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    Dave's Picks Vol. 50: Palladium, New York City, NY 5/3/77

    Reviewer: WolfmansBrother - favoritefavoritefavoritefavorite - February 11, 2008 - Online Review

    Subject: setting me on fire

    left the orchestra section during ship of fools and arrived in the loge for the basso profundo MNS - it's the best of the tour so far, i think, and the balcony is shakin' to its raging outro leading. i sit to take a short break, too.

    yet another night of the first set seeming to spill over. first half of this second set is well-played, indeed, but the sugaree is the INSANE highlight, and keith and jerry are battling it out. one of the strongest estimateds of tour and i, for one, am happy for the FOTD break. the second half belongs to jerry - eyes is short but stellar and bridges to yet another rip-your-heart-out wharf rat, and NFA showcases some down in the weeds jamming. we're stomping and clapping and grinning our faces off, and then joint is jumping for sure as they close it down. another fine UJB encore sends me out the door, so very deeply in love with this band and its music. is there anything better than being a deadhead?

    Is there anything better than being a Dead Head when one of your favorite shows is officially released in its entirety? We'll double down on your sentiments WolfmansBrother, with DAVE'S PICK VOLUME 50: PALLADIUM, NEW YORK CITY, NY 5/3/77, and we'll bring the fire extinguisher to cool you off after you listen to Betty Cantor-Jackson's complete recording. Don't want the party to end? We'll stoke those embers with a few hot tracks from the first set of  5/4/77. Dave's Picks Subscribers score the monstrous second set from 5/4/77 featuring "Scarlet>Fire,"  "Terrapin," 'Playing In The Band," "Comes A Time," and more. Woowee!

    Limited to 25,000 numbered copies, this release has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. 

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  • onthebussince77
    Joined:
    DaP #51 info on your DaP subscription order page

    I won't spoil it. If you want to know, go to your DaP 2024 order confirmation email from last year and click on the order number. That will take you to the CHECK ORDER page. Enter the order number, your email, and zip code and you'll see a receipt with all the details.

  • Vguy72
    Joined:
    Amazon Prime Dayz....

    ....ooooh. A Klipsch R-120SW subwoofer for $240?
    Sign me up.

  • proudfoot
    Joined:
    A punk band I forgot to list

    China White

    Their album Danger Zone ROCKS

    X is categorized as punk, but I just call 'em rock n roll

  • Vguy72
    Joined:
    My punk dayz....

    ....finally getting around to organizing my record collection. Quite the task. I have over 300 records going back to my teenage days and just starting getting back into them as you know.
    Holy flashback Batman. Stumbled across some T.S.O.L., Cramps, Misfits, Corrosion Of Conformity, Agent Orange and Subhumans records I bought decades ago. They still hold up.
    According to discogs, some of the Misfits records I own are worth a pretty penny. Not that I would ever sell them.

  • Crow Told Me
    Joined:
    Nyuk Nyuk Yuk

    The Stooges (the ones with Iggy, not Larry and Curly) loomed over punk in the US in a huge way, too. It was almost impossible to go to a punk gig in 1977 and not hear at least one Stooges cover. (My own proto punk band played I'm Loose and No Fun. Very poorly!) The Stooges and the Velvet Underground and the NY Dolls were really the foundation, along with the '60s garage bands.

    And btw, there was a fair amount of give and take in those early days between punk and various brands of psychedelia, including the Dead. Punks were supposed to hate hippies, but in reality we were often on the same drugs and disliked a lot of the same things. Greg Ginn of Black Flag was a big deadhead, for instance. Also, my LSD connection was a hippie neighbor who one day shaved his long hair and 'went punk.' after a gig by X. Lee Renaldo of Sonic Youth was a deadhead, lots of others.

