Ginsberg at the Naropa Institute in Boulder, Colo. Silberman planned to continue as a poet himself until his father, the English professor, advised him that “he was better at prose and would reach more people that way,” said his sister.
    He also reached people by helping them with their own writing. After Garcia’s death, David Gans, who has published five books about the Grateful Dead, was having trouble putting together a collection of reminiscences. When he told Silberman of his struggles over the phone, Silberman immediately drove from San Francisco to Gans’s home in Oakland, read through Gans’s essay, tore it apart and restructured it for him.
    “That was one of dozens of times Steve improved my work with his generosity of spirit and his wisdom,” said Gans. “I know dozens of other people who were similarly blessed with Steve’s generosity. He was a magnificent human being.”
    Later, Silberman, Gans and Blair Jackson co-produced. “So Many Roads 1965-1995,” a five-CD box for which Silberman wrote an essay. He also appeared on camera in the 2017 documentary “Long Strange Trip.”
    Silberman on vacation in Europe in 2023. “He really brought empathy and compassion to a topic that had only been covered negatively in the press,” says Shannon Rosa, whose son Leo was featured in Silberman’s book about autism.
    “There are Deadheads who are extreme but Steve had a historic overview that made his observations sensible and a little more grounded than some,” said McNally.
    Silberman’s expertise on autism began when he was working at Wired and got a tip that there was a spike in diagnoses of the developmental disorder in Silicon Valley. This became an article called “The Geek Syndrome,” published in 2001, and greatly expanded in “NeuroTribes: The Legacy of Autism and the Future of Neurodiversity.”
    “Steve’s book gave hope to a lot of families like ours that had only had messages that our lives would be one of doom and gloom,” said Shannon Rosa of Redwood City, whose son Leo is featured in the book.
    “He really brought empathy and compassion to a topic that had only been covered negatively in the press. I
    can’t tell you how many families I’ve heard from whose lives have been changed for the better because Steve showed us with compassion, not pity.”
    That came through in everything Silberman wrote, especially the essay on seeing the Dead at Kaiser Auditorium.
    “At shows in those years, up at the front on ‘the rail’ where you could observe the musicians at work, the crowds could get so dense on a Saturday night that you would lose your footing,” Silberman wrote in Dupree’s Diamond News. “But if you relaxed, you could nearly float, like a cell in a bath of nutrient, the rhythms coming to you as a gentle push in one direction, then another...”
    “It was one of the safest places in the world.”

  • #495
    daverock
    Joined:
    Rip this joint gonna get down low.

    51 years ago tonight I saw The Stones for the first time. I can remember wondering if they would be any good - Mick Jagger had just turned 30, and they seemed like a bit of 60's throwback. Perish the thought. I only new about 25% of the songs - I'd never heard either Let It Bleed or Exile on Main Street but it mattered not a jot. It was incredible. I have just been listening to "The Brussels Affair" double album from the same tour, and featuring the same songs. One of the best live albums of all time.

    I don't think I've ever seen a hummingbird. In Lowestoft we have great big seagulls - I swear they are getting bigger every year - and during summer, if anyone eats food on the seafront they sometimes swoop down and take it out it out of their hands. It looks great, the surprise on the people's face when it happens. The most rock n' roll bird I have seen.

  • #496
    itsburnsy
    Joined:
    Hummingbirds

    Stupid bear kept raiding my bird feeder so I had to very begrudgingly get rid of it. In the summer I got birds from as far as S America heading for AK. Now all I can do is have a Hummingbird feeder, which is cool, but I never seem to have more than one regular at a time. Right now he's green with a red head, the second, not sure what happened to the first. Read somewhere that they are the most territorial birds of all, maybe that's why I only get one at a time? Anyway, they are fascinating little guys aren't they

  • #497
    billy the kiddd
    Joined:
    Happy Birthday Mickey Hart

    Joan Baez sang Mickey Hart Happy Birthday before the start of 9/11/81 at the Greek. They brought a big birthday cake out on stage. My favorite Grateful Dead years were when Mickey Hart was in the band.

  • #498
    RyXs
    Joined:
    Belated Wishes

    R.I.P. Steve Silberman

    Happy B~Day Mickey Hart

    Can't wait to bang along with Mick & Bill on that wave drum when it gets here!

  • #499
    JimInMD
    Joined:
    Re: Hummers

    Love our Hummingbirds. They are still alive, well and fighting over the food in the three feeders here, but not for long (again except for the stragglers that are migrating).

