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    Friend of The Devils: April 1978 (Dead.net Exclusive) [19 CD]

     

    WHAT'S INSIDE:
    Curtis Hixon Convention Hall, Tampa, FL 4/6/78
    Sportatorium, Pembroke Pines, FL 4/7/78
    Veterans Memorial Coliseum, Jacksonville, FL 4/8/78
    Fox Theatre, Atlanta, GA 4/10/78
    Fox Theatre, Atlanta, GA 4/11/78
    Cameron Indoor Stadium, Duke University, Durham, NC 4/12/78
    Cassell Coliseum, Virginia Polytechnic Institute, Blacksburg, VA 4/14/78
    Huntington Civic Center, Huntington, WV 4/16/78

    Recorded By Betty Cantor-Jackson
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners By Author Steve Silberman
    Artwork By Acclaimed Artist Matthew Brannon

    Limited To 10,000 Individually Numbered Copies
    Dead.net Exclusive

    It’s been said before but April ‘78 was an incredible month for the Dead. Like May ‘77, you could throw a dart and guarantee you hit a stellar show. - KyloRensPecs, r/gratefuldead, Reddit

    .... April/May '78 has a lot of the same qualities of Spring '77 but with some extra edge and a much bigger sound from the Rhythm Devils. A really special era that often gets neglected. - viewtiful_alan, r/gratefuldead, Reddit

    Sportatorium - April 7, 1989

    when drums started I thought, oh s*#!, i hate drum solos and Billy and Mickey stopped me in my tracks. Wow, these guys are really good. Little did I know the pervasive influence this phenomena would have on my life. - pearlybakerbest, Dead.net

    Huntington Civic Centre, West Virginia – 16 April 1978

    This is another must-hear concert by The Grateful Dead. The sound and mix are almost ‘absolutely perfect'... It’s difficult to pick out highlights because everything is played so well; the band are tight, Donna is great and the set list is strong. - Grateful Ted, gratefulted.co.uk

    We're hitting the bullseye with the eight previously unreleased stellar shows that make up FRIEND OF THE DEVILS: APRIL 1978. Filled to the brim with peak performances from the Grateful Dead's post-hiatus period, this collection captures the historic tour where "Drums" begat "Space," morphed into "Drums">"Space" and cemented the Rhythm Devils' second-set power move from the music business to the "transportation business."

    Spring 1978 finds the Dead consistently weaving spontaneous magic, showing signs of great promise and potential - from the no-nonsense rock'n'roll in Tampa, where scholars cite the first "Drumz" leading into "Space," to the lengthy communal get down in Pembroke Pines to Jacksonville where the twain emerge fully formed, offering the primordial opportunity for "soul retrieval." It's evident in the dynamic range delivered on back-to-back nights at the intimate Fox Theatre and through the laid-back unity of the band's performance in Durham at Duke, a comfort that carries over to Virginia and West Virginia where the playing is unbridled, bursting with momentum, threatening to carry itself away. And nowhere can you hear that more clearly than through Betty Cantor-Jackson's original recordings, reliably crisp, bright, and vivid.

    Individually numbered to 10,000 copies and exclusive to Dead.net, FRIEND OF THE DEVILS: APRIL 1978 has been mastered by Audio Engineer Jeffrey Norman using Plangent Processes tape restoration and speed correction. Steve Vance designed the collection’s custom box, which features a removable wave drum. (We invite you to unleash your inner Rhythm Devil.) Acclaimed artist Matthew Brannon created the set’s original artwork. The collection also includes a 48-page book with original liner notes by author Steve Silberman and photos by James Anderson, Bob Minkin, and more.

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  • proudfoot
    Joined:
    Yo Dave

    Greek us, please

  • icecrmcnkd
    Joined:
    Almost Box Time

    💀🎶💿

  • billy the kiddd
    Joined:
    Anniversary show 9/13/81 Greek Theatre

    43 years ago it was Sunday at the Greek with the Good old Grateful Dead. What a blast! Great show. Great run, my favorite Greek run was the 1st one. Stopped at Everett & Jones bbq on San Pablo Ave on the way home. I was so fortunate to see the Dead during these years along with so many other great musicians who are no longer with us. Fun times for sure!

  • nitecat
    Joined:
    Travels in California

    On my way to and from Lake Tahoe this month, I passed Nevada County Fairgrounds, where I saw JGB and the Dead in 1983. I also passed Boreal Ridge Ski Resort, the home of the infamous " Worst Dead concert ever" in 1985. I recall the Fairgrounds being pretty pleasant, and the Ski Resort being a pretty rocky, dirty location. I don't remember the show being all that bad, but the boys did have several technical difficulties. I'd go back in a second.