  • daverock
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    70's punk- The Stooges

    Iggy and The Stooges were massively influential in England during the second half of the 70's. In some ways, as Chuck Berry was to the 60's, they were to the 70's. Starting with Nick Kent's article in the NME in 1972 about their legendary show at Kings Cross, in London, to Raw Power the following year and the discovery of their first two albums. Their tracks, No Fun and 1970 were covered The Sex Pistols and The Damned, among others, but nobody came close really.
    When Iggy finally toured England, in 1977, it was one of the most eagerly anticipated rock events I have ever witnessed. Unfortunately - despite having David Bowie on keyboards - his moment had clearly passed. Still good - but not quite what he had been.

    The New York Dolls were important too. appearing on the rock programme "The Old Grey Whistle Test" circa 1973. After a blistering and shambolic "Jet Boy" and "Looking For A Kiss" they were put down by a visibly bemused, and slightly miffed Bob Harris as "mock rock". The 1970's were taking shape!

  • dmcvt
    Joined:
    Gummies...

    It just (duh) dawned on me where all the extra glue bits came from on the HCS box CDs

  • Gary Farseer
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    Hey Dave!!!

    Listened to Dave's#40 - Deer Creek this past weekend. Even though I had listened to it several times, it really floored me. Nice Pick Indeed! Some great playing and the recording Dan captured is top notch.

    I was much more in the active listener mode instead groove pilot.

  • Gary Farseer
    Joined:
    Crow

    Great write-up. Especially for someone like me that was on a different musical direction. Always admired the Ramones for what they did and their history. What playing the Roundhouse in London in 1976? And more importantly, from my perspective, they never strayed to far from their charter.

    Did I see the NYDolls in their, cant remember.

    So for me, who has never been in a mosh pit, it was very enlightening!!!

    Now how much will I remember? That has become the question.

  • Crow Told Me
    Joined:
    What's It To Ya, Punk?

    Seventies punk is kind of an obsession for me, partly because it was maybe the only key moment in rock history that I had a mosh pit view of. I was around for a lot of the earliest gigs by LA area bands like X, Black Flag, Social D, and I saw the West Coast club debuts of everybody from Patti to Television, the Damned, Clash etc. Fun times!

    So I would say that when people first started using the term "punk" to describe what was happening, it was because they were referring to the way a bunch of scruffy upstart bands who were rebelling against the corporate rock status quo of the mid-'70s and trying to overthrow the established order, even though they didn't seem to have the wherewithal (ie, money, connections, looks etc) to do it. I think "punk" being used in the way it was used in gangster noir movies: the "punk" is the small time hood with big ambitions who is almost certainly doomed to be crushed by the mob, the police, the power structure.

    It wasn't really a musical style. Which is why that first wave of "punk" included artists as diverse as Patti, Television, Talking Heads, Deco, Pete Ubu, Suicide, and yes, the Ramones. I think what happened, as Daverock said, is that the Ramones offered a blueprint of what "punk rock" sounded like, and it was one that was easily copied, even by people who'd never picked up a guitar until yesterday. If you liked the Ramones, you could get together a couple friends, learn three chords, and start a band. And dozens and dozens (if not hundreds) did. Suddenly there was lots of bands that sounded like that in every town, and that was taken to be what "punk" was.

    About Television specifically: I personally think they took too long to record, and as a result we missed out on hearing the earliest version of the band, when Richard Hell was still a member and when they sounded a lot more raw and basic in a way we associate with punk. If you're curious, look up the Ork Loft recordings, a video made in 1974, and you'll see what I mean. That's what they sounded like when they'd been together for about a year. They did some demos with Eno after Hell left the band in December ''74, which are a lot more polished. And then they didn't record their Elektra album till September 1976. By which time they were one the tightest bands you'll ever hear, and not much like what we think of as "punk."

    Anyway. I would recommend hearing EVERYTHING Television ever did. Marquee Moon is a stone classic, the follow up, Adventure, much under-rated, and the live boots and Eno demos are all really good too. Even the reunion stuff is worth hearing.

    Sorry for the long post. I warned you I was kind of obsessed with this stuff.

    And, hey, Dave, where's that announcement?

