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    WHAT'S INSIDE:
    Five complete, previously unreleased performances on 17CDs
    Des Moines, IA 5/13/73
    Santa Barbara, CA 5/20/73
    San Francisco, CA 5/26/73
    Washington, D.C. 6/9/73
    Washington, D.C. 6/10/73
    Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
    Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
    Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
     
    Limited Edition Individually Numbered To 10,000 
    Exclusively At Dead.net

     
    "There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
     
    8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
     
    HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
     
    During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
     
    The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
     
    Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
     
    Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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  • DeadVikes
    Joined:
    HCS Box

    Four shows in and one to go.

    This is one the best sounding two track box sets they have ever put out. Man, just unbelievable sound quality. And then there are the performances.
    Every night is different. The Loose Lucy on 6/9 really sticks out as a perfect example as Jerry really gets into it and adds some impressive guitar work that I have never heard on this song. Any given night. Such a mellow vibe to a good chunk of the 6/9 show.

    Hope you all get your issues worked out on this box so you can enjoy to the fullest.

    10,000, was probably not enough given the demand, but given the last couple of years of not being able to sell out 13,000 to 12,500, you can't blame them for reducing the numbers.

  • daverock
    Joined:
    Wattstax box

    Charile3 - yes, I agree with what you say. The inclusion of the stage announcements transforms the box into a valuable cultural document, as well as a musical one. The tracks aren't just floating in space. We as listeners might be, of course. I won't necessarily listen to all the talk when I play the cds, but their inclusion does add to the whole.

  • Charlie3
    Joined:
    HCS Box

    I've had a chance to go through this box and listen each show once so far. All discs have played fine, there was a small speck of dried glue or something on one disc but it came right off easily and did not affect playback. The packaging arrangement is not my favorite, but it worked ok and I did not have the problems that others have reported with the cd holders. The tip someone put on here about removing discs by placing your finger in the center hole of the disc to slide them out instead of holding the edges of the disc also helps to make it easier to remove the discs. It is a shame that there are folks having trouble with discs in this box, the music is great.

    I may be biased as 1973 is a favorite year for me, but the music in this box is well worth acquiring in one format or another, and I am glad to have it. I am looking forward to working my way through the box for a second, more focused listen. I also think it would be nice if they released all music editions of the boxes that sell out, certainly won't affect my enjoyment of the music.

  • Charlie3
    Joined:
    Praising, Preaching, and Pleading at Wattstax

    Yeah, there was a lot of talking between songs included in the Wattstax box set, a lot of praising the black community and the individuals organizing the concert, a lot of preaching about the inherent worth of every individual (I Am Somebody) and aspirations of self and community improvement in the face of adversity and discrimination, and a whole lot of pleading for people to get off the playing field, including a pretty detailed description of the financial implications of the crowd not getting off the field. While there were times that I found myself thinking, enough already, will everyone just get off the field so we can get back to the music, I have to admit that the inclusion of all of that material really captured the vibe of the event. And the music is fantastic, I don't think there was a weak performance in the whole concert, or the associated recordings.

  • Great Fool Dad
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    Joined:
    Here Comes (No) Sunshine, Box, 17 CD

    Given the problems with the CDs, I'm now glad I was late in buying them like so many others. Especially since I live in Germany and exchanging CDs is probably more complicated than if I lived in the US. Nevertheless, I will get the single box with the Washington concert via Amazon, even though I had to read there in the meantime that some customers also had to return this box because of two defective CDs. Or Amazon exchanged the box maximum twice, then that's it.
    Even if there should be the live concerts remastered on the net and even in a better quality (which surprises me honestly), so I'm still of the opinion that the artists should get the money earned. Simply because there are hardly any music groups that release such nice boxes as GD. What I unfortunately don't understand: If already the boxes like the current one are sold out after one (!!!) day, why aren't simply higher editions produced? Second editions for all I care. Gentle Giant has also managed to do that. Because I go meanwhile on the Keks that felt many people buy the GD boxes only as an investment or they want to hawk afterwards most-bidding. I want to LISTEN to the CDs!

  • daverock
    Joined:
    Keep off the grass

    Dennis - I got the 6 cd version of that Wattstax box, which seems to have the same basic design as the 12 cd one. Nice looking box.There's some great music in there, in between the mc's telling the crowd off, giving them educational lectures and giving each other awards - check out The Rance Allen Group.