  • JoeyMC
    Joined:
    What's the line on, on time…

    What's the line on, on time delivery?

  • JimInMD
    Joined:
    Re: Steve Silberman's Obit

    Nice Post Dr. Robert

    When I run that obituary through HowNow (C) TM, the proprietary software I wrote to get wordy musings through this website during the HeyNow period, it would have taken 6,234 separate posts to get the entire thing through without getting HeyNow'd. (unfortunate to see it get fixed the day my patent came through...argh)

    anyhow... I'd call that tremendous progress.

    A tip of the glass and a moment of silence for all those deadheads worldwide that we lost jumping off bridges, hanging from neckties, joining monasteries, becoming uber drivers, starting tech companies, worm farms, etc. during the dark period when HeyNow ruled the land. May the four winds blow you safely home.

  • boblopes
    Joined:
    Steve Silberman's Obit courtesy of David Gans

    Steve Silberman’s vocation as a Grateful Dead scholar and writer began organically, on a blanket on the grass at a concert in the sun. He happened to sit next to Blair Jackson and Regan McMahon, publishers of “The Golden Road,” an essential fan magazine.
    “Steve wasn’t just a fan who ran off at the mouth about how many shows he had seen,” recalled McMahon of that chance meeting. “He had all these layers of spiritual and countercultural depth.
    Everything he said about the Grateful Dead was intellectual and perceptive and poetic.”
    By the end of that afternoon, Silberman had been invited to contribute an article to “The Golden Road” and that led to the high honor of writing liner notes for albums and box sets, and ultimately co-authoring the episodic glossary, “Skeleton Key: A Dictionary for Deadheads.”
    Silberman was known for wearing a custom T-shirt to a Halloween show bearing the message “Your Hallucinations Are My Costume,” and for his skill at putting cultural, scientific and medical complexity into common language, which he did during decades as a science journalist and in his 500-page treatise, “NeuroTribes: The Legacy of Autism and the Future of Neurodiversity” published in 2015.
    He spent four years on that project, followed by six years becoming an expert on cystic fibrosis. An upcoming book titled “The Taste of Salt,” was scheduled for publication in 2026. Silberman was to Silberman Chronicle obit.rtf the point of submitting chapters to his editor when he died suddenly at his home in San Francisco on Aug. 29. Cause of death was an apparent heart attack, said his husband Keith Karraker.
    “Steve lived an exciting life and wrote a book that changed the world,” said Karraker. “He could walk into a grocery store and make a friend for life with the counter guy, just from commenting on the music playing on the stereo.”
    Silberman also made friends for life by starting and maintaining a Facebook group titled “Cole Valley, a Not-So-Secret SF Neighborhood.” It has 8,000 members, including his sister Hillary Shawaf and mother Leslie, both of whom moved here from the East Coast based on Silberman’s recommendation.
    “He just loved this beautiful small-town neighborhood on the N Judah line,” said Karraker, a high school chemistry teacher. “Steve created a town square for the neighborhood,” added his sister. “One of the greatest talents he had was keeping it civil.”
    Silberman spent many years as an editor and writer for Wired magazine, but perhaps his greatest creative outlet was the Dead, having seen his first Dead show in 1973 at Watkins Glen, N.Y. He also developed an expertise on Crosby, Stills, Nash & Young and became a close friend and confidante of the often-difficult David Crosby. He wrote the liner notes for the Crosby-Nash live album “Another Stoney Evening,” released in 1998, and the 50th anniversary edition of Crosby’s solo debut “If I Could Only Remember My Name,” from 1971.
    “He understood people,” Shawaf said of her brother. “Making human connections was his life blood. When he walked down the street people approached him constantly.”
    After the death of Jerry Garcia, in 1995, Silberman wrote an essay called “The Only Song of God,” that was originally published in Dupree’s Diamond News. In it, Silberman described walking by the Henry J. Kaiser Auditorium in Oakland after Garcia’s death, where he estimated he had seen 40 of the 56 shows the Dead played there, often on weeknights when only the cognoscenti came.
    Silberman in an undated photo at the Oakland home of Regan McMahon and Blair Jackson, publishers of “The Golden Road,” an essential Grateful Dead fan magazine. He met them at a concert and soon became a contributor.
    “If you weren’t from the Bay Area, after three or four shows at Kaiser, eventually, you’d move here,” wrote
    Silberman, who had followed that migration himself, though he had the extra incentive of earning a master’s degree in English literature at UC Berkeley.