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Dave's Picks Vol. 50: Palladium, New York City, NY 5/3/77

Reviewer: WolfmansBrother - favoritefavoritefavoritefavorite - February 11, 2008 - Online Review

Subject: setting me on fire

left the orchestra section during ship of fools and arrived in the loge for the basso profundo MNS - it's the best of the tour so far, i think, and the balcony is shakin' to its raging outro leading. i sit to take a short break, too.

yet another night of the first set seeming to spill over. first half of this second set is well-played, indeed, but the sugaree is the INSANE highlight, and keith and jerry are battling it out. one of the strongest estimateds of tour and i, for one, am happy for the FOTD break. the second half belongs to jerry - eyes is short but stellar and bridges to yet another rip-your-heart-out wharf rat, and NFA showcases some down in the weeds jamming. we're stomping and clapping and grinning our faces off, and then joint is jumping for sure as they close it down. another fine UJB encore sends me out the door, so very deeply in love with this band and its music. is there anything better than being a deadhead?

Is there anything better than being a Dead Head when one of your favorite shows is officially released in its entirety? We'll double down on your sentiments WolfmansBrother, with DAVE'S PICK VOLUME 50: PALLADIUM, NEW YORK CITY, NY 5/3/77, and we'll bring the fire extinguisher to cool you off after you listen to Betty Cantor-Jackson's complete recording. Don't want the party to end? We'll stoke those embers with a few hot tracks from the first set of  5/4/77. Dave's Picks Subscribers score the monstrous second set from 5/4/77 featuring "Scarlet>Fire,"  "Terrapin," 'Playing In The Band," "Comes A Time," and more. Woowee!

Limited to 25,000 numbered copies, this release has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. 

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Fellow rockers!!!

Recently returned from my wife's immunotherapy session in Gainesville, only now catching up on comments abount Scranton. Keep in mind that this is from the perspective of a serious 1971 Dead freak. Clearly, there are many folks who don't care for 1971 no matter what, just as there are many (like me) who don't care for the late 80s and 90s. This is why there's different flavors of ice cream.......

I am very famiiar with the show, as I try to keep the "lesser known" April shows in regular rotation. There's lots of gooey Dead goodness to be mined there, although not all of it is gold. Scranton is a bit of an oddball---no Dark Star, no Other One, but still with lots to enjoy. Well played and well recorded. Is it the best of April? No. My guess is that the "better shows" are being held back for future 2 box releases of the remaining April shows.

Scranton is in the vault and part was streamed on deadnet a while back. It's definitely in Deadbase. HIgh quality soundboards have commonly circulated for years. I really wish they would fill up a third disc with highlights from Meadville, especially the second part of the second set. Wishful thinking......

One point that folks got right is that DaP series has been heavily weighted towards the 70s. Lots of issues from 73 and 77, frankly many of which don't really inspire me. Doesn't mean they're good or bad, just that they're different, and there's a lot of different Dead eras to try and parcel out. There's many worthy shows from the late 60s, late 70s, and the early to mid 80s. Sure wish they could find a way to put more out, with greater frequency, it would all continue to sell well. It's a cosmic juggling act, and I'm glad I'm not in charge of that.

Bottom line: good but not great release, will get significant play here........

Men must live and create, live to the point of tears......

Rock on my friends!

Doc
A taste for truth at any cost is a passion which spares nothing......

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Yawn. Wake me up for #52.

Alaska box set. Double yawn.

There's always 2025.

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...nice Tele, Thin!
Just got an American Professional II, that is now my main gigging axe. Teles are the best, tried others but I keep coming back...kinda' like 71 Dead
To paraphrase Pigpen and the Coasters, I'm a hog for 1971, so this one's a no brainer for me

DeadBase 50, page 43, in the Updates section.

Spinning 2-19-71 vinyl as I type.
Good stuff!
I’ll gladly accept more ‘71.

I listen to all eras, have TB’s of torrents, and want more official releases on an annual basis than what we currently get.
2 Boxes per year, DaP subscription, studio album 50th when applicable, Record Store Days….
Might As Well restart a Download Series too…..