    Don't know any GD references for Hummingbirds, but I bet there is at least one. The closest I can come is the Nuthatch. A tiny bird, wings a mile long? I guess you wouldn't need binoculars looking for the Hunter Nuthatch.

    Eyes of the World:
    Wondering where the nut-thatch winters
    Wings a mile long just carried the bird away

    Love that lyric full of whimsical imagery.

    Love that song, sometimes it feels like it was written about any one of us. A song with hope for tomorrow. Hope that what we do makes a difference and than any one of us can and does make the world a better place.

    Listening to it can completely change my mood and turn a shit day into something meaningful. Come to think of it, a charm of Hummingbirds can do the same. (they call a group of hummingbirds a charm, how apt)

    Favorite Eyes of the World, impossible to pick. Louisville 6/18/74 and Winterland 10/19/74 are both standouts, but there are many post hiatus, with Brent and beyond Brent hold their own amongst the giants.

    Two weeks until the box? I guess that will have to be ok.

    Where do nuthatches winter? It's a trick question, if there's ample cones and food they probably won't migrate at all. (at least here in the mid-Atlantic)

  • #500
    1stshow70878
    Joined:
    Hummers Etc.

    The wife gets the hummingbird close-ups as she is a natural strawberry blonde. Here in W. Colo. they are mostly gone and the few migrators we have are young ones, mostly Black Chinned and Rufous with the occasional Broad Tailed that make the most noise in flight because of that tail. The Rufous are very territorial and come late in the season. This year they stayed for shorter periods. Usually dominate the feeder for weeks at a time but not this year.
    Putting out the flag today, a somber remembrance.
    Also my deadnet anniversary. Thanks to all.
    Can't wait for '78! Two weeks!
    Cheers

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Friend of The Devils: April 1978 (Dead.net Exclusive) [19 CD]

 

WHAT'S INSIDE:
Curtis Hixon Convention Hall, Tampa, FL 4/6/78
Sportatorium, Pembroke Pines, FL 4/7/78
Veterans Memorial Coliseum, Jacksonville, FL 4/8/78
Fox Theatre, Atlanta, GA 4/10/78
Fox Theatre, Atlanta, GA 4/11/78
Cameron Indoor Stadium, Duke University, Durham, NC 4/12/78
Cassell Coliseum, Virginia Polytechnic Institute, Blacksburg, VA 4/14/78
Huntington Civic Center, Huntington, WV 4/16/78

Recorded By Betty Cantor-Jackson
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners By Author Steve Silberman
Artwork By Acclaimed Artist Matthew Brannon

Limited To 10,000 Individually Numbered Copies
Dead.net Exclusive

It’s been said before but April ‘78 was an incredible month for the Dead. Like May ‘77, you could throw a dart and guarantee you hit a stellar show. - KyloRensPecs, r/gratefuldead, Reddit

.... April/May '78 has a lot of the same qualities of Spring '77 but with some extra edge and a much bigger sound from the Rhythm Devils. A really special era that often gets neglected. - viewtiful_alan, r/gratefuldead, Reddit

Sportatorium - April 7, 1989

when drums started I thought, oh s*#!, i hate drum solos and Billy and Mickey stopped me in my tracks. Wow, these guys are really good. Little did I know the pervasive influence this phenomena would have on my life. - pearlybakerbest, Dead.net

Huntington Civic Centre, West Virginia – 16 April 1978

This is another must-hear concert by The Grateful Dead. The sound and mix are almost ‘absolutely perfect'... It’s difficult to pick out highlights because everything is played so well; the band are tight, Donna is great and the set list is strong. - Grateful Ted, gratefulted.co.uk

We're hitting the bullseye with the eight previously unreleased stellar shows that make up FRIEND OF THE DEVILS: APRIL 1978. Filled to the brim with peak performances from the Grateful Dead's post-hiatus period, this collection captures the historic tour where "Drums" begat "Space," morphed into "Drums">"Space" and cemented the Rhythm Devils' second-set power move from the music business to the "transportation business."