    His tryout with “The Golden Road” explored the connection between the Beat anti-hero Neal Cassady and the Grateful Dead, a connection that the band’s historian and publicist, Dennis McNally also visited in his biography of Jack Kerouac.
    “Steve was always willing to chat about some angle of the 60s music scene in general and was a very reliable source,” said McNally. “What he said was trustworthy.”
    Stephen Louis Silberman was born Dec. 23, 1957 in Ithaca, N.Y. His father, Donald, was an English professor at Queensborough Community College and an anti-war activist, as was his wife, Leslie Hantman.
    “We saw my parents get arrested and be led away in handcuffs,” said Shawaf. “My dad did 11 days at the Queens Detention Center.”
    Silberman’s first literary goal was to be a poet and he had success in sixth grade with a poem called “the
    Math Battle.” It began, “Cubes are swirling through my head, π’s attack me in my bed,” and built enough momentum to win a poetry competition sponsored by Fordham University. That became his first published work. Silberman attended John P. Stevens High School in Edison, NJ., and gave a graduation speech in 1975, declining to cut his shoulder-length hair for the ceremony.
    Seen here in an undated photo, Silberman helped author David Gans write a collection of reminiscences about Jerry Garcia, the Grateful Dead co-founder and guitarist.
    “He was a magnificent human being,” Gans says of Silberman.
    By then he was already a Deadhead, having attended his first show and begun a live concert tape collection that was to include “tons and tons and tons of tapes,” said his sister, “and some very obscure ones.” He had also come out as gay, which was not immediately accepted.
    “My parents reacted very badly. It took some years for them to come around,” Shawaf said.
    He attended Oberlin College in Ohio, and his slow migration west began with a position as a teaching assistant for Beat poet Allen Ginsberg at the Naropa Institute in Boulder, Colo. Silberman planned to continue as a poet himself until his father, the English professor, advised him that “he was better at prose and would reach more people that way,” said his sister.
    He also reached people by helping them with their own writing. After Garcia’s death, David Gans, who has published five books about the Grateful Dead, was having trouble putting together a collection of reminiscences. When he told Silberman of his struggles over the phone, Silberman immediately drove from San Francisco to Gans’s home in Oakland, read through Gans’s essay, tore it apart and restructured it for him.
    “That was one of dozens of times Steve improved my work with his generosity of spirit and his wisdom,” said Gans. “I know dozens of other people who were similarly blessed with Steve’s generosity. He was a magnificent human being.”
    Later, Silberman, Gans and Blair Jackson co-produced. “So Many Roads 1965-1995,” a five-CD box for which Silberman wrote an essay. He also appeared on camera in the 2017 documentary “Long Strange Trip.”
    Silberman on vacation in Europe in 2023. “He really brought empathy and compassion to a topic that had only been covered negatively in the press,” says Shannon Rosa, whose son Leo was featured in Silberman’s book about autism.
    “There are Deadheads who are extreme but Steve had a historic overview that made his observations sensible and a little more grounded than some,” said McNally.
    Silberman’s expertise on autism began when he was working at Wired and got a tip that there was a spike in diagnoses of the developmental disorder in Silicon Valley. This became an article called “The Geek Syndrome,” published in 2001, and greatly expanded in “NeuroTribes: The Legacy of Autism and the Future of Neurodiversity.”
    “Steve’s book gave hope to a lot of families like ours that had only had messages that our lives would be one of doom and gloom,” said Shannon Rosa of Redwood City, whose son Leo is featured in the book.
    “He really brought empathy and compassion to a topic that had only been covered negatively in the press. I
    can’t tell you how many families I’ve heard from whose lives have been changed for the better because Steve showed us with compassion, not pity.”
    That came through in everything Silberman wrote, especially the essay on seeing the Dead at Kaiser Auditorium.
    “At shows in those years, up at the front on ‘the rail’ where you could observe the musicians at work, the crowds could get so dense on a Saturday night that you would lose your footing,” Silberman wrote in Dupree’s Diamond News. “But if you relaxed, you could nearly float, like a cell in a bath of nutrient, the rhythms coming to you as a gentle push in one direction, then another...”
    “It was one of the safest places in the world.”

  • daverock
    Joined:
    Rip this joint gonna get down low.