And more video too, Dave.

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LONG drive today, full show came on at 9 AM, I think it was this DaP 51? Heard most of it but definitely missed a few songs due to reception. I almost never have enough time in the car to listen to a full show, my lucky day. Recording sounded excellent. Not a huge Pig fan by the 10th "wait a minute, wait a minute" but he sounded healthy and prime.

On another note, Joseph, OR, otherworldly. Long strange trip it was

Good to see thin' return and doc's analysis is spot on.

I find a little irony in the tele comments. As I recall thin is not a fan of tele skiing. (a little joke, no hard feelings whatsoever). I guess thin likes tele more than he would admit.

Full disclosure, I tele ski. Poorly in my old age. But at least I'm enjoyin' the ride.

As for the 70's debate which seems to never end. I find myself agreeing with everything written here lately. I have listened to this show (#51) at least twice but it isn't in my long term memory.

I think the emphasis on 70's vs. other is somewhat artificial as there have been many 80's cassette mastered shows released recently which might suggest the trend has shifted. But there is no doubt things have been 70's centric since Dick's Picks ended with a few honorable mentions in the road trips series. I honestly believe the reason for this is not the quality of the shows but the quality of the recordings and the lack of vocal flubs in the earlier years compared to 80ish shows. Plus in general they could for the most part sing better in their youth. They are trying to mine gold as best they can with what they have. When viewed in that context '71 makes sense right now, especially a good recording like what we are about to hear all cleaned up by Dr. Norman.

Just my two cents, I could be wrong.

As you were folks. Enjoy your ride and be considerate to those you encounter.

....holy shit. Who and what is this band?
Fixin to find out.
Thank you the Spectrum XM channel.
Phish's Tiny Desk is up and running.
Conekid got a turntable?
Tell me more.

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This would seem to be as expected from what Dave said about the 2024 schedule of releases. Next I would imagine would be the oft anticipated Vince & Bruce era pick, 1991? Heck! As soon as I'm done with this post I am picking up the left over 2019 Box Set single show disc, 6/17~1991, lucky for me it's still there! Anyways I forsee a possibility of 2025 with Frost 1982 (2) shows. Maybe 1978, 12/22 with a bonus disc of 12/17 "From the Heart of Me" onward. Cross your fingers for Aug. 4th, 1976, and maybe 10/25/73 to finish off the year. Or! Sept. 11, 1973 with BirdSong & Sunshine bonus filler from 9/12? Then for 2026 plug in another Bruce & Vince show and either a Pig or Brent era to go with 7/25/74 & 4/23/77. I KNOW!!!!! Damn! 1977 again!

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.........raucous Sugar Mags to end the first set. Very unusual..........
.........how badly they screwed up Truckin'. Then they made up for it. We always forgave the Dead their foibles and pratfalls, this is no different...........
.........good Good Lovin'..........

Rough diamonds may sometimes be mistaken for worthless pebbles.......

Rock on,

Doc
Whether we fall by ambition, blood, or lust, like diamonds we are cut with our own dust.....

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Not much of this show left too release.

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In reply to by fourwindsblow

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No DS or TOO?? But a nice H2H. Been listening to Winterland, three weeks earlier, March 24th H2H, that's a very hot one. 1971, next best thing to primal.

Five 71 Dave's Picks through #51.

Seems odd to me that he has not touched many other years much or at all. Definitely a proponent of variety, but we will take what we can get.

I think we would have all thought we would get a 91 released by now, but now I don't see it happening any time soon. At least they gave us a great 91 show for last year's MUATM. Wish they would release it on video and CD.

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Well, not the sort of jam we were referring to, but kind of in my sphere of expertise.....

There were a handful of April 71 shows that had no Dark Star or Other One---if memory serves me well, that included April 4, 6, 7, 10, 15, 17, 18, 22, 25, and 26. So maybe not so unusual for that month. Often times, Good Lovin' was the "jammy tune" of the evening. All, of course, leading up to the penultimate Good Lovin' of April 26, 1971, which was about the crankinest jammyest Good Lovin' known to humankind. Now that one is definitely worth a listen!!!