Spring 1978 finds the Dead consistently weaving spontaneous magic, showing signs of great promise and potential - from the no-nonsense rock'n'roll in Tampa, where scholars cite the first "Drumz" leading into "Space," to the lengthy communal get down in Pembroke Pines to Jacksonville where the twain emerge fully formed, offering the primordial opportunity for "soul retrieval." It's evident in the dynamic range delivered on back-to-back nights at the intimate Fox Theatre and through the laid-back unity of the band's performance in Durham at Duke, a comfort that carries over to Virginia and West Virginia where the playing is unbridled, bursting with momentum, threatening to carry itself away. And nowhere can you hear that more clearly than through Betty Cantor-Jackson's original recordings, reliably crisp, bright, and vivid.

Individually numbered to 10,000 copies and exclusive to Dead.net, FRIEND OF THE DEVILS: APRIL 1978 has been mastered by Audio Engineer Jeffrey Norman using Plangent Processes tape restoration and speed correction. Steve Vance designed the collection’s custom box, which features a removable wave drum. (We invite you to unleash your inner Rhythm Devil.) Acclaimed artist Matthew Brannon created the set’s original artwork. The collection also includes a 48-page book with original liner notes by author Steve Silberman and photos by James Anderson, Bob Minkin, and more.

Bummer. You don't have the 1976 one do you? For some reason I didn't want that one when it came out....and when I changed my mind, it had gone. Bit of a cautionary tale there.

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Submitted by PT Barnum on Tue, 08/06/2024 - 05:47

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live in a state where it is illegal for a doctor to prescribe opiates any longer than 7 days. They are so worried about "drugs" that they take away from any and all who may actually need these medications. I live in a state where the conservative's rule, and let me tell you, it's not kind, not at all.
I have a great vascular surgeon who has completed this kind of surgery many times so I am in good hands, well, as good as one could hope anyway, also the VA hospital just received a 5 star rating and have always been given great care there for the 12 years I have been going there. Can't expect too much more than that.
Yes, us deadheads are experienced "druggies" and I do have quite a resistance to pain meds, also I am a redhead and studies have suggested that "gingers" need more medication to stay out than non-redheads, I read that somewhere and it seems to be true, with me anyway.
When I had my last colonoscopy, I was given meds that did not put me under, so when they started the procedure, I was not out enough, and I was "uncooperative" and they could not do the procedure. Had to do the whole procedure over again on another day, which meant having to "cleanse" again, no fun. The second time they gave me a shot and I remember the initial rush, and a big smile I gave the anesthesiologists then, nothing until I woke up in recovery, early still. I will definitely mention this to the nurses. but hopefully they have read my history chart and are all ready for that with extra if I need it.
Would love it if they asked me if I wanted morphine to go home on, but I doubt that will be the case, but fun to hope for :).
Was told by the surgeon that epidural would be used for pain, and nurse said I would be out for entire operation, will be on a ventilator and nurse said my lungs will love the break from having to work during the operation, and a catheter inserted so won't have to get up for a while right after the operation.
Probably too much information there, and I really appreciate all the thoughts, comments and well wishes from everyone. Thanks again
51 in the house, Dennis set me up with a trove of listening projects while I am in the hospital, so I am ready, well, as ready as I can be. "The waiting is the hardest part"

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3 years 4 months

Submitted by jjc on Tue, 08/06/2024 - 06:49

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I had a colonoscopy and the doctor told me afterwards I kept waking up so they had to administer more meds than most and I laughed and said I guess I was not a cheap date LOL.... You are going to rock this brother, no other way you are a deadhead. Best of luck brother, look forward to hearing all about it. Peace

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16 years 9 months

Submitted by jamiers on Tue, 08/06/2024 - 07:35

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I get on here and we're talkkng about Colonoscopies, doctors, pain meds and 1976 box sets? Like the old folks home.
Anyone else find it peculiar or weird i.e irritating that on the 50th anniversary of 1974 we get - "ker-plunk" - as good as it is, a 1978 box, not a 1974 box? I mean. Not even a 1974 dave's picks release? Just bizarre. 1978? These are incredible shows from April of 78 but...the 50th anniversary? Seems like a giant lost opportunity. I think Dave has Aspergers or something. Just 'off'. Sync in bro. Sync. In.

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Submitted by daverock on Tue, 08/06/2024 - 08:21

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Jamiers - I was listening to Dicks Picks 31 this morning - the 4th cd featuring tracks from 8/6/74. Truly amazing Eyes, Playing - Scarlett - Playing. The rest of the show later on a ...say it quietly...bootleg. But I agree, 1974 is a great year, only honoured so far by the re-release of Mars Hotel with it's attendant show. And Dicks Picks 12 on vinyl.