    51 years ago tonight I saw The Stones for the first time. I can remember wondering if they would be any good - Mick Jagger had just turned 30, and they seemed like a bit of 60's throwback. Perish the thought. I only new about 25% of the songs - I'd never heard either Let It Bleed or Exile on Main Street but it mattered not a jot. It was incredible. I have just been listening to "The Brussels Affair" double album from the same tour, and featuring the same songs. One of the best live albums of all time.

    I don't think I've ever seen a hummingbird. In Lowestoft we have great big seagulls - I swear they are getting bigger every year - and during summer, if anyone eats food on the seafront they sometimes swoop down and take it out it out of their hands. It looks great, the surprise on the people's face when it happens. The most rock n' roll bird I have seen.

  • itsburnsy
    Joined:
    Hummingbirds

    Stupid bear kept raiding my bird feeder so I had to very begrudgingly get rid of it. In the summer I got birds from as far as S America heading for AK. Now all I can do is have a Hummingbird feeder, which is cool, but I never seem to have more than one regular at a time. Right now he's green with a red head, the second, not sure what happened to the first. Read somewhere that they are the most territorial birds of all, maybe that's why I only get one at a time? Anyway, they are fascinating little guys aren't they

  • billy the kiddd
    Joined:
    Happy Birthday Mickey Hart

    Joan Baez sang Mickey Hart Happy Birthday before the start of 9/11/81 at the Greek. They brought a big birthday cake out on stage. My favorite Grateful Dead years were when Mickey Hart was in the band.

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Friend of The Devils: April 1978 (Dead.net Exclusive) [19 CD]

 

WHAT'S INSIDE:
Curtis Hixon Convention Hall, Tampa, FL 4/6/78
Sportatorium, Pembroke Pines, FL 4/7/78
Veterans Memorial Coliseum, Jacksonville, FL 4/8/78
Fox Theatre, Atlanta, GA 4/10/78
Fox Theatre, Atlanta, GA 4/11/78
Cameron Indoor Stadium, Duke University, Durham, NC 4/12/78
Cassell Coliseum, Virginia Polytechnic Institute, Blacksburg, VA 4/14/78
Huntington Civic Center, Huntington, WV 4/16/78

Recorded By Betty Cantor-Jackson
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners By Author Steve Silberman
Artwork By Acclaimed Artist Matthew Brannon

Limited To 10,000 Individually Numbered Copies
Dead.net Exclusive

It’s been said before but April ‘78 was an incredible month for the Dead. Like May ‘77, you could throw a dart and guarantee you hit a stellar show. - KyloRensPecs, r/gratefuldead, Reddit

.... April/May '78 has a lot of the same qualities of Spring '77 but with some extra edge and a much bigger sound from the Rhythm Devils. A really special era that often gets neglected. - viewtiful_alan, r/gratefuldead, Reddit

Sportatorium - April 7, 1989

when drums started I thought, oh s*#!, i hate drum solos and Billy and Mickey stopped me in my tracks. Wow, these guys are really good. Little did I know the pervasive influence this phenomena would have on my life. - pearlybakerbest, Dead.net

Huntington Civic Centre, West Virginia – 16 April 1978

This is another must-hear concert by The Grateful Dead. The sound and mix are almost ‘absolutely perfect'... It’s difficult to pick out highlights because everything is played so well; the band are tight, Donna is great and the set list is strong. - Grateful Ted, gratefulted.co.uk

We're hitting the bullseye with the eight previously unreleased stellar shows that make up FRIEND OF THE DEVILS: APRIL 1978. Filled to the brim with peak performances from the Grateful Dead's post-hiatus period, this collection captures the historic tour where "Drums" begat "Space," morphed into "Drums">"Space" and cemented the Rhythm Devils' second-set power move from the music business to the "transportation business."

Spring 1978 finds the Dead consistently weaving spontaneous magic, showing signs of great promise and potential - from the no-nonsense rock'n'roll in Tampa, where scholars cite the first "Drumz" leading into "Space," to the lengthy communal get down in Pembroke Pines to Jacksonville where the twain emerge fully formed, offering the primordial opportunity for "soul retrieval." It's evident in the dynamic range delivered on back-to-back nights at the intimate Fox Theatre and through the laid-back unity of the band's performance in Durham at Duke, a comfort that carries over to Virginia and West Virginia where the playing is unbridled, bursting with momentum, threatening to carry itself away. And nowhere can you hear that more clearly than through Betty Cantor-Jackson's original recordings, reliably crisp, bright, and vivid.