March 24. Oh yeah. Highly rated here. "We brought Pigpen, but we forgot an organ". And Bobby with the Code Seminole mishigas. Too funny. Now this one does have an Other One and it's pretty good. Healthy doses of Pigpen. Would make a nice official release some day. Like maybe next year LOL.............

Paperwork day. No bodies to cut up. I'm jonesing................

Rock on,

Doc
Because the sweeter the cake, the more bitter the jelly can be.......

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I was just going to post about this one..

Give it a listen... Good show! Has a different feel...

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In reply to by fourwindsblow

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Comments and seaside do not seem to be enabled yet... yes, indeed 3/24 an interesting show, Thanks Doc for the DS/TOO April recap, noticed same thing, them being on hiatus. Turn out we do get another TOO, from Pittsburg.

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While we can bemoan the # of 1971 shows released in the DaP series, this is the first from the spring with all the others from the fall of 1971. This is a completely different band from the previously released 1971 shows. In fact, in the last 20+ years, there have been just a few releases of shows with this configuration from 1971-- Ladies and Gentlemen, Three From the Vault and the bonus discs to WD and AB (with one of them including Mickey, so not quite). I agree with doc, Good Lovin' was frequently the jam of the night instead of Dark Star or Other One-- and they cooked in the month of April 1971.

I will mention I am a bit disappointed in #50. I like May 1977, but little of that release truly 'grabs' my attention. Nice show, but nothing extraordinary. I love #49 though and will likely very much enjoy #51.

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In reply to by estimated-eyes

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So, we do get an Other One, finish off 10/24/70 and a full disc from the night before. I'll take it, especially for an early Wharf Rat as well!

Was hoping that the joke about the Catholic Girl (with the tiny little mustache) would make the cover. "They're learning to blow" and "Alllllllll the waaaaaaaaayyyyyyy" make that one of Zappa's most hilarious tracks.

And don't forget, "Hey she gave me VD!" But I guess we get a Steve Carrell reference instead, too bad Dwight or Mose isn't lurking in the background.

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Dave's 51 is up on its pre-order page in the store. Three CDs with some tasty extras.

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The cover art on DaP 51 is OK, but seems like kind of a missed opportunity. I mean, we're talking about a show that was at the Catholic Youth Center. The mind is boggled by the wealth of graphic art possibilities.

Sure, The Office was a fun show. But it wasn't as fun as making fun of nuns.*

*I am allowed to say this because I am a "failed" Catholic whose knuckles are still sore after suffering the wrath of those deranged ruler-wielding pelicans.

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All this talk of oversaturated 1977 releases got me thinking. Re~imagine the Terrapin Station album. For one, as I grew older and wiser when it comes to the Dead & their music, I realized how live was always better. I used to collect the studio albums 30 years or so ago when I wasn't hip to the tape trader circuit. Now them studio albums are long gone and I have a supreme live {mostly official releases} collection to date. So what better way to get rid of that over saturated "Phil Spector Beattles" sound than to implement live versions of the album's songs! I have all my music discs on the computer so this is quite a simple and really fun time consuming task. One difference is I add a "Fire" with no "Scarlett" and place it between "Estimated" & "Dancin'Streets" because I had heard it really was a 1977 Terrapin sessions song and just missed the cut. Not that the song doesn't fit in the "Shakedown" album motif, I just like it better in my mix! So now I have 13 different versions of the Terrapin Station album, to go along with the THOUSANDS of playlists! Still wanting 4/23/77.

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In reply to by RyXs

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Beyond and besides what I've already been doing, (in regards to my previous post) my "Terrapin album live" playlists are now peppered with 1976 "Dancin' Streets" and "Passenger" tracks from spring 1978. I swear this is the last I post about this, and of anything on this 1977 thread!

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In reply to by daverock

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I can post here but not on 51.

WMD - are starting with some changes.

51 always goes to product recommendations now.

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