But nothing wrong in talking about health or medication, both of which crop in conversations with most people at my time of life. As opposed to PT's State, opiates - or more precisely - opioids- can be prescribed long term. But cannabis is still illegal, and last month I was advised to give up caffeine. I do cheat - in fact I had some about half an hour ago. Motorhead - alright.

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Submitted by Gary Farseer on Tue, 08/06/2024 - 08:52

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MMMMM - in moderation.

PT - The laws concerning opioids, I think, has made it where docs shouldn't provide over 7 days (depending on state you live - not even sure that is correct.) That will have nothing to do with how long you will be on them. They just want a 7 day check post surgery. Dont know the time schedule at all, but if you are home by 7 day period you will still be in rehab/physical therapy. The doctor may need to see you after 7 days, but I believe you will receive an assessment at home by a qualified nurse or PT. Remember this, if you report bad pain, they will help. Everyone has pain thresholds, be honest with pain reporting on the 1-10 scale.

Both of my parents passed away in the last few months. Technically, they would have died by opioids. When you are that old, the system knows there will be pain. They will provide opioids to make passing more comfortable. Not going to get into it here, but I had to work with my sister on both of their passing.

I agree, not having a 1974 box was a loss - even if it had been a smaller box, say 4 shows. Maybe as the box ships we will have rave reviews and turn the tide of nursing home talk.

Again, just one guy's opinion.

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Submitted by ronmarley1 on Tue, 08/06/2024 - 09:45

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PM sent

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Submitted by simonrob on Tue, 08/06/2024 - 10:09

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... regarding the packaging of the Friend of the Devils box, but I somehow doubt it. The desire to win awards seems too strong, with the result that we frequently get boxes in absurd packaging and frequently in weird formats. This time we're going to get a drum included. Wow! We will be able to play along with Rhythm Devils! Join the band. Maybe some people like this sort of thing, but I was happiest with the Fillmore West 69, Winterland 73 and 77 and RFK Stadium 89 boxes. More than that seems excessive.

On the endlessly fascinating subject of colonoscopies, I am astonished to read that most, if not all recipients of this invasive examination are anaesthetised for the procedure. I have such examinations every few years and have always remained wide awake throughout. That way, one can watch the monitor and follow the progress of the endoscope as it makes its way ever further onwards. Luckily I have never seen the back of my teeth during the procedure. Another advantage of being med-free is that I can drive home as soon as the examination is finished, I'm dressed and have consumed the sandwich and cup of tea offered. Of course, real men don't do anaesthetics.

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Submitted by Oroborous on Tue, 08/06/2024 - 10:50

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I here ya Hoss.
But besides last years HCS 73 box, I don’t think they’ve ever done any anniversary boxes. I think overall that’s good, not predictable that way. But I also think it’d be appropriate for certain years, like 74!
Maybe don’t want to run out of 74 shows since Dave was talking 20 more years…
Really curious about 60th next year?

And topics lol, well we do like to freak freely here, for good or for Ill ; )
Personally, I love all the stuff we get up too. I’ve learned more about topics both cool and otherwise from rapping here with our little family. Especially Jazz! My collection is infinitely better thanks to the kind and knowledgeable folks here.
And let’s face it, most of us ain’t getting any younger, and the support of our DH brothers and sisters is a special part of our community.
See, this place isn’t just a fan site. Sometimes it’s much more…which is nice!
So jump on in, the waters nice!

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Submitted by Gary Farseer on Tue, 08/06/2024 - 11:13

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Let the Music pull You In...

Anyone know that one?

Listened (recorded) live over the weekend.

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4 years 3 months

Submitted by proudfoot on Tue, 08/06/2024 - 12:21

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in 86 I was working at a restaurant as a prep cook. Got severely scalded. OUCH. Two weeks in burn unit.

Dilaudid was prescribed. Me on that med: "Burns? What burns?"

The Munsters on telly was REALLY funny.

A commercial for chocolate chips and "lumpy bumpy cookies" had me laughing real good.

After discharge I was prescribed some med (not Dilaudid). Being at home was a lot less fun; and, they wouldn't re-up the at-home med. "Tylenol for you, bro." Bruh...

edit: "some med" was codeine, I believe.