Individually numbered to 10,000 copies and exclusive to Dead.net, FRIEND OF THE DEVILS: APRIL 1978 has been mastered by Audio Engineer Jeffrey Norman using Plangent Processes tape restoration and speed correction. Steve Vance designed the collection’s custom box, which features a removable wave drum. (We invite you to unleash your inner Rhythm Devil.) Acclaimed artist Matthew Brannon created the set’s original artwork. The collection also includes a 48-page book with original liner notes by author Steve Silberman and photos by James Anderson, Bob Minkin, and more.

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11 years 3 months

In reply to by Chuck

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Received the shipping notice last night. Shipped out Fed Ex. Fingers crossed for delivery by the weekend.

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8 years

In reply to by TN John

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Nice TN John. You must have the magic touch with the shipping as you always seem to be at front of the line. Nothing for me yet. At this point it looks like next week.

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10 years 1 month
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Label created yesterday.
Surprised it was Fedex.
Must be box size.
Cheers
Thanks for the tip Obeah.
EDIT: Tracking now says Friday!

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15 years 1 month
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My GD box is still in California so I doubt I’ll see it before next week. However, this might give me some time to play the new Dylan box which has dispatched in the UK so should be here in the next day or two. The Neil Young ‘deluxe’ box is sitting a few miles from me in Liverpool but won’t be delivered until I pay the taxes. I can’t do that until I get a letter (!) telling me the amount. Have they not heard of the internet? My weekend listening looks to be crowded.

Edit: RIP JD Souther.

Another 130 Reelz is wowzer; forgot to comment on that.

Appears the Unlimited Road will go on beyond my lifetime for sure.

That is exciting news also.

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9 years 3 months

In reply to by Gary Farseer

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Thanks for the BBQ update. Got me pokin around. Looks like that location was less than 5 miles to the Greek. Looks like it is closed now. I love bbq, grew up with it in my baby bottle. Saw their mention in the national magazine, and almost ordered a case of mild and hot, but their sauce has sweetness to it which I do not enjoy. May order a bottle of each. Looks like a happy family with a substantial Q presence. Turns out they were born less that 50 miles from where I am; you may remember that. Also only25 miles to the joint that developed Alabama White sauce. Fantastic on slow smoked chicken. Did an enormous Q tour when I lived in North Carolina for several years including the differences between East and West NC and then down into South Carolina. Great smokey mustard based sauce from that region. Unfortunately due to health, I have had to cut back on Q, and a lot of other things. Weird, I have beef short ribs roasting in the oven, been 5 hours so far. Bout to throw them on the smoker for about 45 min to an hour. Short ribs are tricky, still trying to mess with ways to cook.

Any way, thanks for the rabbit hole. This is a hole I thoroughly enjoyed. As A matter of fact I have thought about offering to help folks with a southern tour. Maybe hit Nashville (Ryman), Memphis, and Muscle Shoals. Possibly even New Orleans. As you can imagine tons of great entertainment and food. My health aint great but if there were enough people that wanted to I could help. Maybe even see if some European counter parts might want to joint in. Thing is I have 3 surgeries coming, 1 basic, 2 more tricky.

Guess I shouldnt be cooking short ribs. D'oh!

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16 years 1 month
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Received the Dylan 74 box today. I'm 2 discs in and thoroughly enjoying it. Impressive performance and for £3 a disc the recordings are excellent. Highly recommended.

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2 years 11 months
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Gary, Big Bob Gibson's Bbq in Alabama developed the White sauce. I've bought some from them before, also some bbq dvds. They win lots of awards at the bbq competitions. Ive bought bbq pits from both Texas and North Carolina and had them shipped to me.

Big Bob for the score. Got to eat there before he died. Been too many times to count. He and family also have and had multiple locations. One closest to me burned down maybe 18 months ago. Still waiting and wondering what will become of that part of family.

Didn't realize you were that big of an aficionado.

Blows my mind thinking about seeing Scully getting Q for Jer. Makes me grin big. Another story there also.

When you get into southern Tennessee there are joints all over the place in small barely known about places that only locals know. My brother lives on a farm in Tennessee and our family has a partnership with a family that owns a spot. They also raise cattle. They use brother's farm to rotate cattle. Every so often we buy a full cow wholesale. Great food, I only eat beef and chicken now due to health.