  • Dennis
    Joined:
    Shitty disc storage system

    Figure I throw this one out.

    My box came with only one or two disc flopping around, but all were incredibly tight, but no glue. I too found the best way to extract from box without ripping box was the center hole technique.

    I just got in the 12 cd set Wattstax '72 Soul'd Out (The Complete Wattstax Collection). The packaging was the same basic design, slit's in cardboard with disc stuck in. Except none were flopping around and all came out without a bit of argument. Not even a chance of ripping the box. Box says this was done by "Concord" (a Craft recording).

    So just for the sake of argument, it is possible to make this type of package without flopping disc, glue or possible tearing.

    FYI - haven't dugged heavily into this yet (still ripping), but it funny it has 20 minutes tracks of MC begging the people to clear the field. The MC did have his moments. "I need everyone off the field, the show can not continue until you do. Yes, I'm talking to you sister in the blue dress, get off the field. Walking from one side of the field to the other is not clearing the field",,,, it was funny, but 20 minutes! (1,2,3 take a step back :-) )

  • proudfoot
    Joined:
    Itsburnsy

    If you see this check personal messages

  • bigbrownie
    Joined:
    Addendum

    Also, Dick's Picks #15 Englishtown 9/3/77 disc 3 replaced automatically.

  • bigbrownie
    Joined:
    Two Things

    1: I'm finally through Santa Barbara 5/20/73. This show, to me, is a little more up front and in your face than Des Moines, and you can feel the energy. Another great Box of Rain, but TLEO is the big surprise. Jerry is really struttin'
    his stuff. Got a scuff or something on disc one resulting in brief moments of static on Tennessee and The Race is On.
    Not gonna whine about that, which brings me to:
    2: For those of you who collected all the Dick's Picks, does anyone remember when #9, 9/16/90 MSG, was released, and subsequently we received a replacement for disc 1 WITHOUT EVEN ASKING? Not that my disc 1 had a problem. but THOSE were the days of quality control and customer service...just sayin'.

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WHAT'S INSIDE:
Five complete, previously unreleased performances on 17CDs
Des Moines, IA 5/13/73
Santa Barbara, CA 5/20/73
San Francisco, CA 5/26/73
Washington, D.C. 6/9/73
Washington, D.C. 6/10/73
Recorded by Kidd Candelario, Betty Cantor-Jackson, and Owsley Stanley
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners featuring notes from Canadian author, Ray Robertson, The Owsley Stanley Foundation, and Legacy Manager and Audio Archivist, David Lemieux
Art and Design by GRAMMY® Award-winning Art Director, Masaki Koike
Custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer
 
Limited Edition Individually Numbered To 10,000 
Exclusively At Dead.net

 
"There’s the simple fact that the band members were old enough and experienced enough by now to be virtuosos on their instruments (what other group—rock or jazz or any other kind of music—could boast a trio of spectacularly singular talents such as Garcia, Lesh, and Weir?) but were still young enough to want to play and play and play some more, the happy, itchy inclination of youth. As a few of the shows in the Here Comes Sunshine boxed set attest, it wasn’t unusual for a 1973 concert to exceed four hours. And within the shows themselves, there are nearly nightly examples of hour-long orgies of tune-linked songcraft and juicy jamming." - Ray Robertson, HERE COMES SUNSHINE 1973 Liners
 
8 years in and the Grateful Dead are a little bit of everything to everyone. They are putting up textures and tones of rock, of jazz, of country, with set-morphing vibes and long stretches of improvisations that are completely keyed into the sum of their parts. Keith Godchaux is here with his cascading notes. Donna Jean too. Both finding their footing and keeping things steady in the wake of Pigpen's unfillable gap. The spring of 1973 feels transformative for the Dead - no more so than the May and early June shows, complementary yet remarkably different, soon-to-be cornerstones of everyone's tape collections, and now, 50 years later, set to be part of the band's official canon.
 
HERE COMES SUNSHINE 1973 is a limited-edition, 17CD boxed set with five previously unreleased, highly sought-after Dead shows, including: Iowa State Fairgrounds, Des Moines, IA (5/13/73), Campus Stadium, UCSB, Santa Barbara, CA (5/20/73), Kezar Stadium, San Francisco, CA (5/26/73), and Robert F. Kennedy Memorial Stadium, Washington, D.C. (6/9/73) and (6/10/73).
 