All the best wishes for your procedure PT. A couple years ago, had to have four procedures within six months in the middle of covid, great docs, nurses and hospital key but I did begin to wonder why they kept inviting me back. They no longer provide the good pain meds to take home thanks to the Sacklers. Reading Phil's book finally, glad to see his references to Coltrane, how Dizzy Gillespie and Charles Mingus came to primal shows in the 60s. Moving from bluegrass phase to jazz, will hear Ray Vega this evening outdoors, Saturday afternoon, jazz by some old masters at a local church and later that evening, Coltrane's Love Supreme, by a trio in another church just up the road. Ron Miles last album Old Main Chapel is on the way, (his trio with Brian Blade and Bill Frisell). Frisell is about to start a long run at the Village Vanguard in NYC, for those within range. Then he will appear at the DC Jazzfest at the end of this month along with an incredible array of jazz greats.

Oro - Well said. A lot of great discussions here, on literature, the making of sound (something you are well versed in), art, aging, you name it. I cannot even list the number of albums I’ve bought based on recommendations here.

DCMVT - Great choice on the Ron Miles release, it’s a good one, and Frisell is his usual brilliant self on it. Anything by the late Ron Miles is worth listening to in my book, as his trumpet playing was understated, yet masterful. I am a fan of a lot of country, bluegrass, and hybrids (like country rock), but jazz is really special. I owe the Dead a big debt (among others, like Steely Dan) for opening the door to Jazz for me, or at least listening to different styles with an open ear.
To quote Mr Ones, “Music is the best”!

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Submitted by Gary Farseer on Tue, 08/06/2024 - 14:51

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most of the time.

Saw him twice 38 years ago, Friday and Saturday Night (August 29 and 30 1986), at the Blue Note Greenwich Village Manhattan.

He and his band cooked.

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Submitted by daverock on Wed, 08/07/2024 - 00:18

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That's very kind, thankyou very much - I've just sent a PM. Sorry I didn't respond yesterday - we had a power cut.

I prefer a sensible sized box. They could send the little drum separately.

Mention of Dizzy Gillespie leads on to Charlie Parker - far and away my most listened to jazz musician over the last year or so. Bebop isn't my first language by ant stretch of the imagination - but this music is dazzling. The studio cuts on Savoy and Dial records are always the ones recommended. The live ones feature more stretching out, but sound quality isn't up to today's standards. In some cases, though, that actually adds to the enjoyment. Listening to Dizzy Gillespie and Charlie Parker at The Town Hall NYC 6/22/45 you can sometimes hear the crowd and the glasses tinkling in the background. Like being in a nightclub in the 1940's. Weird.

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Submitted by jjc on Wed, 08/07/2024 - 05:37

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Vguy billy and trey just tore the roof off the place last night. I am still on that high!

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Submitted by JoeyMC on Wed, 08/07/2024 - 07:30

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I'm sure you know the June 1976 box is still available digitally?

I really think they need to start to include a digital version of the liners. I bought this April '78 box without much thought, but I think It's time I start to seriously consider digital. I used to enjoy the process of opening and ripping and curating, ect... but I think it's getting to be a bit much. Another 19 discs is pretty big right now...

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Submitted by daverock on Wed, 08/07/2024 - 10:57

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Yes, thanks, but I think it was Cnkd that pointed that out to me recently. I'm a bit of a luddite, unfortunately. I have bought very few downloads - I got most of The Dead single show downloads that came out pre Daves Picks, but I burned them to cds and have only ever listened to them like that. I really should find a way to link my laptop to my speakers and "smart" telly. But I have been saying that for years.
I do like the physical objects, with the books etc. The recent vinyl editions of shows, even though they are of shows I already have - for the most part, have been my favourite Dead purchases in recent years. The Dead at The Lyceum in 1972 being the jewel in the crown.

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Submitted by itsburnsy on Wed, 08/07/2024 - 12:05

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Glad to see people talking about Frisell, the album w/ Ron Miles is terrific. Local Sea boy, still plays some small venues around town. Nashville, and Gone, Just Like a Train are two of his best albums if you want to explore a new jazz guitarist. For something more strange, he did this album Lagrimas Mexicanas, and that she-ite kicks ash. If you can swing it, his shows never disappoint....

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Submitted by Slow Dog Noodle on Wed, 08/07/2024 - 14:09

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One more to mention for Bill Frisell. Check out The Gnostic Preludes. Some of the most relaxing hypnotic stuff you'll ever hear. One of my desert island picks.

On the fence about this box set. I'll probably end up grabbing one though. That summer 78 box is very good.