Just blows my mind a west coaster is so inamorate with Q. Although all great food through out this country spread around. One of first lessons to small business/entrepreneurship is to find something and take it elsewhere. I was in tokyo 28 years ago, wish I was the first to bring yakitori chicken to the states. Small but growing, will spread. I admit yakitori chicken hearts weren't my fav at all; too chewy. Another restaurant had these big rooms where 30 or so gentleman would meet to eat, fellowship, talk business. There was a grill in the table between every 2 people. That is popular and growing also. Thing is, between every 2 people behind you on the wall, there was a beer tap. Just reach around for enjoyment. First night in this tiny county in southern Japan, I had to learn a valuable lesson about drinking too much again.

May explain more later, gotta jump.

G

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3 years 8 months
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Just musing about how long after official release this big Debel Box sells out? It contains the last big chunk of what was the 'missing Betty Reels' aside from a bunch of random shows from various years and of course what's left of the Port Chester run. 5 of the 8 shows are from that haul, as was Davez#37. Last years Sunshine Box was gone in like a few hours at best! Lucky for me about a week prior I decided to pre~order figuring 'what the hell' money ain't no issue now. Although originally after first announcements I had only pre~ordered the single 6/10/73 show for various reasons. Sure glad I came to my senses & acted fast because it was quickly gone. I didn't realize the magnitude of the May`73 run and the RFK shows. That Sunshine Box fit in perfectly with my PNwBox, to which I was lucky enough to pick up that Box of Boxes 2 & 1/2 years after initial release!

R-120SW subwoofer
RP-500M II speakers, with stands.
12 gauge copper speaker wire.

After Vguy’s new subwoofer acquisition I started looking and decided to upgrade during holiday sales later this year.
But, the subwoofer has been replaced by a newer model and this one was more than 50% off. The speakers and stands were also on sale.
All delivered today.
Got it set up and am breaking it in so it’s ready when the new Box arrives.
Phil sounds grate on the 12-inch sub.

The first post didn’t ask for reCRAPTCHA but then told me that my answer wasn’t correct.
I then took the quiz (motorcycles, but the photo was a moped) and passed, which generated the double post.
Erased it and replaced with this.

I also got a shipping label generated by Gnarlywood.

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2 years 3 months

In reply to by Gary Farseer

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I blew a gasket when I saw FedEx delivery, I have a UPS premium subscription specifically to avoid the Dead.net UPS/USPS circle jerk. And so now FedEx will deliver to USPS and I'll wait longer.

According to the dimensions it is not a big box..

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7 years 9 months
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Shipped late Wednesday afternoon for me. Fedex. Just the shipping label at this point, which means even though both origin and dest are in CA I won't see it until Monday at the earliest. But that's to be expected.

Package size showing as 10x10x8 - hmmm. PacNW box was 10x10x14. (Inches)

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17 years 4 months

In reply to by Obeah

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....I'm going with baby steps. My Onkyo bookshelves are getting old and tired. Fact.
Just picked up Gilmours new record today at Target while getting food at the Petsmart next door for three of this households best friends. Also just Pre-ordered Billy Strings new record due on 9/28. And the Surfragettes new record. Due in October. Cool all girl surf rock band. There is my vinyl spending for the month.
No shipping notice here yet.
New avatar is the wife and I getting off our first train ride. Ever.
Edit.....shipping notice just dropped. No more intel however. Par, meet course.

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8 years

In reply to by Obeah

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FedEx as well. Showing a Tuesday delivery. No USPS hand off. FedEx home delivery, which is great.

Next week will be fun.

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6 years 11 months
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Is there a better day than "Box set day"? I can't wait to hear this stuff. By April 1978 Jerry’s voice is string again and they're still tight like 1977 (I prefer April 78 over Oct 77 - tighter and more rehearsed IMHO). And many of the songs on Blues for Al and Terrapin grew in 78 (jams and whatnot).

What I won't be doing is including rhythm Devils tracks on my digital folder not even ripping this crap. The only thing worse than wasting 20 minutes of concert time that could have gone toward ANY real songs is to "theme" a box set after this bathroom break activity. What next - 74 box to celebrate Seastones? Drum solos should have been eliminated by promoters for everyone but Bonham and Peart. I would say Moon too but his routine was a constant drum solo all the time (but with the who playing around him).

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17 years 5 months
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Tracking still says: Awaiting Processing, Whittier, CA - Sep 16, 2024, 10.23h AM PT -
So, next week should be a good week!
Looking forward for first comments.
Cheers Gerd

Dark-Star has me laughing out loud...

Deadvikes, I hope you are correct about no hand off.