During the spring, the band road-tested most of the songs they would record that summer for WAKE OF THE FLOOD – their first studio album in three years – including early live versions of “Mississippi Half-Step Toodeloo,” “Row Jimmy,” “Stella Blue,” “Eyes Of The World,” and, the set’s namesake, “Here Comes Sunshine.” Also tucked into the collection are songs destined for the Dead’s 1974 studio album, FROM THE MARS HOTEL – “China Doll,” “Loose Lucy,” and “Wave That Flag,” a precursor to “U.S. Blues.”
 
The new repertoire slipped neatly into the fluid setlists alongside songs honed on the 1972 European tour (“Jack Straw,” “Tennessee Jed,” “Brown-Eyed Women”), Chuck Berry perennials (“Promised Land,” “Around And Around”), classic country (“Big River,” “The Race Is On”), and incredible jam sequences: “He’s Gone”> “Truckin’”> “The Other One”> “Eyes Of The World.”
 
Due June 30th, the individually-numbered, limited-edition 17CD set features vibrant graphics and custom-designed folios by GRAMMY® Award-winning Art Director Masaki Koike, a custom-dyed Tenugui and an exclusive poster featuring an illustration by Mary Ann Mayer, and liner notes by Canadian author Ray Robertson, The Owsley Stanley Foundation, and David Lemieux. And, of course, it features newly restored and speed-corrected audio by Plangent Processes, mastered by Jeffrey Norman.
 
Digital convert? We've got you covered too. On the very same day you can collect your hi-definition download.

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live in shame die in vain feed the poor stop the war(s)!
did 6/10/73 yesterday, and now my first round of fun listening to the entire box has been completed; planned on stretching it out over several months when the order confirmation was received, and it worked out well as DaP fourty seven got mixed into the rotation several times. For round 2, I'll re-listen more critically with the Bose QC-35 headphones to hear the subtle differences each of these recordings. I'm sure I'll be hearing some surprises.
shine your shoes sing the blues

Peace All!
uncle_tripel

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17 years 2 months
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Mary, belatedly can I contact you about an issue with the discs on this one, and can you remind me how I do such...

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send me a PM!
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Has anyone else received a similar email about trying to get replacement discs.

Your email has come to my attention, and I apologize for the tardiness of this response.

Unfortunately, I have been advised that we no longer have stock for the disc you need replaced.

I am very sorry that we cannot fulfill your replacement request. We will refund you 50% for this item. (Please allow up to 5 days for funds to post to your account.)

May I also offer you a digital download of the Here Comes Sunshine box set? (If you would like to pursue this offer, please let me know whether you would prefer your download files in the FLAC or ALAC format.)

I apologize again for this frustrating experience.

Sincerely,

Tashanna
WMG Specialty Customer Service

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They cannot get you replacement discs but they can put the set on sale for $140.23 in their holiday sale? Hey now on that.
Cheers

No one has offered me a refund,they just sent me more faulty discs that don't play.It will cost me even more to send this back,I can't see them refunding all the postage & import fees that I had to shell out.

Wow, given the recent comments, who would have thought that the HCS box would be available for $140, listed in the Black Friday sale. That means they should/must have shipped any replacement discs for faulty or damaged at no cost BEFORE they sell another set... Had to jump through three Hey Now hoops to post this... talk about Lost Sailor...

Sydney - why should you be expected to send faulty discs back? You have said they are faulty - that should be enough for them. Don't they believe us if we say discs are faulty? A little respect would be nice - do they think you might be trying to pull a fast one? Ridiculous.

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It's on sale, but it's not available? What's up with that?

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4 years 1 month
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Purchased the ALAC digital download since the discs were unavailable. Many of the dowloaded tracks have dead air.

I have purchased many of the box sets over the years and never have I run into so many issues. Disapointed to see so many other devotees with similar issues. Hope this gets resolved soon. The set lists are awsome and I can not wait to kick back and listen.

product sku
081227847036
Product Magento URL
https://store.dead.net/en/grateful-dead/special-collections/here-comes-sunshine/here-comes-sunshine-1973-dead.net-exclusive-[17-cd]/081227847036.html