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Submitted by icecrmcnkd on Wed, 08/07/2024 - 16:21

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I think that the June 76 Box files are 24/196, which you can’t burn to CD.

Get a DAC Magic if you are going to connect your computer to your stereo.

Or get a portable music player that takes microSDXC cards, put the music files on the card, then connect the music player to the stereo.
MicroSDXC cards are pretty cheap now.

I have Hidizs and iBasso music players, and a 1TB card that holds my entire collection of commercially released music in ALAC format, and is only half full.
I connect the iBasso to a DAC Magic 200 which connects to a AXR100 receiver.
Sounds great and my entire collection is right there.

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Submitted by RyXs on Wed, 08/07/2024 - 21:09

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Wowza! One thing to me is clear from listening to the sample sound check. These {FL trips} are indeed a bunch of Mick & Bill shows! Gotta love it! Very heavy on the percussion with the drum "rolls" baked in liberally throughout the songs. Couple that with some of the "popcorn" high hat stuff ala Dap45 and you've got a pretty heavy carbs set. {All I.B.S. joking aside} Very common in that late 1977 into 1978 era. I look forward to getting the preorder as fast as I can gather up the (k)needed dough!

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Submitted by Danehead on Wed, 08/07/2024 - 21:56

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Daverock.. I have an old (Japan) cd (1986) of Dizzys C.P. memorial concert from 1965 - really great - all-star-line-up.. Worth looking for.. Also great; Gillespiana from around the same time on Verve..

Interview in Rolling Stone October 7, 2019, Frisell talks about his discovery of then current music, late 60s, Hendrix and Cream, not knowing he would later play with Ginger Baker and Charlie Haden later on, what that was like. If I could get down to the city, hit the Village Vanguard. The range and depth of his opus, who else does that. Instead maybe DSO at Deerfield. Lucky to catch Dizzy in the early 70s at his mainstay Blues Alley in DC.

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Submitted by That Mike on Thu, 08/08/2024 - 07:08

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I would add to the previously mentioned noteworthy releases by Frisell - Nashville and Gone, Just Like A Train - two of my personal favourites, The Willies, and Guitar In The Space Age. The latter includes his take on the Kinks’ “Tired Of Waiting For You” that is otherworldly, IMO. Also, he is like Jim Keltner, a guy that has played on so many sessions by other artists, he pops up in your collection in the strangest of places. His various work on numerous Ron Miles albums are fantastic, but the list is long, you’ll find one you like.
I wonder what a guy like Frisell would have sounded like with Jerry. If Garcia could play so masterfully with a real “out there” jazz icon like Ornette Coleman (“Virgin Beauty” features Jerry prominently on three tracks and is a must-own), he would have fit like a glove with Frisell.

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Submitted by rasta5ziggy on Thu, 08/08/2024 - 11:00

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I would not know a Phish song from a fish fry, but I do check out their setlists because they occasionally throw in a VU/Lou Reed song. I also love Andy Griffith and saw they did a song by The Darlings (Dillards) in Grand Rapids. This doesn't seem to be a song The Darlings performed on the AG Show. Unless they did it while off set enjoying some of Helen Crump's fine homegrown.

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Submitted by Oroborous on Thu, 08/08/2024 - 11:47

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First, hoping our brother PT is having a good trip and everything is A ok!

Speaking of Frisell and Ron Miles. Need some, getting to be time for some new Jazz (new to me that is). So, expert panel, how bout listing your top recommendations for each artist, separately or together.
Don’t necessarily have to give explanations, just a list of…
Please keep in mind if it’s still available etc
Thanks!

Hell, while we’re at it, how bout some other piano jazz?
Have a nice bit of Bill Evans, which we really like.
Like Bop, but more so BITD, now grandpa digs the weird mellow stuff.
Burton/Corea Duet has been getting lots of play lately, for example…

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Submitted by Gary Farseer on Thu, 08/08/2024 - 12:36

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Helen's Homegrown.

Recently re-acquired the Marijuana Grower's Guide. I had it in the 80's, loaned it to a friend, never saw it again.

There is a specific technique within the book that will fit me perfectly.

Not sure how long it will take to read, understand, grow. Too many pots in the fire right now.

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10 years 3 months

Submitted by daverock on Thu, 08/08/2024 - 12:49

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Thanks for the note about the 1976 box, Cnkd. Looks like I've got some catching up to do when it comes to tech and sound systems.