VGuy, Thats a nice picture. :)

My box has made it to New Mexico, I am in Central New York :(

I'M IN, BABY!!!!!

The 20-minute drum solos? Yes, I can live without those.

I was listening to 4/14/78 the other day and...nearly 20 minutes of banging and clanging.

Got shipping notice for the box and the vinyl - makes sense to ship separately, but no date yet to New England...

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3 years 9 months
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Interesting be the comment on drum solos, even more so when a few well known percussionists of all time are name dropped. {Humorously correct about Keith Moon} I would argue that 'Rhythm Devils' is more than just a simple drum solo, to which the Dead did plenty of. I would also surmise the 'Rythym Devils' era was some of the best drum solos the Dead did, but there were also some great Brent era versions, especially during the early 1980's. Now anyone needs a bathroom break every now and then, and also must choose an opportune time to do so. Though to dismissively cast away drum solos {aside from time length duration} would be to test the wrath of one of the greatest all time percussionists, Ginger Baker! All due respect to Ginger and may the Great Spirit rest his soul, he passed on five years ago this October. {There is a great documentary about Ginger with the same name as my post title} If Ginger was alive and within earshot of any drum solo condemnation, you better beware of Mr. Baker!

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About 90% of the time i'll listen to drums. Its part of the flow of the show and i agree there are great ones in the 80s, and the 90s too. I'm a fan of the beam.

Poor drummers. They barely get more respect than banjo players. Every time they step out to do their thing they look out at people turning around to head for the concessions.

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17 years 4 months
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Mine has finally been received at Whittier and was processed at 6.32 am Pacific Time, September 19. Its on its way at last!

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14 years
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My box was sitting on my porch this morning, a day early!

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10 years 2 months

In reply to by Slow Dog Noodle

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I thought that was little harsh about drum solos and Seastones too. Having said that - I don't think the drum solos in 1978 were that great - but both drums and space in the following decades were interesting. I have said before, when I saw them on 11/1/90 drums-space was the highlight of the show. I wasn't remotely in my "right" mind - be-mushroomed is the phrase that comes to mind, and on that night, all the songs - including Dark Star - were just alright. Nothing to get too excited about -pleasant enough background music. But when drums started to develop - the world came alive. Followed by space - I felt like I was living it. Back to Not Fade Away, everyone singing along - time to get your coat - or at least have a bathroom break, knowing you might never get back.

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17 years 4 months
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Simonrob,
tracking site now shows an additional DHL Tracking-No (DHL de), saying transportation to destination Germany,
Th, 19.09.2024,17.17 h.
Wunderbar
G.

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1 year 1 month
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...DEVIL'S Box...
well, now
I have a much better
understanding & appreciation
after having listened
to the 1st two GOOD Ol' GRATEFUL DEADCASTS
(1) Friend Of the Devils: Florida, 4/78
(2) Friend Of the Devils: Atlanta, 4/78

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17 years 5 months
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I see the same, but 2 minutes later than yours at 17.19.

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9 years 3 months

In reply to by icecrmcnkd

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Nice set-up. I may be buying a Klipsh 12" sub if my current 12" SVS sub is done. Do not think it is. One good thing is as one poster put a few years back "Good clean sound trumps all." No affiliation. One thing I know my system, it is usually music thunderin'.

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4 years 3 months

In reply to by Gary Farseer

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April 78 Drums: meh (ironic, I know, given the new release)

later on, ja, gerne.

my first show 7/18/82: the Drums section was great (the Space was greater...flying saucers, I tell ya.)

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10 years 2 months

In reply to by proudfoot

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It also makes a huge difference with drums and space being there - with all that entailed - and listening to a recording at home - with all that entails. It's not going to blow my mind in quite the same way, listening to cd of drums and space sitting here quietly in my living room with just a cup of tea and a biscuit to fortify myself.

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11 years 3 months

In reply to by daverock

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Mine's showing delivery tomorrow. Maybe Fed Ex will be hitting my carport right after work. I was scoping him out in the neighborhood when I took my walk after work today. Lol

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4 years
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That ALL drums solos are rubbish ... except for the ones he played. And maybe a few of Art Blakey's.

Not a big fan of 'em, myself. Because unless you're a genius on the Ginger Baker/Art Blakey level, there's generally not much going on in terms of, you know, music. Most drum solos are more like feats of athleticism ("watch how many cymbals I can get ringing at the same time!") and self indulgent excess ("I bet you were wondering why I needed 47 different toms") than actual musical improvisations.

The Rhythm Devils were an exception, but then again ... that's probably because what they did was not a 'solo'. Because there's two of them. It's a percussion duet, and sometimes trio, quartet, etc if band members felt like participating. So it wasn't just one guy wanking away up there. There was some interaction and some development of ideas.

I always thought Drums/Space was a key part of the show, so I wasn't one of the ones headed for the head. I'd usually try to make a break for it during Me and My Uncle. Which is a cool song, the first two or three hundred times you hear it.

Last five!

Zappa: Make a Jazz Noise Here
Brad Mehldau: Day is Done
Miles: Nefertiti
Zeppelin: How the West was Won
Airplane: Crown of Creation

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15 years 1 month
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Yeah, ironic that Like Dark-Star, I will be skipping drums on this Rhythm Devils box.
What bugged me most about drums, was the predictability. After 78, you just knew there would be a long drums interlude interrupting the flow of the 2nd set, unlike previous years when they showed up in a more organic way, and sometimes not at all.
So from that point on, shows followed a format, pre-drums songs > Drums > post-drums songs. Don't think they ever deviated from this pattern, except in Amsterdam 1981.
I'll take Art Blakey, Max Roach, Brian Bennett, Dave Lombardo, solos anytime though.

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15 years 2 months
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Captcha got confused...

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10 years 1 month
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Billy Cobham
Lenny White
Jack De Johnette
Trucks/Jaimoe
To name a few
Cheers

....and has too many nicknames to count. Jon Sullen Melancholy is my favorite. Right behind Tubbs.
Didn't think I'd see so many drumz/space skippers.
Personally? Beat that shit right on down the line. My wife doesn't enjoy them. It's OK to not be OK.
Label is still being created re my order.

....I've gotten lost in a few of them.
What's going on?
Vinyl shipping received.
And The Race Is On.
Booyah.
Edit.
Label is on the package. Currently in Oceanside, CA.
Literally. Right down the freeway.
I bet when that bullet train between Vegas and SoCal is finished, if ever, it would be here before I finished this post.

Regarding Ginger Baker, not only is his extended solo on "Wheels of Fire" the worst track on the album, it's also one of the worst recorded drum solos I've ever heard. Unlistenable. He got kicked out of Hawkwind after one album.

Drum solos were generally something of a cliche in the early 70's, as I remember. Many bands featured them - particularly in the heavy rock world. Black Sabbath used to move through their set like a freight train, then the pace would slow down, band members would gradually slope off stage, and drummer Bill Ward would start an interminable solo. Then he would be replaced by Tony Iommi, who would play an unaccompanied guitar solo - bit of Django Reindhart in there. All very nice, but hardly in tune with the moment. Then the full group would come on and pick up again from where they had left off about 20 minutes ago. They always seemed to play twice as fast and hard as they had done before. Quite a break they must have had back there.

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My GD box has a DHL code now but they don’t say they have it yet, it’s shown as ‘Open Status’.
The Dylan box has just been delivered. No chance to hear it yet, but on the plus side the 27 cd box is small and easy to store.
I’ve paid the taxes on the Neil Young box but refused to pay £12 to have it delivered on a Saturday. It should arrive on Monday.

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1 year 1 month
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...Duke FOTDevil's watch party on youtube was a fun time capsule trip

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11 years 3 months
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The watch party on the "Tube" was quite enjoyable last night. Slow to start but really picked up as the show went on. Jerry was very animated and constantly smiling. Great to see.

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3 years 3 months
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My Label has been created but not delivered to FedEx yet.

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10 years
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My download will not work. I get an error message essentially saying file not found. Is Dead.net aware of this problem?

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9 years 3 months

In reply to by Cousins Of The…

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Got an opinion on that too early in the morning.

There are a lot of incredible drummers out there. Was insomniac the other night and turn channel and the Journey 1981 show from Houston was on so I watched most of it, even though I have a recording of it. Steve Smith incredible drummer. Some may great drummers. Omar Hakim that played with Sting during early years, check out I burn for you on the toob.

Being a former drummer I really like the video on the toob of Dave Weckl, Vinnie Colaiuta, Steve Gadd - Buddy Rich: tribute. An amazing segment of different drum styles, love all 3.

Watching toob, pulling toob makes for a very nice afternoon. More on D/S l8tr.

product sku
081227816759
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https://store.dead.net/en/grateful-dead/special-collections/friend-of-the-devils/friend-of-the-devils-april-1978-dead.net-exclusive-%5B19-cd%5D/081227816759.html