Danehead - thanks also for the tip about the 1960's Dizzy Gillespie albums. I've only heard his music from the 1940's and early 1950's, which is high flying. If I was to make a recommendation from those years - one featuring Charlie Parker - the live "The Quintet at Massey Hall" would be a good one. Features other top players from the era. Explodes with energy.

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Submitted by That Mike on Thu, 08/08/2024 - 12:51

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Oro - If you like piano jazz, I recommend the following:
Chick Corea - “Now He Sings Now He Sobs”; “Trilogy” (3 CD); “The Musician”
Keith Jarrett - “The Koln Concert” (his masterwork). Big fan of this guy, but his best stuff is with his trio of Jack DeJohnette and Gary Peacock. A good one to start there is “Keith Jarrett At The Blue Note” (the single cd release. There is also a box set, but try this first)
McCoy Tyner - “The Real McCoy”
Bill Evans - “Everyone Digs Bill Evans”
Christian McBride Trio - McBride is a bassist (plays on Correa’s Trilogy), but he fronts a number of bands, like this trio, and their album “Out Here” features a real hot shot pianist named Christian Scott, and is a decent listen.
PS -Our very own Bruce Hornsby is a remarkable jazz pianist. He released a jazz album with Jack DeJohnette and Christian McBride (the Jazz world is a small world!) called “Camp Meeting” that is not half bad for a part time Dead member!
That’s a good start on piano jazz, but I’m sure there will be a million more good recommendations.
I’d U Boob them to give them a trial run, see what you think.
Enjoy, bud.

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Submitted by TN John on Thu, 08/08/2024 - 15:23

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I just recently got the MSG box and the River box, and am enjoying both of them thoroughly. I think you'll enjoy the MSG box Thin. The sound is not as good as the Betty's in the June 1976 box, but it still sounds good and the shows are amazing.

Peace

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17 years 5 months

Submitted by L. Mo. on Thu, 08/08/2024 - 15:24

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So how many aud patches Dave? My soundboard of 4/16 has a cut in Minglewood and one in Samson. How many others? And don't you think you ought to be honest and tell us?

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Submitted by unclejohng on Fri, 08/09/2024 - 10:24

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Saw Christian McBride here in Denver not that long ago. He had a young set of folks playing. I liked that dynamic of giving them a platform. Nobody mentioning Oscar Peterson. I just think he’s fun once in a while.

a few more to check out, styles vary: Paul Bley, Enrico Pieranunzi, Fred Hersch, Kenny Barron, Steve Kuhn, Bill Charlap, Vijay Iyer, Kenny Werner, Brad Mehldau... some further "out" than others, stream on. Herbie Hancock. McBride is coming back in April, fortunate to see him play at Dartmouth with Chick Corea and Brian Blade. Article in today's WaPo on Zappa family history/legacy... had no clue that Tipper Gore jammed with them.

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Submitted by Dennis on Fri, 08/09/2024 - 12:11

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Don't know if mentioned (or if I have already), but,

Nat King Cole, people generally think of his singing, but I heard once he was Downbeat's player of the year for 10 years.

All his stuff is great, listening to his late 30's work right now.

If you're only gonna buy one, get "The After Midnite Sessions". GREAT

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Submitted by Colin Gould on Fri, 08/09/2024 - 12:25

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I recommend Keith Tippett. Discus Records have several albums that you could check out on Bandcamp.

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Submitted by jonathan918@GD on Fri, 08/09/2024 - 13:42

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It's been nice seeing some love for this box lately.

Stellar shows

To those just picking this set up, you won't be disappointed!!

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4 years 1 month

Submitted by Crow Told Me on Fri, 08/09/2024 - 18:10

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So many great suggestions for jazz piano already, but unless I'm mistaken nobody has mentioned the all time heavy weight champ: Thelonious Monk!

Maybe because a lot of people think of Monk more as a great composer (which he certainly is) than a great pianist (which he definitely was). I think the same happened to Duke.

Anyway, please check out the live album with Coltrane from Town Hall. And everything else with Trane. And everything he did with Art Blakey. That'll get you started.

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3 years 9 months

Submitted by RyXs on Fri, 08/09/2024 - 22:30

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Not the food kind of course! But anyways,... Yeah since we're raving about the Garden I've gotta chime in affirmation with others for 3/10~1981, great show. Though I would add 9/20~1982 as a personal favorite, especially for an underrepresented year. Great box set, with a big 'Deal' 1981 & good 'Shakedown' 1982.

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